Best Famous Burlesque Poems

Here is a collection of the all-time best famous Burlesque poems. This is a select list of the best famous Burlesque poetry. Reading, writing, and enjoying famous Burlesque poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of burlesque poems.

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• All Famous Burlesque Poems

Written by Alfred Lord Tennyson | The Princess (The Conclusion) So closed our tale, of which I give you all The random scheme as wildly as it rose: The words are mostly mine; for when we ceased There came a minute's pause, and Walter said, 'I wish she had not yielded!' then to me, 'What, if you drest it up poetically?' So prayed the men, the women: I gave assent: Yet how to bind the scattered scheme of seven Together in one sheaf? What style could suit? The men required that I should give throughout The sort of mock-heroic gigantesque, With which we bantered little Lilia first: The women--and perhaps they felt their power, For something in the ballads which they sang, Or in their silent influence as they sat, Had ever seemed to wrestle with burlesque, And drove us, last, to quite a solemn close-- They hated banter, wished for something real, A gallant fight, a noble princess--why Not make her true-heroic--true-sublime? Or all, they said, as earnest as the close? Which yet with such a framework scarce could be. Then rose a little feud betwixt the two, Betwixt the mockers and the realists: And I, betwixt them both, to please them both, And yet to give the story as it rose, I moved as in a strange diagonal, And maybe neither pleased myself nor them. But Lilia pleased me, for she took no part In our dispute: the sequel of the tale Had touched her; and she sat, she plucked the grass, She flung it from her, thinking: last, she fixt A showery glance upon her aunt, and said, 'You--tell us what we are' who might have told, For she was crammed with theories out of books, But that there rose a shout: the gates were closed At sunset, and the crowd were swarming now, To take their leave, about the garden rails. So I and some went out to these: we climbed The slope to Vivian-place, and turning saw The happy valleys, half in light, and half Far-shadowing from the west, a land of peace; Gray halls alone among their massive groves; Trim hamlets; here and there a rustic tower Half-lost in belts of hop and breadths of wheat; The shimmering glimpses of a stream; the seas; A red sail, or a white; and far beyond, Imagined more than seen, the skirts of France. 'Look there, a garden!' said my college friend, The Tory member's elder son, 'and there! God bless the narrow sea which keeps her off, And keeps our Britain, whole within herself, A nation yet, the rulers and the ruled-- Some sense of duty, something of a faith, Some reverence for the laws ourselves have made, Some patient force to change them when we will, Some civic manhood firm against the crowd-- But yonder, whiff! there comes a sudden heat, The gravest citizen seems to lose his head, The king is scared, the soldier will not fight, The little boys begin to shoot and stab, A kingdom topples over with a shriek Like an old woman, and down rolls the world In mock heroics stranger than our own; Revolts, republics, revolutions, most No graver than a schoolboys' barring out; Too comic for the serious things they are, Too solemn for the comic touches in them, Like our wild Princess with as wise a dream As some of theirs--God bless the narrow seas! I wish they were a whole Atlantic broad. ' 'Have patience,' I replied, 'ourselves are full Of social wrong; and maybe wildest dreams Are but the needful preludes of the truth: For me, the genial day, the happy crowd, The sport half-science, fill me with a faith. This fine old world of ours is but a child Yet in the go-cart. Patience! Give it time To learn its limbs: there is a hand that guides. ' In such discourse we gained the garden rails, And there we saw Sir Walter where he stood, Before a tower of crimson holly-hoaks, Among six boys, head under head, and looked No little lily-handed Baronet he, A great broad-shouldered genial Englishman, A lord of fat prize-oxen and of sheep, A raiser of huge melons and of pine, A patron of some thirty charities, A pamphleteer on guano and on grain, A quarter-sessions chairman, abler none; Fair-haired and redder than a windy morn; Now shaking hands with him, now him, of those That stood the nearest--now addressed to speech-- Who spoke few words and pithy, such as closed Welcome, farewell, and welcome for the year To follow: a shout rose again, and made The long line of the approaching rookery swerve From the elms, and shook the branches of the deer From slope to slope through distant ferns, and rang Beyond the bourn of sunset; O, a shout More joyful than the city-roar that hails Premier or king! Why should not these great Sirs Give up their parks some dozen times a year To let the people breathe? So thrice they cried, I likewise, and in groups they streamed away. But we went back to the Abbey, and sat on, So much the gathering darkness charmed: we sat But spoke not, rapt in nameless reverie, Perchance upon the future man: the walls Blackened about us, bats wheeled, and owls whooped, And gradually the powers of the night, That range above the region of the wind, Deepening the courts of twilight broke them up Through all the silent spaces of the worlds, Beyond all thought into the Heaven of Heavens. Last little Lilia, rising quietly, Disrobed the glimmering statue of Sir Ralph From those rich silks, and home well-pleased we went.

Written by Joseph Brodsky | A Polar Explorer All the huskies are eaten. There is no space left in the diary And the beads of quick words scatter over his spouse's sepia-shaded face adding the date in question like a mole to her lovely cheek. Next the snapshot of his sister. He doesn't spare his kin: what's been reached is the highest possible latitude! And like the silk stocking of a burlesque half-nude queen it climbs up his thigh: gangrene.

Written by Andrew Barton Paterson | Behind the Scenes The actor struts his little hour, Between the limelight and the band; The public feel the actor's power, Yet nothing do they understand Of all the touches here and there That make or mar the actor's part, They never see, beneath the glare, The artist striving after art. To them it seems a labour slight Where nought of study intervenes; You see it in another light When once you've been behind the scenes. For though the actor at his best Is, like a poet, born not made, He still must study with a zest And practise hard to learn his trade. So, whether on the actor's form The stately robes of Hamlet sit, Or as Macbeth he rave and storm, Or plays burlesque to please the pit, 'Tis each and all a work of art, That constant care and practice means -- The actor who creates a part Has done his work behind the scenes.

Written by Carl Sandburg | Portrait (For S. A. )TO write one book in five years or five books in one year, to be the painter and the thing painted, … where are we, bo? Wait—get his number. The barber shop handling is here and the tweeds, the cheviot, the Scotch Mist, and the flame orange scarf. Yet there is more—he sleeps under bridges with lonely crazy men; he sits in country jails with bootleggers; he adopts the children of broken-down burlesque actresses; he has cried a heart of tears for Windy MacPherson’s father; he pencils wrists of lonely women. Can a man sit at a desk in a skyscraper in Chicago and be a harnessmaker in a corn town in Iowa and feel the tall grass coming up in June and the ache of the cottonwood trees singing with the prairie wind?

Written by Robert Burns | 171. Burlesque Lament fo Wm. Creech's Absence AULD chuckie Reekie’s 1 sair distrest, Down droops her ance weel burnish’d crest, Nae joy her bonie buskit nest Can yield ava, Her darling bird that she lo’es best— Willie’s awa! O Willie was a witty wight, And had o’ things an unco’ sleight, Auld Reekie aye he keepit tight, And trig an’ braw: But now they’ll busk her like a fright,— Willie’s awa! The stiffest o’ them a’ he bow’d, The bauldest o’ them a’ he cow’d; They durst nae mair than he allow’d, That was a law: We’ve lost a birkie weel worth gowd; Willie’s awa! Now gawkies, tawpies, gowks and fools, Frae colleges and boarding schools, May sprout like simmer puddock-stools In glen or shaw; He wha could brush them down to mools— Willie’s awa! The brethren o’ the Commerce-chaumer May mourn their loss wi’ doolfu’ clamour; He was a dictionar and grammar Among them a’; I fear they’ll now mak mony a stammer; Willie’s awa! Nae mair we see his levee door Philosophers and poets pour, And toothy critics by the score, In bloody raw! The adjutant o’ a’ the core— Willie’s awa! Now worthy Gregory’s Latin face, Tytler’s and Greenfield’s modest grace; Mackenzie, Stewart, such a brace As Rome ne’er saw; They a’ maun meet some ither place, Willie’s awa! Poor Burns ev’n Scotch Drink canna quicken, He cheeps like some bewilder’d chicken Scar’d frae it’s minnie and the cleckin, By hoodie-craw; Grieg’s gien his heart an unco kickin, Willie’s awa! Now ev’ry sour-mou’d girnin blellum, And Calvin’s folk, are fit to fell him; Ilk self-conceited critic skellum His quill may draw; He wha could brawlie ward their bellum— Willie’s awa! Up wimpling stately Tweed I’ve sped, And Eden scenes on crystal Jed, And Ettrick banks, now roaring red, While tempests blaw; But every joy and pleasure’s fled, Willie’s awa! May I be Slander’s common speech; A text for Infamy to preach; And lastly, streekit out to bleach In winter snaw; When I forget thee, Willie Creech, Tho’ far awa! May never wicked Fortune touzle him! May never wicked men bamboozle him! Until a pow as auld’s Methusalem He canty claw! Then to the blessed new Jerusalem, Fleet wing awa! Note 1. Edinburgh. [back]