Written by
Walt Whitman |
SPLENDOR of ended day, floating and filling me!
Hour prophetic—hour resuming the past!
Inflating my throat—you, divine average!
You, Earth and Life, till the last ray gleams, I sing.
Open mouth of my Soul, uttering gladness,
Eyes of my Soul, seeing perfection,
Natural life of me, faithfully praising things;
Corroborating forever the triumph of things.
Illustrious every one!
Illustrious what we name space—sphere of unnumber’d spirits;
Illustrious the mystery of motion, in all beings, even the tiniest insect;
Illustrious the attribute of speech—the senses—the body;
Illustrious the passing light! Illustrious the pale reflection on the new moon in the
western
sky!
Illustrious whatever I see, or hear, or touch, to the last.
Good in all,
In the satisfaction and aplomb of animals,
In the annual return of the seasons,
In the hilarity of youth,
In the strength and flush of manhood,
In the grandeur and exquisiteness of old age,
In the superb vistas of Death.
Wonderful to depart;
Wonderful to be here!
The heart, to jet the all-alike and innocent blood!
To breathe the air, how delicious!
To speak! to walk! to seize something by the hand!
To prepare for sleep, for bed—to look on my rose-color’d flesh;
To be conscious of my body, so satisfied, so large;
To be this incredible God I am;
To have gone forth among other Gods—these men and women I love.
Wonderful how I celebrate you and myself!
How my thoughts play subtly at the spectacles around!
How the clouds pass silently overhead!
How the earth darts on and on! and how the sun, moon, stars, dart on and on!
How the water sports and sings! (Surely it is alive!)
How the trees rise and stand up—with strong trunks—with branches and leaves!
(Surely there is something more in each of the tree—some living Soul.
)
O amazement of things! even the least particle!
O spirituality of things!
O strain musical, flowing through ages and continents—now reaching me and America!
I take your strong chords—I intersperse them, and cheerfully pass them forward.
I too carol the sun, usher’d, or at noon, or, as now, setting,
I too throb to the brain and beauty of the earth, and of all the growths of the earth,
I too have felt the resistless call of myself.
As I sail’d down the Mississippi,
As I wander’d over the prairies,
As I have lived—As I have look’d through my windows, my eyes,
As I went forth in the morning—As I beheld the light breaking in the east;
As I bathed on the beach of the Eastern Sea, and again on the beach of the Western Sea;
As I roam’d the streets of inland Chicago—whatever streets I have roam’d;
Or cities, or silent woods, or peace, or even amid the sights of war;
Wherever I have been, I have charged myself with contentment and triumph.
I sing the Equalities, modern or old,
I sing the endless finales of things;
I say Nature continues—Glory continues;
I praise with electric voice;
For I do not see one imperfection in the universe;
And I do not see one cause or result lamentable at last in the universe.
O setting sun! though the time has come,
I still warble under you, if none else does, unmitigated adoration.
|
Written by
William Blake |
Love and harmony combine,
And round our souls entwine
While thy branches mix with mine,
And our roots together join.
Joys upon our branches sit,
Chirping loud and singing sweet;
Like gentle streams beneath our feet
Innocence and virtue meet.
Thou the golden fruit dost bear,
I am clad in flowers fair;
Thy sweet boughs perfume the air,
And the turtle buildeth there.
There she sits and feeds her young,
Sweet I hear her mournful song;
And thy lovely leaves among,
There is love, I hear his tongue.
There his charming nest doth lay,
There he sleeps the night away;
There he sports along the day,
And doth among our branches play.
|
Written by
Marge Piercy |
The construction of a woman:
a woman is not made of flesh
of bone and sinew
belly and breasts, elbows and liver and toe.
She is manufactured like a sports sedan.
She is retooled, refitted and redesigned
every decade.
Cecile had been seduction itself in college.
She wriggled through bars like a satin eel,
her hips and ass promising, her mouth pursed
in the dark red lipstick of desire.
She visited in '68 still wearing skirts
tight to the knees, dark red lipstick,
while I danced through Manhattan in mini skirt,
lipstick pale as apricot milk,
hair loose as a horse's mane.
Oh dear,
I thought in my superiority of the moment,
whatever has happened to poor Cecile?
She was out of fashion, out of the game,
disqualified, disdained, dis-
membered from the club of desire.
Look at pictures in French fashion
magazines of the 18th century:
century of the ultimate lady
fantasy wrought of silk and corseting.
Paniers bring her hips out three feet
each way, while the waist is pinched
and the belly flattened under wood.
The breasts are stuffed up and out
offered like apples in a bowl.
The tiny foot is encased in a slipper
never meant for walking.
On top is a grandiose headache:
hair like a museum piece, daily
ornamented with ribbons, vases,
grottoes, mountains, frigates in full
sail, balloons, baboons, the fancy
of a hairdresser turned loose.
The hats were rococo wedding cakes
that would dim the Las Vegas strip.
Here is a woman forced into shape
rigid exoskeleton torturing flesh:
a woman made of pain.
How superior we are now: see the modern woman
thin as a blade of scissors.
She runs on a treadmill every morning,
fits herself into machines of weights
and pulleys to heave and grunt,
an image in her mind she can never
approximate, a body of rosy
glass that never wrinkles,
never grows, never fades.
She
sits at the table closing her eyes to food
hungry, always hungry:
a woman made of pain.
A cat or dog approaches another,
they sniff noses.
They sniff asses.
They bristle or lick.
They fall
in love as often as we do,
as passionately.
But they fall
in love or lust with furry flesh,
not hoop skirts or push up bras
rib removal or liposuction.
It is not for male or female dogs
that poodles are clipped
to topiary hedges.
If only we could like each other raw.
If only we could love ourselves
like healthy babies burbling in our arms.
If only we were not programmed and reprogrammed
to need what is sold us.
Why should we want to live inside ads?
Why should we want to scourge our softness
to straight lines like a Mondrian painting?
Why should we punish each other with scorn
as if to have a large ass
were worse than being greedy or mean?
When will women not be compelled
to view their bodies as science projects,
gardens to be weeded,
dogs to be trained?
When will a woman cease
to be made of pain?
|
Written by
Michael Ondaatje |
All night long the hockey pictures
gaze down at you
sleeping in your tracksuit.
Belligerent goalies are your ideal.
Threats of being traded
cuts and wounds
--all this pleases you.
O my god! you say at breakfast
reading the sports page over the Alpen
as another player breaks his ankle
or assaults the coach.
When I thought of daughters
I wasn't expecting this
but I like this more.
I like all your faults
even your purple moods
when you retreat from everyone
to sit in bed under a quilt.
And when I say 'like'
I mean of course 'love'
but that embarrasses you.
You who feel superior to black and white movies
(coaxed for hours to see Casablanca)
though you were moved
by Creature from the Black Lagoon.
One day I'll come swimming
beside your ship or someone will
and if you hear the siren
listen to it.
For if you close your ears
only nothing happens.
You will never change.
I don't care if you risk
your life to angry goalies
creatures with webbed feet.
You can enter their caves and castles
their glass laboratories.
Just
don't be fooled by anyone but yourself.
This is the first lecture I've given you.
You're 'sweet sixteen' you said.
I'd rather be your closest friend
than your father.
I'm not good at advice
you know that, but ride
the ceremonies
until they grow dark.
Sometimes you are so busy
discovering your friends
I ache with loss
--but that is greed.
And sometimes I've gone
into my purple world
and lost you.
One afternoon I stepped
into your room.
You were sitting
at the desk where I now write this.
Forsythia outside the window
and sun spilled over you
like a thick yellow miracle
as if another planet
was coaxing you out of the house
--all those possible worlds!--
and you, meanwhile, busy with mathematics.
I cannot look at forsythia now
without loss, or joy for you.
You step delicately
into the wild world
and your real prize will be
the frantic search.
Want everything.
If you break
break going out not in.
How you live your life I don't care
but I'll sell my arms for you,
hold your secrets forever.
If I speak of death
which you fear now, greatly,
it is without answers.
except that each
one we know is
in our blood.
Don't recall graves.
Memory is permanent.
Remember the afternoon's
yellow suburban annunciation.
Your goalie
in his frightening mask
dreams perhaps
of gentleness.
|
Written by
Roger McGough |
Let me die a youngman's death
not a clean and inbetween
the sheets holywater death
not a famous-last-words
peaceful out of breath death
When I'm 73
and in constant good tumour
may I be mown down at dawn
by a bright red sports car
on my way home
from an allnight party
Or when I'm 91
with silver hair
and sitting in a barber's chair
may rival gangsters
with hamfisted tommyguns burst in
and give me a short back and insides
Or when I'm 104
and banned from the Cavern
may my mistress
catching me in bed with her daughter
and fearing for her son
cut me up into little pieces
and throw away every piece but one
Let me die a youngman's death
not a free from sin tiptoe in
candle wax and waning death
not a curtains drawn by angels borne
'what a nice way to go' death
|
Written by
John Betjeman |
Miss J.
Hunter Dunn, Miss J.
Hunter Dunn,
Furnish'd and burnish'd by Aldershot sun,
What strenuous singles we played after tea,
We in the tournament - you against me!
Love-thirty, love-forty, oh! weakness of joy,
The speed of a swallow, the grace of a boy,
With carefullest carelessness, gaily you won,
I am weak from your loveliness, Joan Hunter Dunn
Miss Joan Hunter Dunn, Miss Joan Hunter Dunn,
How mad I am, sad I am, glad that you won,
The warm-handled racket is back in its press,
But my shock-headed victor, she loves me no less.
Her father's euonymus shines as we walk,
And swing past the summer-house, buried in talk,
And cool the verandah that welcomes us in
To the six-o'clock news and a lime-juice and gin.
The scent of the conifers, sound of the bath,
The view from my bedroom of moss-dappled path,
As I struggle with double-end evening tie,
For we dance at the Golf Club, my victor and I.
On the floor of her bedroom lie blazer and shorts,
And the cream-coloured walls are be-trophied with sports,
And westering, questioning settles the sun,
On your low-leaded window, Miss Joan Hunter Dunn.
The Hillman is waiting, the light's in the hall,
The pictures of Egypt are bright on the wall,
My sweet, I am standing beside the oak stair
And there on the landing's the light on your hair.
By roads "not adopted", by woodlanded ways,
She drove to the club in the late summer haze,
Into nine-o'clock Camberley, heavy with bells
And mushroomy, pine-woody, evergreen smells.
Miss Joan Hunter Dunn, Miss Joan Hunter Dunn,
I can hear from the car park the dance has begun,
Oh! Surry twilight! importunate band!
Oh! strongly adorable tennis-girl's hand!
Around us are Rovers and Austins afar,
Above us the intimate roof of the car,
And here on my right is the girl of my choice,
With the tilt of her nose and the chime of her voice.
And the scent of her wrap, and the words never said,
And the ominous, ominous dancing ahead.
We sat in the car park till twenty to one
And now I'm engaged to Miss Joan Hunter Dunn.
|
Written by
Walt Whitman |
WHY! who makes much of a miracle?
As to me, I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach, just in the edge of the water,
Or stand under trees in the woods,
Or talk by day with any one I love—or sleep in the bed at night with any one I love,
Or sit at table at dinner with my mother,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive, of a summer forenoon,
Or animals feeding in the fields,
Or birds—or the wonderfulness of insects in the air,
Or the wonderfulness of the sun-down—or of stars shining so quiet and bright,
Or the exquisite, delicate, thin curve of the new moon in spring;
Or whether I go among those I like best, and that like me best—mechanics, boatmen,
farmers,
Or among the savans—or to the soiree—or to the opera,
Or stand a long while looking at the movements of machinery,
Or behold children at their sports,
Or the admirable sight of the perfect old man, or the perfect old woman,
Or the sick in hospitals, or the dead carried to burial,
Or my own eyes and figure in the glass;
These, with the rest, one and all, are to me miracles,
The whole referring—yet each distinct, and in its place.
To me, every hour of the light and dark is a miracle,
Every cubic inch of space is a miracle,
Every square yard of the surface of the earth is spread with the same,
Every foot of the interior swarms with the same;
Every spear of grass—the frames, limbs, organs, of men and women, and all that
concerns
them,
All these to me are unspeakably perfect miracles.
To me the sea is a continual miracle;
The fishes that swim—the rocks—the motion of the waves—the ships, with men
in
them,
What stranger miracles are there?
|
Written by
Robert Herrick |
TO THE HONOURED MR ENDYMION PORTER, GROOM OF
THE BED-CHAMBER TO HIS MAJESTY
Sweet country life, to such unknown,
Whose lives are others', not their own!
But serving courts and cities, be
Less happy, less enjoying thee.
Thou never plough'st the ocean's foam
To seek and bring rough pepper home:
Nor to the Eastern Ind dost rove
To bring from thence the scorched clove:
Nor, with the loss of thy loved rest,
Bring'st home the ingot from the West.
No, thy ambition's master-piece
Flies no thought higher than a fleece:
Or how to pay thy hinds, and clear
All scores: and so to end the year:
But walk'st about thine own dear bounds,
Not envying others' larger grounds:
For well thou know'st, 'tis not th' extent
Of land makes life, but sweet content.
When now the cock (the ploughman's horn)
Calls forth the lily-wristed morn;
Then to thy corn-fields thou dost go,
Which though well soil'd, yet thou dost know
That the best compost for the lands
Is the wise master's feet, and hands.
There at the plough thou find'st thy team,
With a hind whistling there to them:
And cheer'st them up, by singing how
The kingdom's portion is the plough.
This done, then to th' enamell'd meads
Thou go'st; and as thy foot there treads,
Thou seest a present God-like power
Imprinted in each herb and flower:
And smell'st the breath of great-eyed kine,
Sweet as the blossoms of the vine.
Here thou behold'st thy large sleek neat
Unto the dew-laps up in meat:
And, as thou look'st, the wanton steer,
The heifer, cow, and ox draw near,
To make a pleasing pastime there.
These seen, thou go'st to view thy flocks
Of sheep, safe from the wolf and fox,
And find'st their bellies there as full
Of short sweet grass, as backs with wool:
And leav'st them, as they feed and fill,
A shepherd piping on a hill.
For sports, for pageantry, and plays,
Thou hast thy eves, and holydays:
On which the young men and maids meet,
To exercise their dancing feet:
Tripping the comely country Round,
With daffadils and daisies crown'd.
Thy wakes, thy quintels, here thou hast,
Thy May-poles too with garlands graced;
Thy Morris-dance; thy Whitsun-ale;
Thy shearing-feast, which never fail.
Thy harvest home; thy wassail bowl,
That's toss'd up after Fox i' th' hole:
Thy mummeries; thy Twelve-tide kings
And queens; thy Christmas revellings:
Thy nut-brown mirth, thy russet wit,
And no man pays too dear for it.
--
To these, thou hast thy times to go
And trace the hare i' th' treacherous snow:
Thy witty wiles to draw, and get
The lark into the trammel net:
Thou hast thy cockrood, and thy glade
To take the precious pheasant made:
Thy lime-twigs, snares, and pit-falls then
To catch the pilfering birds, not men.
--O happy life! if that their good
The husbandmen but understood!
Who all the day themselves do please,
And younglings, with such sports as these:
And lying down, have nought t' affright
Sweet Sleep, that makes more short the night.
CAETERA DESUNT--
|
Written by
Victor Hugo |
("O vous que votre âge défende")
{IX., February, 1840.}
In youthful spirits wild,
Smile, for all beams on thee;
Sport, sing, be still the child,
The flower, the honey-bee.
Bring not the future near,
For Joy too soon declines—
What is man's mission here?
Toil, where no sunlight shines!
Our lot is hard, we know;
From eyes so gayly beaming,
Whence rays of beauty flow,
Salt tears most oft are streaming.
Free from emotions past,
All joy and hope possessing,
With mind in pureness cast,
Sweet ignorance confessing.
Plant, safe from winds and showers,
Heart with soft visions glowing,
In childhood's happy hours
A mother's rapture showing.
Loved by each anxious friend,
No carking care within—
When summer gambols end,
My winter sports begin.
Sweet poesy from heaven
Around thy form is placed,
A mother's beauty given,
By father's thought is graced!
Seize, then, each blissful second,
Live, for joy sinks in night,
And those whose tale is reckoned,
Have had their days of light.
Then, oh! before we part,
The poet's blessing take,
Ere bleeds that aged heart,
Or child the woman make.
Dublin University Magazine.
|
Written by
Derek Walcott |
Those five or six young guys
lunched on the stoop
that oven-hot summer night
whistled me over.
Nice
and friendly.
So, I stop.
MacDougal or Christopher
Street in chains of light.
A summer festival.
Or some
saint's.
I wasn't too far from
home, but not too bright
for a ******, and not too dark.
I figured we were all
one, wop, ******, jew,
besides, this wasn't Central Park.
I'm coming on too strong? You figure
right! They beat this yellow ******
black and blue.
Yeah.
During all this, scared
on case one used a knife,
I hung my olive-green, just-bought
sports coat on a fire plug.
I did nothing.
They fought
each other, really.
Life
gives them a few kcks,
that's all.
The spades, the spicks.
My face smashed in, my bloddy mug
pouring, my olive-branch jacket saved
from cuts and tears,
I crawled four flights upstairs.
Sprawled in the gutter, I
remember a few watchers waved
loudly, and one kid's mother shouting
like "Jackie" or "Terry,"
"now that's enough!"
It's nothing really.
They don't get enough love.
You know they wouldn't kill
you.
Just playing rough,
like young Americans will.
Still it taught me somthing
about love.
If it's so tough,
forget it.
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