Written by
Vernon Scannell |
THE SENTENCE
Perhaps I can make it plain by analogy.
Imagine a machine, not yet assembled,
Each part being quite necessary
To the functioning of the whole: if the job is fumbled
And a vital piece mislaid
The machine is quite valueless,
The workers will not be paid.
It is just the same when constructing a sentence
But here we must be very careful
And lay stress on the extreme importance
Of defining our terms: nothing is as simple
As it seems at first regard.
"Sentence" might well mean to you
The amorous rope or twelve years" hard.
No, by "sentence" we mean, quite simply, words
Put together like the parts of a machine.
Now remember we must have a verb: verbs
Are words of action like Murder, Love, or Sin.
But these might be nouns, depending
On how you use them –
Already the plot is thickening.
Except when the mood is imperative; that is to say
A command is given like Pray, Repent, or Forgive
(Dear me, these lessons get gloomier every day)
Except, as I was saying, when the mood is gloomy –
I mean imperative
We need nouns, or else of course
Pronouns; words like Maid,
Man, Wedding or Divorce.
A sentence must make sense.
Sometimes I believe
Our lives are ungrammatical.
I guess that some of
you
Have misplaced the direct object: the longer I live
The less certain I feel of anything I do.
But now I begin
To digress.
Write down these simple sentences:--
I am sentenced: I love: I murder: I sin.
|
Written by
Vernon Scannell |
They did not expect this.
Being neither wise nor brave
And wearing only the beauty of youth's season
They took the first turning quite unquestioningly
And walked quickly without looking back even once.
It was of course the wrong turning.
First they were nagged
By a small wind that tugged at their clothing like a dog;
Then the rain began and there was no shelter anywhere,
Only the street and the rows of houses stern as soldiers.
Though the blood chilled, the endearing word burnt the tongue.
There were no parks or gardens or public houses:
Midnight settled and the rain paused leaving the city
Enormous and still like a great sleeping seal.
At last they found accommodation in a cold
Furnished room where they quickly learnt to believe in ghosts;
They had their hope stuffed and put on the mantelpiece
But found, after a while, that they did not notice it.
While she spends many hours looking in the bottoms of teacups
He reads much about association football
And waits for the marvellous envelope to fall:
Their eyes are strangers and they rarely speak.
They did not expect this.
|
Written by
Vernon Scannell |
That one small boy with a face like pallid cheese
And burnt-out little eyes could make a blaze
As brazen, fierce and huge, as red and gold
And zany yellow as the one that spoiled
Three thousand guineas' worth of property
And crops at Godwin's Farm on Saturday
Is frightening---as fact and metaphor:
An ordinary match intended for
The lighting of a pipe or kitchen fire
Misused may set a whole menagerie
Of flame-fanged tigers roaring hungrily.
And frightening, too, that one small boy should set
The sky on fire and choke the stars to heat
Such skinny limbs and such a little heart
Which would have been content with one warm kiss
Had there been anyone to offer this.
|
Written by
Vernon Scannell |
They should not have left him there alone,
Alone that is except for the cat.
He was only nine, not old enough
To be left alone in a basement flat,
Alone, that is, except for the cat.
A dog would have been a different thing,
A big gruff dog with slashing jaws,
But a cat with round eyes mad as gold,
Plump as a cushion with tucked-in paws---
Better have left him with a fair-sized rat!
But what they did was leave him with a cat.
He hated that cat; he watched it sit,
A buzzing machine of soft black stuff,
He sat and watched and he hated it,
Snug in its fur, hot blood in a ****,
And its mad gold stare and the way it sat
Crooning dark warmth: he loathed all that.
So he took Daddy's stick and he hit the cat.
Then quick as a sudden crack in glass
It hissed, black flash, to a hiding place
In the dust and dark beneath the couch,
And he followed the grin on his new-made face,
A wide-eyed, frightened snarl of a grin,
And he took the stick and he thrust it in,
Hard and quick in the furry dark.
The black fur squealed and he felt his skin
Prickle with sparks of dry delight.
Then the cat again came into sight,
Shot for the door that wasn't quite shut,
But the boy, quick too, slammed fast the door:
The cat, half-through, was cracked like a nut
And the soft black thud was dumped on the floor.
Then the boy was suddenly terrified
And he bit his knuckles and cried and cried;
But he had to do something with the dead thing there.
His eyes squeezed beads of salty prayer
But the wound of fear gaped wide and raw;
He dared not touch the thing with his hands
So he fetched a spade and shovelled it
And dumped the load of heavy fur
In the spidery cupboard under the stair
Where it's been for years, and though it died
It's grown in that cupboard and its hot low purr
Grows slowly louder year by year:
There'll not be a corner for the boy to hide
When the cupboard swells and all sides split
And the huge black cat pads out of it.
|
Written by
Vernon Scannell |
Unlovely city, to which few tourists come
With squinting cameras and alien hats;
Left under a cloud by those who love the sun
And can afford to marry – a cloud of bits
Of soot more myriad than gnats, a cloud
Of smoke and rain, an insubstantial threat
Whose colour is the pigment of long wrath,
I think of you, surprised to find my blood
Warmed by a wry desire, a kind of love.
I see the trams, like galleons at night,
Go rocking with their golden cargo down
The iron hills; then hearing that bold din
My other senses frolic at a fête
Of phantom guests – the smells of fish and chips,
Laborious smoke, stale beer and autumn gusts,
The whispering shadows and the winking hips,
The crack of frosty whips, brief summer"s dust.
And in that city through a forked November
Love, like a Catherine-wheel, delighted me
And when it sputtered out, hung charred and sombre,
The city flavoured my delicious misery.
And so I guess that any landscape"s beauty
Is fathered by associative joys
Held in a shared, historic memory,
For beauty is the shape of our desires.
My northern city, then, by many called
Ugly or worse, much like an aged nurse
Tender yet stern who taught one how to walk,
Is dear to me, and it will always have
A desolate enchantment that I"ll love.
|
Written by
Vernon Scannell |
The unrelated paragraphs of morning
Are forgotten now; the severed heads of kings
Rot by the misty Thames; the roses of York
And Lancaster are pressed between the leaves
Of history; ******* sleep in Africa.
The complexities of simple interest lurk
In inkwells and the brittle sticks of chalk:
Afternoon is come and English Grammar.
Rain falls as though the sky has been bereaved,
Stutters its inarticulate grief on glass
Of every lachrymose pane.
The children read
Their books or make pretence of concentration,
Each bowed head seems bent in supplication
Or resignation to the fate that waits
In the unmapped forests of the future.
Is it their doomed innocence noon weeps for?
In each diminutive breast a human heart
Pumps out the necessary blood: desires,
Pains and ecstasies surf-ride each singing wave
Which breaks in darkness on the mental shores.
Each child is disciplined; absorbed and still
At his small desk.
Yet lift the lid and see,
Amidst frayed books and pencils, other shapes:
Vicious rope, glaring blade, the gun cocked to kill.
|
Written by
Vernon Scannell |
And now another autumn morning finds me
With chalk dust on my sleeve and in my breath,
Preoccupied with vague, habitual speculation
On the huge inevitability of death.
Not wholly wretched, yet knowing absolutely
That I shall never reacquaint myself with joy,
I sniff the smell of ink and chalk and my mortality
And think of when I rolled, a gormless boy,
And rollicked round the playground of my hours,
And wonder when precisely tolled the bell
Which summoned me from summer liberties
And brought me to this chill autumnal cell
From which I gaze upon the april faces
That gleam before me, like apples ranged on shelves,
And yet I feel no pinch or prick of envy
Nor would I have them know their sentenced selves.
With careful effort I can separate the faces,
The dull, the clever, the various shapes and sizes,
But in the autumn shades I find I only
Brood upon death, who carries off all the prizes.
|
Written by
Vernon Scannell |
The appetite which leads him to her bed
Is not unlike the lust of boys for cake
Except he knows that after he has fed
He'll suffer more than simple belly-ache.
He'll groan to think what others have to pay
As price for his obsessive need to know
That he's a champion still, though slightly grey,
And both his skill and gameness clearly show.
And after this quick non-decision bout,
As he in his dark corner gasping lies,
He'll hear derision like a distant shout
While kisses press like pennies on his eyes.
|
Written by
Vernon Scannell |
Sleepless I lay last night and watched the slow
Procession of the men who wear my clothes:
First, the grey man with bloodshot eyes and sly
Gestures miming what he loves and loathes.
Next came the cheery knocker-back of pints,
The beery joker, never far from tears,
Whose loud and public vanity acquaints
The careful watcher with his private fears.
And then I saw the neat mouthed gentle man
Defer politely, listen to the lies,
Smile at the tedious tale and gaze upon
The little mirrors in the speaker's eyes.
The men who wear my clothes walked past my bed
And all of them looked tired and rather old;
I felt a chip of ice melt in my blood.
Naked I lay last night, and very cold.
|
Written by
Vernon Scannell |
Silver Wedding
The party is over and I sit among
The flotsam that its passing leaves,
The dirty glasses and ***-ends:
Outside, a black wind grieves.
Two decades and a half of marriage;
It does not really seem as long,
Of youth's ebullient song.
David, my son, my loved rival,
And Julia, my tapering daughter,
Now grant me one achievement only;
I turn their wine to water.
And Helen, partner of all these years,
Helen, my spouse, my sack of sighs,
Reproaches me for every hurt
With injured, bovine eyes.
There must have been passion once, I grant,
But neither she nor I could bear
To have its ghost come prowling from
Its dark and frowsy lair.
And we, to keep our nuptials warm,
Still wage sporadic war;
Numb with insult each yet strives
To scratch the other raw.
Twenty-five years we've now survived;
I'm not sure either why or how
As I sit with a wreath of quarrels set
On my tired and balding brow.
|