No woman can be handsome by the force of features alone, any more that she can be witty by only the help of speech.
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He would cry out on life, that what it wants Is not its own love back in copy speech, But counter-love, original response.
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It is by the goodness of God that in our country we have those three unspeakably precious things: freedom of speech, freedom of conscience, and the prudence never to practice either of them.
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Reading it aloud – poetry is, after all, just written down speech – allow the poem to have a moment to exist. The reader has to put as much care into the reading of the poem as the poet has into writing it. In the relationship between poet, poem and reader, every element has to pull its weight.
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The right to discuss freely and openly, by speech, by the pen, by the press, all political questions, and to examine and animadvert (speak out) upon all political institutions, is a right so clear and certain, so interwoven with our other liberties, so necessary, in fact to their existence, that without it we must fall at once into depression or anarchy. To say that he who holds unpopular opinions must hold them at the peril of his life, and that, if he expresses them in public, he has only himself to blame if they who disagree with him should rise and put him to death, is to strike at all rights, all liberties, all protection of the laws, and to justify and extenuate all crimes.
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The stage is a concrete physical place which asks to be filled, and to be given its own concrete language to speak. I say that this concrete language, intended for the senses and independent of speech, has first to satisfy the senses, that there is a poetry of the senses as there is a poetry of language, and that this concrete physical language to which I refer is truly theatrical only to the degree that the thoughts it expresses are beyond the reach of the spoken language. These thoughts are what words cannot express and which, far more than words, would find their ideal expression in the concrete physical language of the stage. It consists of everything that occupies the stage, everything that can be manifested and expressed materially on a stage and that is addressed first of all to the senses instead of being addressed primarily to the mind as is the language of words...creating beneath language a subterranean current of impressions, correspondences, and analogies. This poetry of language, poetry in space will be resolved precisely in the domain which does not belong strictly to words...Means of expression utilizable on the stage, such as music, dance, plastic art, pantomime, mimicry, gesticulation, intonation, architecture, lighting, and scenery...The physical possibilities of the stage offers, in order to substitute, for fixed forms of art, living and intimidating forms by which the sense of old ceremonial magic can find a new reality in the theater; to the degree that they yield to what might be called the physical temptation of the stage. Each of these means has its own intrinsic poetry.
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Free speech carries with it some freedom to listen.
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When Apollo Mission Astronaut Neil Armstrong first walked on the moon, he not only gave his famous one small step for man, one giant leap for mankind statement but followed it by several remarks, usual com traffic between him, the other astronauts and Mission Control. Just before he re-entered the lander, however, he made the enigmatic remark; 'Good luck Mr. Gorsky.'
Many people at NASA thought it was a casual remark concerning some rival Soviet Cosmonaut. However, upon checking, there was no Mr. Gorsky in either the Russian or American space programs. Over the years many people questioned Armstrong as to what the Good luck Mr. Gorsky statement meant, but Armstrong always just smiled.
Just last year, (on 5 July 1995 in Tampa Bay, FL) while answering questions following a speech, a reporter brought up the 26-year-old question to Armstrong. This time he finally responded. Mr. Gorsky had finally died and so Neil Armstrong felt he could answer the question.
When he was a kid, he was playing baseball with a friend in the backyard. His friend hits a fly ball which landed in the front of his neighbors bedroom windows. His neighbors were Mr. And Mrs. Gorsky.
As he leaned down to pick up the ball, young Armstrong heard Mrs. Gorsky shouting at Mr. Gorsky. 'Oral sex! You want oral sex?! You'll get oral sex when the kid next door walks on the moon!'
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LOOKING-GLASS, n. A vitreous plane upon which to display a fleeting show for man's disillusion given. The King of Manchuria had a magic looking-glass, whereon whoso looked saw, not his own image, but only that of the king. A certain courtier who had long enjoyed the king's favor and was thereby enriched beyond any other subject of the realm, said to the king: Give me, I pray, thy wonderful mirror, so that when absent out of thine august presence I may yet do homage before thy visible shadow, prostrating myself night and morning in the glory of thy benign countenance, as which nothing has so divine splendor, O Noonday Sun of the Universe! Please with the speech, the king commanded that the mirror be conveyed to the courtier's palace; but after, having gone thither without apprisal, he found it in an apartment where was naught but idle lumber. And the mirror was dimmed with dust and overlaced with cobwebs. This so angered him that he fisted it hard, shattering the glass, and was sorely hurt. Enraged all the more by this mischance, he commanded that the ungrateful courtier be thrown into prison, and that the glass be repaired and taken back to his own palace; and this was done. But when the king looked again on the mirror he saw not his image as before, but only the figure of a crowned ass, having a bloody bandage on one of its hinder hooves --as the artificers and all who had looked upon it had before discerned but feared to report. Taught wisdom and charity, the king restored his courtier to liberty, had the mirror set into the back of the throne and reigned many years with justice and humility; and one day when he fell asleep in death while on the throne, the whole court saw in the mirror the luminous figure of an angel, which remains to this day.
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Language is political. That's why you and me, my Brother and Sister, that's why we supposed to choke our natural self into the weird, lying, barbarous, unreal, white speech and writing habits that the schools lay down like holy law. Because, in other words, the powerful don't play; they mean to keep that power, and those who are the powerless (you and me) better shape up --mimic/ape/suck --in the very image of the powerful, or the powerful will destroy you --you and our children.
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The ages of seven to eleven is a huge chunk of life, full of dulling and forgetting. It is fabled that we slowly lose the gift of speech with animals, that birds no longer visit our windowsills to converse. As our eyes grow accustomed to sight they armour themselves against wonder.
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Thy youngest daughter does not love thee least, Nor are those empty-hearted whose low sounds Reverb no hollowness.
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There is a certain age at which a child looks at you in all earnestness and delivers a long, pleased speech in all the true inflections of spoken English, but with not one recognizable syllable. There is no way you can tell the child that if language had been a melody, he had mastered it and done well, but that since it was in fact a sense, he had botched it utterly.
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Do not speak harshly to any one; those who are spoken to will answer thee in the same way. Angry speech is painful: blows for blows will touch thee.
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My father and he had one of those English friendships which begin by avoiding intimacies and eventually eliminate speech altogether.
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By an epiphany he meant a sudden spiritual manifestation, whether in the vulgarity of speech or of gesture or in a memorable phase of the mind...
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A kiss is a lovely trick designed by nature to stop speech when words become superfluous.
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For all of him dead and gone and vanished from us, and all of him which clings to our speech black god of our time.
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When we were told that by freedom we understood free enterprise, we did very little to dispel this monstrous falsehood. Wealth and economic well-being, we have asserted, are the fruits of freedom, while we should have been the first to know that this kind of ''happiness'' has been an unmixed blessing only in this country, and it is a minor blessing compared with the truly political freedoms, such as freedom of speech and thought, of assembly and association, even under the best conditions.
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Wine is a part of society because it provides a basis not only for a morality but also for an environment; it is an ornament in the slightest ceremonials of French daily life, from the snack to the feast, from the conversation at the local caf? to the speech at a formal dinner.
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We cannot tolerate the proliferation of this paperwork any longer. It is useless to fight the forms. We must kill the people producing them.
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It citizenship would give to persons of the negro race, who were recognized as citizens in any one State of the Union, the right to enter every other state whenever they pleased, singly or in companies, without pass or passport, andwithout obstruction, to sojourn there as long as they pleased, to go where they pleased at every hour of the day or night without molestation, unless they committed some violation of the law for which a white man would be punished it citizenship would give them the full liberty of speech in public and in private upon all subjects upon which its own citizens might speak to hold public meetings upon political affairs, and to keep and carry arms wherever they went. And all this would be done in the face of the subject race of the same color, both free and slaves, inevitably producing discontent and insubordination among them, and endangering the peace and safety of the State.
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The accent of one's birthplace remains in the mind and in the heart as in one's speech.
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The true use of speech is not so much to express our wants as to conceal them.
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What of the heart without her? Nay, poor heart, Of thee what word remains ere speech be still?...
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Your column is a pack of damn lies, a reader wrote to William Safire about a political piece he did in the New York Times. Brushing aside the stern criticism, Safire immediately debated whether it should be damn, the way it sounds, or damned, as the past participle of the verb, to damn. The ed on some words is simply slipping away, he points out. We're seeing more barbecue chicken, whip cream and corn beef. His conclusion: Ears are sloppy and eyes are precise; accordingly, speech can be loose but writing should be tight.
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Why should Allah chastise you if you are grateful and believe? And Allah is the Multiplier of rewards, Knowing / Allah does not love the public utterance of hurtful speech unless (it be) by one to whom injustice has been done; and Allah is Hearing, Knowing.
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Brevity is the best recommendation of speech, whether in a senator or an orator.
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In a symbol there is concealment and yet revelation: here therefore, by silence and by speech acting together, comes a double significance. In the symbol proper, what we can call a symbol, there is ever, more or less distinctly and directly, some embodiment and revelation of the Infinite; the Infinite is made to blend itself with the Finite, to stand visible, and as it were, attainable there. By symbols, accordingly, is man guided and commanded, made happy, made wretched.
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To become oneself, with all one's strength. Difficult. A bomb, a speech, a rifle shot -- and the world can look a different place. And then where is this self
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