Best Famous Stenographers Poems
Here is a collection of the all-time best famous Stenographers poems. This is a select list of the best famous Stenographers poetry. Reading, writing, and enjoying famous Stenographers poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of stenographers poems.
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Written by
Allen Ginsberg |
"Soyez muette pour moi, Idole contemplative..."
I came home and found a lion in my living room
Rushed out on the fire escape screaming Lion! Lion!
Two stenographers pulled their brunnette hair and banged the window shut
I hurried home to Patterson and stayed two days
Called up old Reichian analyst
who'd kicked me out of therapy for smoking marijuana
'It's happened' I panted 'There's a Lion in my living room'
'I'm afraid any discussion would have no value' he hung up
I went to my old boyfriend we got drunk with his girlfriend
I kissed him and announced I had a lion with a mad gleam in my eye
We wound up fighting on the floor I bit his eyebrow he kicked me out
I ended up masturbating in his jeep parked in the street moaning 'Lion.'
Found Joey my novelist friend and roared at him 'Lion!'
He looked at me interested and read me his spontaneous ignu high poetries
I listened for lions all I heard was Elephant Tiglon Hippogriff Unicorn
Ants
But figured he really understood me when we made it in Ignaz Wisdom's
bathroom.
But next day he sent me a leaf from his Smoky Mountain retreat
'I love you little Bo-Bo with your delicate golden lions
But there being no Self and No Bars therefore the Zoo of your dear Father
hath no lion
You said your mother was mad don't expect me to produce the Monster for
your Bridegroom.'
Confused dazed and exalted bethought me of real lion starved in his stink
in Harlem
Opened the door the room was filled with the bomb blast of his anger
He roaring hungrily at the plaster walls but nobody could hear outside
thru the window
My eye caught the edge of the red neighbor apartment building standing in
deafening stillness
We gazed at each other his implacable yellow eye in the red halo of fur
Waxed rhuemy on my own but he stopped roaring and bared a fang
greeting.
I turned my back and cooked broccoli for supper on an iron gas stove
boilt water and took a hot bath in the old tup under the sink board.
He didn't eat me, tho I regretted him starving in my presence.
Next week he wasted away a sick rug full of bones wheaten hair falling out
enraged and reddening eye as he lay aching huge hairy head on his paws
by the egg-crate bookcase filled up with thin volumes of Plato, & Buddha.
Sat by his side every night averting my eyes from his hungry motheaten
face
stopped eating myself he got weaker and roared at night while I had
nightmares
Eaten by lion in bookstore on Cosmic Campus, a lion myself starved by
Professor Kandisky, dying in a lion's flophouse circus,
I woke up mornings the lion still added dying on the floor--'Terrible
Presence!'I cried'Eat me or die!'
It got up that afternoon--walked to the door with its paw on the south wall to
steady its trembling body
Let out a soul-rending creak from the bottomless roof of his mouth
thundering from my floor to heaven heavier than a volcano at night in
Mexico
Pushed the door open and said in a gravelly voice "Not this time Baby--
but I will be back again."
Lion that eats my mind now for a decade knowing only your hunger
Not the bliss of your satisfaction O roar of the universe how am I chosen
In this life I have heard your promise I am ready to die I have served
Your starved and ancient Presence O Lord I wait in my room at your
Mercy.
Paris, March 1958
|
Written by
Carl Sandburg |
BY day the skyscraper looms in the smoke and sun and
has a soul.
Prairie and valley, streets of the city, pour people into
it and they mingle among its twenty floors and are
poured out again back to the streets, prairies and
valleys.
It is the men and women, boys and girls so poured in and
out all day that give the building a soul of dreams
and thoughts and memories.
(Dumped in the sea or fixed in a desert, who would care
for the building or speak its name or ask a policeman
the way to it?)
Elevators slide on their cables and tubes catch letters and
parcels and iron pipes carry gas and water in and
sewage out.
Wires climb with secrets, carry light and carry words,
and tell terrors and profits and loves--curses of men
grappling plans of business and questions of women
in plots of love.
Hour by hour the caissons reach down to the rock of the
earth and hold the building to a turning planet.
Hour by hour the girders play as ribs and reach out and
hold together the stone walls and floors.
Hour by hour the hand of the mason and the stuff of the
mortar clinch the pieces and parts to the shape an
architect voted.
Hour by hour the sun and the rain, the air and the rust,
and the press of time running into centuries, play
on the building inside and out and use it.
Men who sunk the pilings and mixed the mortar are laid
in graves where the wind whistles a wild song
without words
And so are men who strung the wires and fixed the pipes
and tubes and those who saw it rise floor by floor.
Souls of them all are here, even the hod carrier begging
at back doors hundreds of miles away and the brick-
layer who went to state's prison for shooting another
man while drunk.
(One man fell from a girder and broke his neck at the
end of a straight plunge--he is here--his soul has
gone into the stones of the building.)
On the office doors from tier to tier--hundreds of names
and each name standing for a face written across
with a dead child, a passionate lover, a driving
ambition for a million dollar business or a lobster's
ease of life.
Behind the signs on the doors they work and the walls
tell nothing from room to room.
Ten-dollar-a-week stenographers take letters from
corporation officers, lawyers, efficiency engineers,
and tons of letters go bundled from the building to all
ends of the earth.
Smiles and tears of each office girl go into the soul of
the building just the same as the master-men who
rule the building.
Hands of clocks turn to noon hours and each floor
empties its men and women who go away and eat
and come back to work.
Toward the end of the afternoon all work slackens and
all jobs go slower as the people feel day closing on
them.
One by one the floors are emptied. . . The uniformed
elevator men are gone. Pails clang. . . Scrubbers
work, talking in foreign tongues. Broom and water
and mop clean from the floors human dust and spit,
and machine grime of the day.
Spelled in electric fire on the roof are words telling
miles of houses and people where to buy a thing for
money. The sign speaks till midnight.
Darkness on the hallways. Voices echo. Silence
holds. . . Watchmen walk slow from floor to floor
and try the doors. Revolvers bulge from their hip
pockets. . . Steel safes stand in corners. Money
is stacked in them.
A young watchman leans at a window and sees the lights
of barges butting their way across a harbor, nets of
red and white lanterns in a railroad yard, and a span
of glooms splashed with lines of white and blurs of
crosses and clusters over the sleeping city.
By night the skyscraper looms in the smoke and the stars
and has a soul.
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