Written by
Maggie Estep |
Liner Notes - (From Love Is A Dog From Hell)
Emotional Idiocy is obviously
a theme close to my heart since I seem to use the phrase in novels and
CDs alike.
My friend and mentor of sorts, Andrew Vachss, upon hearing me
read a rendition of this poem, stated that it ought to be the theme song
for borderline personality disorder.
He's right.
I'm an Emotional Idiot
so get away from me.
I mean,
COME HERE.
Wait, no,
that's too close,
give me some space
it's a big country,
there's plenty of room,
don't sit so close to me.
Hey, where are you?
I haven't seen you in days.
Whadya, having an affair?
Who is she?
Come on,
aren't I enough for you?
God,
You're so cold.
I never know what you're thinking.
You're not very affectionate.
I mean,
you're clinging to me,
DON'T TOUCH ME,
what am I, your fucking cat?
Don't rub me like that.
Don't you have anything better to do
than sit there fawning over me?
Don't you have any interests?
Hobbies?
Sailing Fly fishing
Archeology?
There's an archeology expedition leaving tomorrow
why don't you go?
I'll loan you the money,
my money is your money.
my life is your life
my soul is yours
without you I'm nothing.
Move in with me
we'll get a studio apartment together, save on rent,
well, wait, I mean, a one bedroom,
so we don't get in each other's hair or anything
or, well,
maybe a two bedroom
I'll have my own bedroom,
it's nothing personal
I just need to be alone sometimes,
you do understand,
don't you?
Hey, why are you acting distant?
Where you goin',
was it something I said?
What
What did I do?
I'm an emotional idiot
so get away from me
I mean,
MARRY ME.
|
Written by
Barry Tebb |
As soon as we crossed into Yorkshire
Hughes’ voice assailed me, unmistakable
Gravel and honey, a raw celebration of rain
Like a tattered lacework window;
Black glisten on roof slates,
Tarmac turned to shining ice,
Blusters of naked wind whipping
The wavelets of shifting water
To imaginary floating islets
On the turbulent river
Glumly he asked, "Where are the mills?"
Knowing their goneness in his lonely heart.
"Where are the mines with their turning spokes,
Lurking slag heaps, bolts of coal split with
Shimmering fools’ gold tumbling into waiting wagons?
Mostly what I came for was a last glimpse
Of the rock hanging over my cot, that towering
Sheerness fifty fathoms high screed with ferns
And failing tree roots, crumbling footholds
And dour smile.
A monument needs to be known
For what it is, not a tourist slot or geological stratum
But the dark mentor loosing wolf’s bane
At my sleeping head.
"
When the coach lurches over the county boundary,
If not Hughes’ voice then Heaney’s or Hill’s
Ringing like miners’ boots flinging sparks
From the flagstones, piercing the lens of winter,
Jutting like tongues of crooked rock
Lapping a mossed slab, an altar outgrown,
Dumped when the trumpeting hosannas
Had finally riven the air of the valley.
And I, myself, what did I make of it?
The voices coming into my head
Welcoming kin, alive or dead, my eyes
Jerking to the roadside magpie,
Its white tail-bar doing a hop, skip and jump.
|
Written by
Anne Sexton |
A woman
who loves a woman
is forever young.
The mentor
and the student
feed off each other.
Many a girl
had an old aunt
who locked her in the study
to keep the boys away.
They would play rummy
or lie on the couch
and touch and touch.
Old breast against young breast.
.
.
Let your dress fall down your shoulder,
come touch a copy of you
for I am at the mercy of rain,
for I have left the three Christs of Ypsilanti
for I have left the long naps of Ann Arbor
and the church spires have turned to stumps.
The sea bangs into my cloister
for the politicians are dying,
and dying so hold me, my young dear,
hold me.
.
.
The yellow rose will turn to cinder
and New York City will fall in
before we are done so hold me,
my young dear, hold me.
Put your pale arms around my neck.
Let me hold your heart like a flower
lest it bloom and collapse.
Give me your skin
as sheer as a cobweb,
let me open it up
and listen in and scoop out the dark.
Give me your nether lips
all puffy with their art
and I will give you angel fire in return.
We are two clouds
glistening in the bottle galss.
We are two birds
washing in the same mirror.
We were fair game
but we have kept out of the cesspool.
We are strong.
We are the good ones.
Do not discover us
for we lie together all in green
like pond weeds.
Hold me, my young dear, hold me.
They touch their delicate watches
one at a time.
They dance to the lute
two at a time.
They are as tender as bog moss.
They play mother-me-do
all day.
A woman
who loves a woman
is forever young.
Once there was a witch's garden
more beautiful than Eve's
with carrots growing like little fish,
with many tomatoes rich as frogs,
onions as ingrown as hearts,
the squash singing like a dolphin
and one patch given over wholly to magic --
rampion, a kind of salad root
a kind of harebell more potent than penicillin,
growing leaf by leaf, skin by skin.
as rapt and as fluid as Isadoran Duncan.
However the witch's garden was kept locked
and each day a woman who was with child
looked upon the rampion wildly,
fancying that she would die
if she could not have it.
Her husband feared for her welfare
and thus climbed into the garden
to fetch the life-giving tubers.
Ah ha, cried the witch,
whose proper name was Mother Gothel,
you are a thief and now you will die.
However they made a trade,
typical enough in those times.
He promised his child to Mother Gothel
so of course when it was born
she took the child away with her.
She gave the child the name Rapunzel,
another name for the life-giving rampion.
Because Rapunzel was a beautiful girl
Mother Gothel treasured her beyond all things.
As she grew older Mother Gothel thought:
None but I will ever see her or touch her.
She locked her in a tow without a door
or a staircase.
It had only a high window.
When the witch wanted to enter she cried"
Rapunzel, Rapunzel, let down your hair.
Rapunzel's hair fell to the ground like a rainbow.
It was as strong as a dandelion
and as strong as a dog leash.
Hand over hand she shinnied up
the hair like a sailor
and there in the stone-cold room,
as cold as a museum,
Mother Gothel cried:
Hold me, my young dear, hold me,
and thus they played mother-me-do.
Years later a prince came by
and heard Rapunzel singing her loneliness.
That song pierced his heart like a valentine
but he could find no way to get to her.
Like a chameleon he hid himself among the trees
and watched the witch ascend the swinging hair.
The next day he himself called out:
Rapunzel, Rapunzel, let down your hair,
and thus they met and he declared his love.
What is this beast, she thought,
with muscles on his arms
like a bag of snakes?
What is this moss on his legs?
What prickly plant grows on his cheeks?
What is this voice as deep as a dog?
Yet he dazzled her with his answers.
Yet he dazzled her with his dancing stick.
They lay together upon the yellowy threads,
swimming through them
like minnows through kelp
and they sang out benedictions like the Pope.
Each day he brought her a skein of silk
to fashion a ladder so they could both escape.
But Mother Gothel discovered the plot
and cut off Rapunzel's hair to her ears
and took her into the forest to repent.
When the prince came the witch fastened
the hair to a hook and let it down.
When he saw Rapunzel had been banished
he flung himself out of the tower, a side of beef.
He was blinded by thorns that prickled him like tacks.
As blind as Oedipus he wandered for years
until he heard a song that pierced his heart
like that long-ago valentine.
As he kissed Rapunzel her tears fell on his eyes
and in the manner of such cure-alls
his sight was suddenly restored.
They lived happily as you might expect
proving that mother-me-do
can be outgrown,
just as the fish on Friday,
just as a tricycle.
The world, some say,
is made up of couples.
A rose must have a stem.
As for Mother Gothel,
her heart shrank to the size of a pin,
never again to say: Hold me, my young dear,
hold me,
and only as she dreamed of the yellow hair
did moonlight sift into her mouth.
|
Written by
Anne Sexton |
A woman
who loves a woman
is forever young.
The mentor
and the student
feed off each other.
Many a girl
had an old aunt
who locked her in the study
to keep the boys away.
They would play rummy
or lie on the couch
and touch and touch.
Old breast against young breast.
.
.
Let your dress fall down your shoulder,
come touch a copy of you
for I am at the mercy of rain,
for I have left the three Christs of Ypsilanti
for I have left the long naps of Ann Arbor
and the church spires have turned to stumps.
The sea bangs into my cloister
for the politicians are dying,
and dying so hold me, my young dear,
hold me.
.
.
The yellow rose will turn to cinder
and New York City will fall in
before we are done so hold me,
my young dear, hold me.
Put your pale arms around my neck.
Let me hold your heart like a flower
lest it bloom and collapse.
Give me your skin
as sheer as a cobweb,
let me open it up
and listen in and scoop out the dark.
Give me your nether lips
all puffy with their art
and I will give you angel fire in return.
We are two clouds
glistening in the bottle galss.
We are two birds
washing in the same mirror.
We were fair game
but we have kept out of the cesspool.
We are strong.
We are the good ones.
Do not discover us
for we lie together all in green
like pond weeds.
Hold me, my young dear, hold me.
They touch their delicate watches
one at a time.
They dance to the lute
two at a time.
They are as tender as bog moss.
They play mother-me-do
all day.
A woman
who loves a woman
is forever young.
Once there was a witch's garden
more beautiful than Eve's
with carrots growing like little fish,
with many tomatoes rich as frogs,
onions as ingrown as hearts,
the squash singing like a dolphin
and one patch given over wholly to magic --
rampion, a kind of salad root
a kind of harebell more potent than penicillin,
growing leaf by leaf, skin by skin.
as rapt and as fluid as Isadoran Duncan.
However the witch's garden was kept locked
and each day a woman who was with child
looked upon the rampion wildly,
fancying that she would die
if she could not have it.
Her husband feared for her welfare
and thus climbed into the garden
to fetch the life-giving tubers.
Ah ha, cried the witch,
whose proper name was Mother Gothel,
you are a thief and now you will die.
However they made a trade,
typical enough in those times.
He promised his child to Mother Gothel
so of course when it was born
she took the child away with her.
She gave the child the name Rapunzel,
another name for the life-giving rampion.
Because Rapunzel was a beautiful girl
Mother Gothel treasured her beyond all things.
As she grew older Mother Gothel thought:
None but I will ever see her or touch her.
She locked her in a tow without a door
or a staircase.
It had only a high window.
When the witch wanted to enter she cried"
Rapunzel, Rapunzel, let down your hair.
Rapunzel's hair fell to the ground like a rainbow.
It was as strong as a dandelion
and as strong as a dog leash.
Hand over hand she shinnied up
the hair like a sailor
and there in the stone-cold room,
as cold as a museum,
Mother Gothel cried:
Hold me, my young dear, hold me,
and thus they played mother-me-do.
Years later a prince came by
and heard Rapunzel singing her loneliness.
That song pierced his heart like a valentine
but he could find no way to get to her.
Like a chameleon he hid himself among the trees
and watched the witch ascend the swinging hair.
The next day he himself called out:
Rapunzel, Rapunzel, let down your hair,
and thus they met and he declared his love.
What is this beast, she thought,
with muscles on his arms
like a bag of snakes?
What is this moss on his legs?
What prickly plant grows on his cheeks?
What is this voice as deep as a dog?
Yet he dazzled her with his answers.
Yet he dazzled her with his dancing stick.
They lay together upon the yellowy threads,
swimming through them
like minnows through kelp
and they sang out benedictions like the Pope.
Each day he brought her a skein of silk
to fashion a ladder so they could both escape.
But Mother Gothel discovered the plot
and cut off Rapunzel's hair to her ears
and took her into the forest to repent.
When the prince came the witch fastened
the hair to a hook and let it down.
When he saw Rapunzel had been banished
he flung himself out of the tower, a side of beef.
He was blinded by thorns that prickled him like tacks.
As blind as Oedipus he wandered for years
until he heard a song that pierced his heart
like that long-ago valentine.
As he kissed Rapunzel her tears fell on his eyes
and in the manner of such cure-alls
his sight was suddenly restored.
They lived happily as you might expect
proving that mother-me-do
can be outgrown,
just as the fish on Friday,
just as a tricycle.
The world, some say,
is made up of couples.
A rose must have a stem.
As for Mother Gothel,
her heart shrank to the size of a pin,
never again to say: Hold me, my young dear,
hold me,
and only as she dreamed of the yellow hair
did moonlight sift into her mouth.
|
Written by
Barry Tebb |
The Poetry School, The Poetry Book Society, The Poetry Business:
So much poetry about you’d think I’d want to shout, “Hurray, hurray,
Every day’s Poetry Day!” but I don’t and you don’t either-
You know its flim-flam on the ether, grants for Jack-the-lads
Of both sexes, poets who’ve never been seen in a little magazine
Then gone on to win the Oopla Prize and made baroque architecture
The subject of an O.
U.
lecture.
Seventy five pounds for a seminar on sensitivity in verse;
A hundred and fifty for an infinitely worse whole weekend of
‘Steps towards a personal fiction in post-modern diction’;
And the inevitable course anthology, eight pounds for eleven
Nameless poets Pascale Petit and Mimi Kahlvati carefully selected
From, well honestly! Who cares? God only knows how banal they’re
Bound to be.
Budding Roddy Lumsdens, (Has anyone read a Roddy
Lumsden
Poem?) “Yeah! Yeah! Yeah!” his first collection short-listed here and
there -
The sheer hype’s enough to put me off for life.
I still write at bus-stops and avoid competitions like the plague.
I’m not lucky that way, I’ve still to win a single literary prize.
Is there one for every day of the year? And as for James Kirkup,
My mentor of forty-odd years, his name evokes blank stares; but
Look him up in ‘Who’s Who’, countless OUP collections, the best-
ever
Version of Val?ry’s ‘Cimeti?re Marin’, translations from eleven
tongues
Including Vietnamese.
Is there nothing Jamie can do to please?
I help one poet to write and one to stay alive;
Please God help poor poets thrive.
|
Written by
Eugene Field |
Come, brothers, share the fellowship
We celebrate to-night;
There's grace of song on every lip
And every heart is light!
But first, before our mentor chimes
The hour of jubilee,
Let's drink a health to good old times,
And good times yet to be!
Clink, clink, clink!
Merrily let us drink!
There's store of wealth
And more of health
In every glass, we think.
Clink, clink, clink!
To fellowship we drink!
And from the bowl
No genial soul
In such an hour can shrink.
And you, oh, friends from west and east
And other foreign parts,
Come share the rapture of our feast,
The love of loyal hearts;
And in the wassail that suspends
All matters burthensome,
We 'll drink a health to good old friends
And good friends yet to come.
Clink, clink, clink!
To fellowship we drink!
And from the bowl
No genial soul
In such an hour will shrink.
Clink, clink, clink!
Merrily let us drink!
There's fellowship
In every sip
Of friendship's brew, we think.
|
Written by
Thomas Campbell |
Hadst thou a genius on thy peak,
What tales, white-headed Ben,
Could'st thou of ancient ages speak,
That mock th' historian's pen!
Thy long duration makes our livea
Seem but so many hours;
And likens, to the bees' frail hives,
Our most stupendous towers.
Temples and towers thou seest begun,
New creeds, new conquerers sway;
And, like their shadows in the sun,
Hast seen them swept away.
Thy steadfast summit, heaven-allied
(Unlike life's little span),
Looks down a mentor on the pride
Of perishable man.
|
Written by
Dejan Stojanovic |
Our desires flew like birds in the mornings
When we were waked by the bells of dreams
Hypnotized and ready for another round of living
We would walk down the street of a foreign city mesmerized
By our own history seen on the streets and in the gardens
Filled with exotic flowers and the grass; you loved the grass
You said you would teach me everything
I never found out really what but I accepted you as mentor
To learn whatever might be
I accepted the usual, but unusual, ways of life
And lived a life I never thought I would.
It became a typhoon passing through paradise.
You accepted my gifts but perhaps not my ideas
I thought I knew you
Although I hardly knew if I knew myself;
I learned to accept your unusual, but usual, ways
Your strange thoughts about living and dreaming and mixing living with dreams
I learned to like your usual ways of presenting unusual desires
What about psychology?
There is no way to analyze the working of the brain machine,
Working billions of cells, transmitters, and neutrons
Flying, fighting, competing
How do ideas come to life?
That was another hard question.
I was not able to find out anything about anything,
Except that I was alive and felt alive and yet felt dead as well;
I watched rain, fog, horses, birds, and trees, and I watched the blue;
I really loved watching the blue every day;
You loved the same, although maybe for different reasons;
Maybe we loved each other for different reasons too.
Did we hate each other?
I felt I hated you not a few times.
Did you hate me? Maybe you did as well sometimes
And maybe you still hate me
When you think of that July when the blue was everywhere
With the white dot in the middle, shining like the first time
When everything was green
And you were glistening in the middle of the blue, the green, the summer,
But I was not there.
|