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Best Famous Tawny Poems

Here is a collection of the all-time best famous Tawny poems. This is a select list of the best famous Tawny poetry. Reading, writing, and enjoying famous Tawny poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of tawny poems.

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Written by Derek Walcott | Create an image from this poem

A Far Cry From Africa

 A wind is ruffling the tawny pelt
Of Africa, Kikuyu, quick as flies,
Batten upon the bloodstreams of the veldt.
Corpses are scattered through a paradise.
Only the worm, colonel of carrion, cries: "Waste no compassion on these separate dead!" Statistics justify and scholars seize The salients of colonial policy.
What is that to the white child hacked in bed? To savages, expendable as Jews? Threshed out by beaters, the long rushes break In a white dust of ibises whose cries Have wheeled since civilizations dawn >From the parched river or beast-teeming plain.
The violence of beast on beast is read As natural law, but upright man Seeks his divinity by inflicting pain.
Delirious as these worried beasts, his wars Dance to the tightened carcass of a drum, While he calls courage still that native dread Of the white peace contracted by the dead.
Again brutish necessity wipes its hands Upon the napkin of a dirty cause, again A waste of our compassion, as with Spain, The gorilla wrestles with the superman.
I who am poisoned with the blood of both, Where shall I turn, divided to the vein? I who have cursed The drunken officer of British rule, how choose Between this Africa and the English tongue I love? Betray them both, or give back what they give? How can I face such slaughter and be cool? How can I turn from Africa and live?


Written by Henry Wadsworth Longfellow | Create an image from this poem

RAIN IN SUMMER

 How beautiful is the rain!
After the dust and heat,
In the broad and fiery street,
In the narrow lane,
How beautiful is the rain!

How it clatters along the roofs,
Like the tramp of hoofs
How it gushes and struggles out
From the throat of the overflowing spout!

Across the window-pane
It pours and pours;
And swift and wide,
With a muddy tide,
Like a river down the gutter roars
The rain, the welcome rain!

The sick man from his chamber looks
At the twisted brooks;
He can feel the cool
Breath of each little pool;
His fevered brain
Grows calm again,
And he breathes a blessing on the rain.
From the neighboring school Come the boys, With more than their wonted noise And commotion; And down the wet streets Sail their mimic fleets, Till the treacherous pool Ingulfs them in its whirling And turbulent ocean.
In the country, on every side, Where far and wide, Like a leopard's tawny and spotted hide, Stretches the plain, To the dry grass and the drier grain How welcome is the rain! In the furrowed land The toilsome and patient oxen stand; Lifting the yoke encumbered head, With their dilated nostrils spread, They silently inhale The clover-scented gale, And the vapors that arise From the well-watered and smoking soil.
For this rest in the furrow after toil Their large and lustrous eyes Seem to thank the Lord, More than man's spoken word.
Near at hand, From under the sheltering trees, The farmer sees His pastures, and his fields of grain, As they bend their tops To the numberless beating drops Of the incessant rain.
He counts it as no sin That he sees therein Only his own thrift and gain.
These, and far more than these, The Poet sees! He can behold Aquarius old Walking the fenceless fields of air; And from each ample fold Of the clouds about him rolled Scattering everywhere The showery rain, As the farmer scatters his grain.
He can behold Things manifold That have not yet been wholly told,-- Have not been wholly sung nor said.
For his thought, that never stops, Follows the water-drops Down to the graves of the dead, Down through chasms and gulfs profound, To the dreary fountain-head Of lakes and rivers under ground; And sees them, when the rain is done, On the bridge of colors seven Climbing up once more to heaven, Opposite the setting sun.
Thus the Seer, With vision clear, Sees forms appear and disappear, In the perpetual round of strange, Mysterious change From birth to death, from death to birth, From earth to heaven, from heaven to earth; Till glimpses more sublime Of things, unseen before, Unto his wondering eyes reveal The Universe, as an immeasurable wheel Turning forevermore In the rapid and rushing river of Time.
Written by Mary Darby Robinson | Create an image from this poem

The ***** Girl

 I.
Dark was the dawn, and o'er the deep The boist'rous whirlwinds blew; The Sea-bird wheel'd its circling sweep, And all was drear to view-- When on the beach that binds the western shore The love-lorn ZELMA stood, list'ning the tempest's roar.
II.
Her eager Eyes beheld the main, While on her DRACO dear She madly call'd, but call'd in vain, No sound could DRACO hear, Save the shrill yelling of the fateful blast, While ev'ry Seaman's heart, quick shudder'd as it past.
III.
White were the billows, wide display'd The clouds were black and low; The Bittern shriek'd, a gliding shade Seem'd o'er the waves to go ! The livid flash illum'd the clam'rous main, While ZELMA pour'd, unmark'd, her melancholy strain.
IV.
"Be still!" she cried, "loud tempest cease! "O ! spare the gallant souls: "The thunder rolls--the winds increase-- "The Sea, like mountains, rolls! "While, from the deck, the storm worn victims leap, "And o'er their struggling limbs, the furious billows sweep.
V.
"O! barb'rous Pow'r! relentless Fate! "Does Heav'n's high will decree "That some should sleep on beds of state,-- "Some, in the roaring Sea ? "Some, nurs'd in splendour, deal Oppression's blow, "While worth and DRACO pine--in Slavery and woe! VI.
"Yon Vessel oft has plough'd the main "With human traffic fraught; "Its cargo,--our dark Sons of pain-- "For worldly treasure bought ! "What had they done?--O Nature tell me why-- "Is taunting scorn the lot, of thy dark progeny? VII.
"Thou gav'st, in thy caprice, the Soul "Peculiarly enshrin'd; "Nor from the ebon Casket stole "The Jewel of the mind! "Then wherefore let the suff'ring *****'s breast "Bow to his fellow, MAN, in brighter colours drest.
VIII.
"Is it the dim and glossy hue "That marks him for despair?-- "While men with blood their hands embrue, "And mock the wretch's pray'r? "Shall guiltless Slaves the Scourge of tyrants feel, "And, e'en before their GOD ! unheard, unpitied kneel.
IX.
"Could the proud rulers of the land "Our Sable race behold; "Some bow'd by torture's Giant hand "And others, basely sold ! "Then would they pity Slaves, and cry, with shame, "Whate'er their TINTS may be, their SOULS are still the same! X.
"Why seek to mock the Ethiop's face? "Why goad our hapless kind? "Can features alienate the race-- "Is there no kindred mind? "Does not the cheek which vaunts the roseate hue "Oft blush for crimes, that Ethiops never knew? XI.
"Behold ! the angry waves conspire "To check the barb'rous toil! "While wounded Nature's vengeful ire-- "Roars, round this trembling Isle! "And hark ! her voice re-echoes in the wind-- "Man was not form'd by Heav'n, to trample on his kind! XII.
"Torn from my Mother's aching breast, "My Tyrant sought my love-- "But, in the Grave shall ZELMA rest, "E'er she will faithless prove-- "No DRACO!--Thy companion I will be "To that celestial realm, where Negros shall be free! XIII.
"The Tyrant WHITE MAN taught my mind-- "The letter'd page to trace;-- "He taught me in the Soul to find "No tint, as in the face: "He bade my Reason, blossom like the tree-- "But fond affection gave, the ripen'd fruits to thee.
XIV.
"With jealous rage he mark'd my love "He sent thee far away;-- "And prison'd in the plantain grove-- "Poor ZELMA pass'd the day-- "But ere the moon rose high above the main, "ZELMA, and Love contriv'd, to break the Tyrant's chain.
XV.
"Swift, o'er the plain of burning Sand "My course I bent to thee; "And soon I reach'd the billowy strand "Which bounds the stormy Sea.
-- "DRACO! my Love! Oh yet, thy ZELMA'S soul "Springs ardently to thee,--impatient of controul.
XVI.
"Again the lightning flashes white-- "The rattling cords among! "Now, by the transient vivid light, "I mark the frantic throng! "Now up the tatter'd shrouds my DRACO flies-- While o'er the plunging prow, the curling billows rise.
XVII.
"The topmast falls--three shackled slaves-- "Cling to the Vessel's side! "Now lost amid the madd'ning waves-- "Now on the mast they ride-- "See ! on the forecastle my DRACO stands "And now he waves his chain, now clasps his bleeding hands.
XVIII.
"Why, cruel WHITE-MAN! when away "My sable Love was torn, "Why did you let poor ZELMA stay, On Afric's sands to mourn? "No ! ZELMA is not left, for she will prove "In the deep troubled main, her fond--her faithful LOVE.
" XIX.
The lab'ring Ship was now a wreck, The shrouds were flutt'ring wide! The rudder gone, the lofty deck Was rock'd from side to side-- Poor ZELMA'S eyes now dropp'd their last big tear, While, from her tawny cheek, the blood recoil'd with fear.
XX.
Now frantic, on the sands she roam'd, Now shrieking stop'd to view Where high the liquid mountains foam'd, Around the exhausted crew-- 'Till, from the deck, her DRACO'S well known form Sprung mid the yawning waves, and buffetted the Storm.
XXI.
Long, on the swelling surge sustain'd Brave DRACO sought the shore, Watch'd the dark Maid, but ne'er complain'd, Then sunk, to gaze no more! Poor ZELMA saw him buried by the wave-- And, with her heart's true Love, plung'd in a wat'ry grave.
Written by W. E. B. Du Bois | Create an image from this poem

A Hymn to the Peoples

O Truce of God!
And primal meeting of the Sons of Man,
Foreshadowing the union of the World!
From all the ends of earth we come!
Old Night, the elder sister of the Day,
Mother of Dawn in the golden East,
Meets in the misty twilight with her brood,
Pale and black, tawny, red and brown,
The mighty human rainbow of the world,
Spanning its wilderness of storm.
Softly in sympathy the sunlight falls,
Rare is the radiance of the moon;
And on the darkest midnight blaze the stars—
The far-flown shadows of whose brilliance
Drop like a dream on the dim shores of Time,
Forecasting Days that are to these
As day to night.
So sit we all as one.
So, gloomed in tall and stone-swathed groves,
The Buddha walks with Christ!
And Al-Koran and Bible both be holy!
Almighty Word!
In this Thine awful sanctuary,
First and flame-haunted City of the Widened World,
Assoil us, Lord of Lands and Seas!
We are but weak and wayward men,
Distraught alike with hatred and vainglory;
Prone to despise the Soul that breathes within—
High visioned hordes that lie and steal and kill,
Sinning the sin each separate heart disclaims,
Clambering upon our riven, writhing selves,
Besieging Heaven by trampling men to Hell!
We be blood-guilty! Lo, our hands be red!
Not one may blame the other in this sin!
But here—here in the white Silence of the Dawn,
Before the Womb of Time,
With bowed hearts all flame and shame,
We face the birth-pangs of a world:
We hear the stifled cry of Nations all but born—
The wail of women ravished of their stunted brood!
We see the nakedness of Toil, the poverty of Wealth,
We know the Anarchy of Empire, and doleful Death of Life!
And hearing, seeing, knowing all, we cry:
Save us, World-Spirit, from our lesser selves!
Grant us that war and hatred cease,
Reveal our souls in every race and hue!
Help us, O Human God, in this Thy Truce,
To make Humanity divine!
Written by Mary Darby Robinson | Create an image from this poem

Ode to Despair

 TERRIFIC FIEND! thou Monster fell, 
Condemn'd in haunts profane to dwell, 
Why quit thy solitary Home, 
O'er wide Creation's paths to roam? 
Pale Tyrant of the timid Heart, 
Whose visionary spells can bind 
The strongest passions of the mind, 
Freezing Life's current with thy baneful Art.
Nature recoils when thou art near, For round thy form all plagues are seen; Thine is the frantic tone, the sullen mien, The glance of petrifying fear, The haggard Brow, the low'ring Eye, The hollow Cheek, the smother'd Sigh, When thy usurping fangs assail, The sacred Bonds of Friendship fail.
Meek-bosom'd Pity sues in vain; Imperious Sorrow spurns relief, Feeds on the luxury of Grief, Drinks the hot Tear, and hugs the galling Chain.
AH! plunge no more thy ruthless dart, In the dark centre of the guilty Heart; The POW'R SUPREME, with pitying eye, Looks on the erring Child of Misery; MERCY arrests the wing of Time; To expiate the wretch's crime; Insulted HEAV'N consign'd thy brand To the first Murd'rer's crimson hand.
Swift o'er the earth the Monster flew, And round th' ensanguin'd Poisons threw, By CONSCIENCE goaded­driven by FEAR, Till the meek Cherub HOPE subdued his fell career.
Thy Reign is past, when erst the brave Imbib'd contagion o'er the midnight lamp, Close pent in loathsome cells, where poisons damp Hung round the confines of a Living Grave; * Where no glimm'ring ray illum'd The flinty walls, where pond'rous chains Bound the wan Victim to the humid earth, Where VALOUR, GENIUS, TASTE, and WORTH, In pestilential caves entomb'd, Sought thy cold arms, and smiling mock'd their pains.
THERE,­each procrastinated hour The woe-worn suff'rer gasping lay, While by his side in proud array Stalk'd the HUGE FIEND, DESPOTIC POW'R.
There REASON clos'd her radiant eye, And fainting HOPE retir'd to die, Truth shrunk appall'd, In spells of icy Apathy enthrall'd; Till FREEDOM spurn'd the ignominious chain, And roused from Superstition's night, Exulting Nature claim'd her right, And call'd dire Vengeance from her dark domain.
Now take thy solitary flight Amid the turbid gales of night, Where Spectres starting from the tomb, Glide along th' impervious gloom; Or, stretch'd upon the sea-beat shore, Let the wild winds, as they roar, Rock Thee on thy Bed of Stone; Or, in gelid caverns pent, Listen to the sullen moan Of subterranean winds;­or glut thy sight Where stupendous mountains rent Hurl their vast fragments from their dizzy height.
At Thy approach the rifted Pine Shall o'er the shatter'd Rock incline, Whose trembling brow, with wild weeds drest, Frowns on the tawny EAGLE's nest; THERE enjoy the 'witching hour, And freeze in Frenzy's dire conceit, Or seek the Screech-owl's lone retreat, On the bleak rampart of some nodding Tow'r.
In some forest long and drear, Tempt the fierce BANDITTI's rage, War with famish'd Tygers wage, And mock the taunts of Fear.
When across the yawning deep, The Demons of the Tempest sweep, Or deaf'ning Thunders bursting cast Their red bolts on the shivering mast, While fix'd below the sea-boy stands, As threat'ning Death his soul dismays, He lifts his supplicating hands, And shrieks, and groans, and weeps, and prays, Till lost amid the floating fire The agonizing crew expire; THEN let thy transports rend the air, For mad'ning Anguish feeds DESPAIR.
When o'er the couch of pale Disease The MOTHER bends, with tearful eye, And trembles, lest her quiv'ring sigh, Should wake the darling of her breast, Now, by the taper's feeble rays, She steals a last, fond, eager gaze.
Ah, hapless Parent! gaze no more, Thy CHERUB soars among the Blest, Life's crimson Fount begins to freeze, His transitory scene is o'er.
She starts­she raves­her burning brain, Consumes, unconscious of its fires, Dead to the Heart's convulsive Pain, Bewilder'd Memory retires.
See! See! she grasps her flowing hair, From her fix'd eye the big drops roll, Her proud Affliction mocks controul, And riots in DESPAIR, Such are thy haunts, malignant Pow'r, There all thy murd'rous Poisons pour; But come not near my calm retreat, Where Peace and holy FRIENDSHIP meet; Where SCIENCE sheds a gentle ray, And guiltless Mirth beguiles the day, Where Bliss congenial to the MUSE Shall round my Heart her sweets diffuse, Where, from each restless Passion free, I give my noiseless hours, BLESS'D POETRY, TO THEE.


Written by Denise Levertov | Create an image from this poem

Everything That Acts Is Actual

 From the tawny light
from the rainy nights
from the imagination finding
itself and more than itself
alone and more than alone
at the bottom of the well where the moon lives,
can you pull me

into December? a lowland
of space, perception of space
towering of shadows of clouds blown upon
clouds over new ground, new made
under heavy December footsteps? the only
way to live?

The flawed moon acts on the truth, and makes
an autumn of tentative silences.
You lived, but somewhere else, your presence touched others, ring upon ring, and changed.
Did you think I would not change? The black moon turns away, its work done.
A tenderness, unspoken autumn.
We are faithful only to the imagination.
What the imagination seizes as beauty must be truth.
What holds you to what you see of me is that grasp alone.
Written by D. H. Lawrence | Create an image from this poem

Snap-Dragon

 She bade me follow to her garden where 
The mellow sunlight stood as in a cup 
Between the old grey walls; I did not dare 
To raise my face, I did not dare look up 
Lest her bright eyes like sparrows should fly in 
My windows of discovery and shrill 'Sin!' 

So with a downcast mien and laughing voice 
I followed, followed the swing of her white dress 
That rocked in a lilt along: I watched the poise 
Of her feet as they flew for a space, then paused to press 
The grass deep down with the royal burden of her: 
And gladly I'd offered my breast to the tread of her.
'I like to see,' she said, and she crouched her down, She sunk into my sight like a settling bird; And her bosom crouched in the confines of her gown Like heavy birds at rest there, softly stirred By her measured breaths: 'I like to see,' said she, 'The snap-dragon put out his tongue at me.
' She laughed, she reached her hand out to the flower Closing its crimson throat: my own throat in her power Strangled, my heart swelled up so full As if it would burst its wineskin in my throat, Choke me in my own crimson; I watched her pull The gorge of the gaping flower, till the blood did float Over my eyes and I was blind -- Her large brown hand stretched over The windows of my mind, And in the dark I did discover Things I was out to find: My grail, a brown bowl twined With swollen veins that met in the wrist, Under whose brown the amethyst I longed to taste: and I longed to turn My heart's red measure in her cup, I longed to feel my hot blood burn With the lambent amethyst in her cup.
Then suddenly she looked up And I was blind in a tawny-gold day Till she took her eyes away.
Written by Algernon Charles Swinburne | Create an image from this poem

A Years Carols

 JANUARY
HAIL, January, that bearest here
On snowbright breasts the babe-faced year
That weeps and trembles to be born.
Hail, maid and mother, strong and bright, Hooded and cloaked and shod with white, Whose eyes are stars that match the morn.
Thy forehead braves the storm's bent bow, Thy feet enkindle stars of snow.
FEBRUARY Wan February with weeping cheer, Whose cold hand guides the youngling year Down misty roads of mire and rime, Before thy pale and fitful face The shrill wind shifts the clouds apace Through skies the morning scarce may climb.
Thine eyes are thick with heavy tears, But lit with hopes that light the year's.
MARCH Hail, happy March, whose foot on earth Rings as the blast of martial mirth When trumpets fire men's hearts for fray.
No race of wild things winged or finned May match the might that wings thy wind Through air and sea, through scud and spray.
Strong joy and thou were powers twin-born Of tempest and the towering morn.
APRIL Crowned April, king whose kiss bade earth Bring forth to time her lordliest birth When Shakespeare from thy lips drew breath And laughed to hold in one soft hand A spell that bade the world's wheel stand, And power on life, and power on death, With quiring suns and sunbright showers Praise him, the flower of all thy flowers.
MAY Hail, May, whose bark puts forth full-sailed For summer; May, whom Chaucer hailed With all his happy might of heart, And gave thy rosebright daisy-tips Strange frarance from his amorous lips That still thine own breath seems to part And sweeten till each word they say Is even a flower of flowering May.
JUNE Strong June, superb, serene, elate With conscience of thy sovereign state Untouched of thunder, though the storm Scathe here and there thy shuddering skies And bid its lightning cross thine eyes With fire, thy golden hours inform Earth and the souls of men with life That brings forth peace from shining strife.
JULY Hail, proud July, whose fervent mouth Bids even be morn and north be south By grace and gospel of thy word, Whence all the splendour of the sea Lies breathless with delight in thee And marvel at the music heard From the ardent silent lips of noon And midnight's rapturous plenilune.
AUGUST Great August, lord of golden lands, Whose lordly joy through seas and strands And all the red-ripe heart of earth Strikes passion deep as life, and stills The folded vales and folding hills With gladness too divine for mirth, The gracious glories of thine eyes Make night a noon where darkness dies.
SEPTEMBER Hail, kind September, friend whose grace Renews the bland year's bounteous face With largess given of corn and wine Through many a land that laughs with love Of thee and all the heaven above, More fruitful found than all save thine Whose skies fulfil with strenuous cheer The fervent fields that knew thee near.
OCTOBER October of the tawny crown, Whose heavy-laden hands drop down Blessing, the bounties of thy breath And mildness of thy mellowing might Fill earth and heaven with love and light Too sweet for fear to dream of death Or memory, while thy joy lives yet, To know what joy would fain forget.
NOVEMBER Hail, soft November, though thy pale Sad smile rebuke the words that hail Thy sorrow with no sorrowing words Or gratulate thy grief with song Less bitter than the winds that wrong Thy withering woodlands, where the birds Keep hardly heart to sing or see How fair thy faint wan face may be.
DECEMBER December, thou whose hallowing hands On shuddering seas and hardening lands Set as a sacramental sign The seal of Christmas felt on earth As witness toward a new year's birth Whose promise makes thy death divine, The crowning joy that comes of thee Makes glad all grief on land or sea.
Written by Oscar Wilde | Create an image from this poem

LA MER

 A white mist drifts across the shrouds,
A wild moon in this wintry sky
Gleams like an angry lion's eye
Out of a mane of tawny clouds.
The muffled steersman at the wheel Is but a shadow in the gloom; - And in the throbbing engine-room Leap the long rods of polished steel.
The shattered storm has left its trace Upon this huge and heaving dome, For the thin threads of yellow foam Float on the waves like ravelled lace.
Written by Conrad Aiken | Create an image from this poem

Improvisations: Light And Snow

 I

The girl in the room beneath 
Before going to bed 
Strums on a mandolin 
The three simple tunes she knows.
How inadequate they are to tell how her heart feels! When she has finished them several times She thrums the strings aimlessly with her finger-nails And smiles, and thinks happily of many things.
II I stood for a long while before the shop window Looking at the blue butterflies embroidered on tawny silk.
The building was a tower before me, Time was loud behind me, Sun went over the housetops and dusty trees; And there they were, glistening, brilliant, motionless, Stitched in a golden sky By yellow patient fingers long since turned to dust.
III The first bell is silver, And breathing darkness I think only of the long scythe of time.
The second bell is crimson, And I think of a holiday night, with rockets Furrowing the sky with red, and a soft shatter of stars.
The third bell is saffron and slow, And I behold a long sunset over the sea With wall on wall of castled cloud and glittering balustrades.
The fourth bell is color of bronze, I walk by a frozen lake in the dun light of dusk: Muffled crackings run in the ice, Trees creak, birds fly.
The fifth bell is cold clear azure, Delicately tinged with green: One golden star hangs melting in it, And towards this, sleepily, I go.
The sixth bell is as if a pebble Had been dropped into a deep sea far above me .
.
.
Rings of sound ebb slowly into the silence.
IV On the day when my uncle and I drove to the cemetery, Rain rattled on the roof of the carriage; And talkng constrainedly of this and that We refrained from looking at the child's coffin on the seat before us.
When we reached the cemetery We found that the thin snow on the grass Was already transparent with rain; And boards had been laid upon it That we might walk without wetting our feet.
V When I was a boy, and saw bright rows of icicles In many lengths along a wall I was dissappointed to find That I could not play music upon them: I ran my hand lightly across them And they fell, tinkling.
I tell you this, young man, so that your expectations of life Will not be too great.
VI It is now two hours since I left you, And the perfume of your hands is still on my hands.
And though since then I have looked at the stars, walked in the cold blue streets, And heard the dead leaves blowing over the ground Under the trees, I still remember the sound of your laughter.
How will it be, lady, when there is none left to remember you Even as long as this? Will the dust braid your hair? VII The day opens with the brown light of snowfall And past the window snowflakes fall and fall.
I sit in my chair all day and work and work Measuring words against each other.
I open the piano and play a tune But find it does not say what I feel, I grow tired of measuring words against each other, I grow tired of these four walls, And I think of you, who write me that you have just had a daughter And named her after your first sweetheart, And you, who break your heart, far away, In the confusion and savagery of a long war, And you who, worn by the bitterness of winter, Will soon go south.
The snowflakes fall almost straight in the brown light Past my window, And a sparrow finds refuge on my window-ledge.
This alone comes to me out of the world outside As I measure word with word.
VIII Many things perplex me and leave me troubled, Many things are locked away in the white book of stars Never to be opened by me.
The starr'd leaves are silently turned, And the mooned leaves; And as they are turned, fall the shadows of life and death.
Perplexed and troubled, I light a small light in a small room, The lighted walls come closer to me, The familiar pictures are clear.
I sit in my favourite chair and turn in my mind The tiny pages of my own life, whereon so little is written, And hear at the eastern window the pressure of a long wind, coming From I know not where.
How many times have I sat here, How many times will I sit here again, Thinking these same things over and over in solitude As a child says over and over The first word he has learned to say.
IX This girl gave her heart to me, And this, and this.
This one looked at me as if she loved me, And silently walked away.
This one I saw once and loved, and never saw her again.
Shall I count them for you upon my fingers? Or like a priest solemnly sliding beads? Or pretend they are roses, pale pink, yellow, and white, And arrange them for you in a wide bowl To be set in sunlight? See how nicely it sounds as I count them for you— 'This girl gave her heart to me And this, and this, .
.
.
! And nevertheless, my heart breaks when I think of them, When I think their names, And how, like leaves, they have changed and blown And will lie, at last, forgotten, Under the snow.
X It is night time, and cold, and snow is falling, And no wind grieves the walls.
In the small world of light around the arc-lamp A swarm of snowflakes falls and falls.
The street grows silent.
The last stranger passes.
The sound of his feet, in the snow, is indistinct.
What forgotten sadness is it, on a night like this, Takes possession of my heart? Why do I think of a camellia tree in a southern garden, With pink blossoms among dark leaves, Standing, surprised, in the snow? Why do I think of spring? The snowflakes, helplessly veering,, Fall silently past my window; They come from darkness and enter darkness.
What is it in my heart is surprised and bewildered Like that camellia tree, Beautiful still in its glittering anguish? And spring so far away! XI As I walked through the lamplit gardens, On the thin white crust of snow, So intensely was I thinking of my misfortune, So clearly were my eyes fixed On the face of this grief which has come to me, That I did not notice the beautiful pale colouring Of lamplight on the snow; Nor the interlaced long blue shadows of trees; And yet these things were there, And the white lamps, and the orange lamps, and the lamps of lilac were there, As I have seen them so often before; As they will be so often again Long after my grief is forgotten.
And still, though I know this, and say this, it cannot console me.
XII How many times have we been interrupted Just as I was about to make up a story for you! One time it was because we suddenly saw a firefly Lighting his green lantern among the boughs of a fir-tree.
Marvellous! Marvellous! He is making for himself A little tent of light in the darkness! And one time it was because we saw a lilac lightning flash Run wrinkling into the blue top of the mountain,— We heard boulders of thunder rolling down upon us And the plat-plat of drops on the window, And we ran to watch the rain Charging in wavering clouds across the long grass of the field! Or at other times it was because we saw a star Slipping easily out of the sky and falling, far off, Among pine-dark hills; Or because we found a crimson eft Darting in the cold grass! These things interrupted us and left us wondering; And the stories, whatever they might have been, Were never told.
A fairy, binding a daisy down and laughing? A golden-haired princess caught in a cobweb? A love-story of long ago? Some day, just as we are beginning again, Just as we blow the first sweet note, Death itself will interrupt us.
XIII My heart is an old house, and in that forlorn old house, In the very centre, dark and forgotten, Is a locked room where an enchanted princess Lies sleeping.
But sometimes, in that dark house, As if almost from the stars, far away, Sounds whisper in that secret room— Faint voices, music, a dying trill of laughter? And suddenly, from her long sleep, The beautiful princess awakes and dances.
Who is she? I do not know.
Why does she dance? Do not ask me!— Yet to-day, when I saw you, When I saw your eyes troubled with the trouble of happiness, And your mouth trembling into a smile, And your fingers pull shyly forward,— Softly, in that room, The little princess arose And danced; And as she danced the old house gravely trembled With its vague and delicious secret.
XIV Like an old tree uprooted by the wind And flung down cruelly With roots bared to the sun and stars And limp leaves brought to earth— Torn from its house— So do I seem to myself When you have left me.
XV The music of the morning is red and warm; Snow lies against the walls; And on the sloping roof in the yellow sunlight Pigeons huddle against the wind.
The music of evening is attenuated and thin— The moon seen through a wave by a mermaid; The crying of a violin.
Far down there, far down where the river turns to the west, The delicate lights begin to twinkle On the dusky arches of the bridge: In the green sky a long cloud, A smouldering wave of smoky crimson, Breaks in the freezing wind: and above it, unabashed, Remote, untouched, fierly palpitant, Sings the first star.

Book: Reflection on the Important Things