I am not a teacher, but an awakener.
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I took a deep breath and listened to the old bray of my heart. I am. I am. I am.
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Everything has its wonders, even darkness and silence, and I learn, whatever state I am in, therein to be content.
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I am Suleiman the Magnificent. I AM the Ottoman Empire.
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I exist as I am, that is enough.
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Though I am young and cannot tell Either what death or love is well,...
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My skin is kind of sort of brownish Pinkish yellowish white. My eyes are greyish blueish green, But I'm told they look orange in the night. My hair is reddish blondish brown, But it's silver when it's wet. And all the colors I am inside Have not been invented yet.
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I carry your heart with me (I carry it in my heart) I am never without it (anywhere I go you go, my dear; and whatever is done by only me is your doing, my darling) I fear no fate (for you are my fate, my sweet) I want no world (for beautiful you are my world, my true) and it's you are whatever a moon has always meant and whatever a sun will always sing is you. Here is the deepest secret nobody knows (here is the root of the root and the bud of the bud and the sky of the sky of a tree called life; which grows higher than the soul can hope or mind can hide) and this is the wonder that's keeping the stars apart. I carry your heart (I carry it in my heart).
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Nature has no mercy at all. Nature says, I'm going to snow. If you have on a bikini and no snowshoes, that's tough. I am going to snow anyway.
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I am certain of nothing but the holiness of the heart's affections and the truth of imagination. What the imagination seizes as beauty must be truth - whether it existed before or not.
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Like dear St. Francis of Assisi I am wedded to Poverty: but in my case the marriage is not a success.
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I am certain of nothing but the holiness of the heart's affection and the truth of imagination.
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I am as bad as the worst, but, thank God, I am as good as the best.
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'I cry'
Sometimes when I'm alone I Cry, Cause I am on my own. The tears I cry are bitter and warm. They flow with life but take no form I Cry because my heart is torn. I find it difficult to carry on. If I had an ear to confiding, I would cry among my treasured friend, but who do you know that stops that long, to help another carry on. The world moves fast and it would rather pass by. Then to stop and see what makes one cry, so painful and sad. And sometimes... I Cry and no one cares about why.
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The spotted hawk swoops by and accuses me, he complains of my gab and my loitering. I too am not a bit tamed, I too am untranslatable, I sound my barbaric yawp over the roofs of the world. The last scud of the day holds back for me, It flings my likeness after the rest and true as any on the shadow'd wilds, It coaxes me to the vapor and the dusk. I depart as air, I shake my white locks at the runaway sun, I effuse my flesh in eddies, and drift it in lacy jags. I bequeath myself to the dirt to grow from the grass I love, If you want me again look for me under your boot-soles. You will hardly know who I am or what I mean, But I shall be good health to you nevertheless, And filter and fibre for your blood. Failing to fetch me at first keep encouraged, Missing me one place search another, I stop somewhere waiting for you.
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As we talked of freedom and justice one day for all, we sat down to steaks. I am eating misery, I thought, as I took the first bite. And spit it out.
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Here I am, inspired to write only because I'm pissed off.
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I am the Turquoise Woman's Son, On top of Belted Mountain beautiful horses--slim like a weasel! My horse with a hoof like a striped agate, with his fetlock like a fine eagle plume: my horse whose legs are like quick lightning whose body is an eagle-plumed arrow: my horse whose tail is like a trailing black cloud. The Little Holy Wind blows through his hair. My horse with a mane made of short rainbows. My horse with ears made of round corn. My horse with eyes made of big starts. My horse with a head made of mixed waters. My horse with teeth made of white shell. The long rainbow is in his mouth for a bridle and with it I guide him.
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The sight of a Black nun strikes their sentimentality; and, as I am unalterably rooted in native ground, they consider me a work of primitive art, housed in a magical color; the incarnation of civilized, anti-heathenism, and the fruit of a triumphing idea.
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Pile the bodies high at Austerlitz and Waterloo. Shovel them under and let me work— I am the grass; I cover all.
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I Am the arrow,...
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Do I contradict myself? Very well then I contradict myself, (I am large, I contain multitudes.)
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A woman is the only thing I am afraid of that I know will not hurt me.
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I have the simplest tastes. I am always satisfied with the best.
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I am obnoxious to each carping tongue Who says my hand a needle better fits,...
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I am only one; but still I am one. I cannot do everything, but still I can do something; I will not refuse to do the something I can do.
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The change of mind I am talking about involves not just a change of knowledge, but also a change of attitude toward our essential ignorance, a change in our bearing in the face of mystery. The principle of ecology, if we will take it to heart, should keep us aware that our lives depend on other lives and upon processes and energies in an interlocking system that, though we can destroy it, we can neither fully understand nor fully control. And our great dangerousness is that, locked in our selfish and myopic economies, we have been willing to change or destroy far beyond our power to understand.
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Well I am certainly wiser than this man. It is only too likely that neither of us has any knowledge to boast of; but he thinks that he knows something which he does not know, whereas I am quite conscious of my ignorance. At any rate it seems that I am wiser than he is to this small extent, that I do not think that I know what I do not know.
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Critics who treat adult as a term of approval, instead of as a merely descriptive term, cannot be adults themselves. To be concerned about being grown up, to admire the grown up because it is grown up, to blush at the suspicion of being childish; these things are the marks of childhood and adolescence.... When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty, I read them openly. When I became a man, I put away childish things, including the fear of childishness and the desire to be very grown up.
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For a hundred years I breathe and live, the flower of beauty and the bread of kindness. I am your friendly shade in the noonday heat of summer, and I stand pencilled against the winter twilight, a silhouette for dreams. At dawning in the spring I am filled with song, the host to a thousand birds, and I decorate the autumn with pageantry and colour. Then comes the woodsman with his axe. And still I serve. I am the timber that builds your boat; the rafters of your cathedrals; the choirstalls of your church enriched by the magic of the carver's fingers. I am the beam that holds your house; the door of your homestead, and the lintel too. I am the handle of your hoe; the wood of your cradle; the bed on which you lie; the board of your table and the board for your bread. When I am living, harm me not. When I am dead, respect me and use me kindly.
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