Written by
John Greenleaf Whittier |
Before my drift-wood fire I sit,
And see, with every waif I burn,
Old dreams and fancies coloring it,
And folly's unlaid ghosts return.
O ships of mine, whose swift keels cleft
The enchanted sea on which they sailed,
Are these poor fragments only left
Of vain desires and hopes that failed?
Did I not watch from them the light
Of sunset on my towers in Spain,
And see, far off, uploom in sight
The Fortunate Isles I might not gain?
Did sudden lift of fog reveal
Arcadia's vales of song and spring,
And did I pass, with grazing keel,
The rocks whereon the sirens sing?
Have I not drifted hard upon
The unmapped regions lost to man,
The cloud-pitched tents of Prester John,
The palace domes of Kubla Khan?
Did land winds blow from jasmine flowers,
Where Youth the ageless Fountain fills?
Did Love make sign from rose blown bowers,
And gold from Eldorado's hills?
Alas! the gallant ships, that sailed
On blind Adventure's errand sent,
Howe'er they laid their courses, failed
To reach the haven of Content.
And of my ventures, those alone
Which Love had freighted, safely sped,
Seeking a good beyond my own,
By clear-eyed Duty piloted.
O mariners, hoping still to meet
The luck Arabian voyagers met,
And find in Bagdad's moonlit street,
Haroun al Raschid walking yet,
Take with you, on your Sea of Dreams,
The fair, fond fancies dear to youth.
I turn from all that only seems,
And seek the sober grounds of truth.
What matter that it is not May,
That birds have flown, and trees are bare,
That darker grows the shortening day,
And colder blows the wintry air!
The wrecks of passion and desire,
The castles I no more rebuild,
May fitly feed my drift-wood fire,
And warm the hands that age has chilled.
Whatever perished with my ships,
I only know the best remains;
A song of praise is on my lips
For losses which are now my gains.
Heap high my hearth! No worth is lost;
No wisdom with the folly dies.
Burn on, poor shreds, your holocaust
Shall be my evening sacrifice!
Far more than all I dared to dream,
Unsought before my door I see;
On wings of fire and steeds of steam
The world's great wonders come to me,
And holier signs, unmarked before,
Of Love to seek and Power to save,—
The righting of the wronged and poor,
The man evolving from the slave;
And life, no longer chance or fate,
Safe in the gracious Fatherhood.
I fold o'er-wearied hands and wait,
In full assurance of the good.
And well the waiting time must be,
Though brief or long its granted days,
If Faith and Hope and Charity
Sit by my evening hearth-fire's blaze.
And with them, friends whom Heaven has spared,
Whose love my heart has comforted,
And, sharing all my joys, has shared
My tender memories of the dead,—
Dear souls who left us lonely here,
Bound on their last, long voyage, to whom
We, day by day, are drawing near,
Where every bark has sailing room.
I know the solemn monotone
Of waters calling unto me;
I know from whence the airs have blown
That whisper of the Eternal Sea.
As low my fires of drift-wood burn,
I hear that sea's deep sounds increase,
And, fair in sunset light, discern
Its mirage-lifted Isles of Peace.
|
Written by
Leonard Cohen |
It's coming through a hole in the air,
from those nights in Tiananmen Square.
It's coming from the feel
that it ain't exactly real,
or it's real, but it ain't exactly there.
From the wars against disorder,
from the sirens night and day,
from the fires of the homeless,
from the ashes of the gay:
Democracy is coming to the U.
S.
A.
It's coming through a crack in the wall,
on a visionary flood of alcohol;
from the staggering account
of the Sermon on the Mount
which I don't pretend to understand at all.
It's coming from the silence
on the dock of the bay,
from the brave, the bold, the battered
heart of Chevrolet:
Democracy is coming to the U.
S.
A.
It's coming from the sorrow on the street
the holy places where the races meet;
from the homicidal bitchin'
that goes down in every kitchen
to determine who will serve and who will eat.
From the wells of disappointment
where the women kneel to pray
for the grace of G-d in the desert here
and the desert far away:
Democracy is coming to the U.
S.
A.
Sail on, sail on
o mighty Ship of State!
To the Shores of Need
past the Reefs of Greed
through the Squalls of Hate
Sail on, sail on
It's coming to America first,
the cradle of the best and the worst.
It's here they got the range
and the machinery for change
and it's here they got the spiritual thirst.
It's here the family's broken
and it's here the lonely say
that the heart has got to open
in a fundamental way:
Democracy is coming to the U.
S.
A.
It's coming from the women and the men.
O baby, we'll be making love again.
We'll be going down so deep
that the river's going to weep,
and the mountain's going to shout Amen!
It's coming to the tidal flood
beneath the lunar sway,
imperial, mysterious
in amorous array:
Democracy is coming to the U.
S.
A.
Sail on, sail on
o mighty Ship of State!
To the Shores of Need
past the Reefs of Greed
through the Squalls of Hate
Sail on, sail on
I'm sentimental if you know what I mean:
I love the country but I can't stand the scene.
And I'm neither left or right
I'm just staying home tonight,
getting lost in that hopeless little screen.
But I'm stubborn as those garbage bags
that Time cannot decay,
I'm junk but I'm still holding up
this little wild bouquet:
Democracy is coming to the U.
S.
A.
|
Written by
Margaret Atwood |
In the secular night you wander around
alone in your house.
It's two-thirty.
Everyone has deserted you,
or this is your story;
you remember it from being sixteen,
when the others were out somewhere, having a good time,
or so you suspected,
and you had to baby-sit.
You took a large scoop of vanilla ice-cream
and filled up the glass with grapejuice
and ginger ale, and put on Glenn Miller
with his big-band sound,
and lit a cigarette and blew the smoke up the chimney,
and cried for a while because you were not dancing,
and then danced, by yourself, your mouth circled with purple.
Now, forty years later, things have changed,
and it's baby lima beans.
It's necessary to reserve a secret vice.
This is what comes from forgetting to eat
at the stated mealtimes.
You simmer them carefully,
drain, add cream and pepper,
and amble up and down the stairs,
scooping them up with your fingers right out of the bowl,
talking to yourself out loud.
You'd be surprised if you got an answer,
but that part will come later.
There is so much silence between the words,
you say.
You say, The sensed absence
of God and the sensed presence
amount to much the same thing,
only in reverse.
You say, I have too much white clothing.
You start to hum.
Several hundred years ago
this could have been mysticism
or heresy.
It isn't now.
Outside there are sirens.
Someone's been run over.
The century grinds on.
|
Written by
Sylvia Plath |
Black lake, black boat, two black, cut-paper people.
Where do the black trees go that drink here?
Their shadows must cover Canada.
A little light is filtering from the water flowers.
Their leaves do not wish us to hurry:
They are round and flat and full of dark advice.
Cold worlds shake from the oar.
The spirit of blackness is in us, it is in the fishes.
A snag is lifting a valedictory, pale hand;
Stars open among the lilies.
Are you not blinded by such expressionless sirens?
This is the silence of astounded souls.
|
Written by
Mark Hillringhouse |
for Greg Fallon
A kid yells "*************" out the school bus window.
I don't think anyone notices the afternoon clouds turning pink along the horizon,
sunlight dripping down the stone facades,
the ancient names of old stores fading like the last century
above the street, above the Spandex women who adjust their prize buttocks,
sweating in the sun as I wonder how this city that has no more memory of itself
than a river has of rain, survives.
Is it just a matter of time, or that peasant woman
who tugs my sleeve demanding "peseta" from every passing stranger:
I can still smell the hotdog counter and the pretzel carousel.
I loved the sound of birds as I entered, the watery bubbles
from aquarium filters over by the plants.
If I imagined like a child walking with my mother,
the store part rainforest, and closed my eyes
I was in som tropical country:
that feathered blue against the orange of forgotten sunsets
after the rain-washed streets erased the footprints
of tired mothers who waited in line
under the red and gold transom
to cash their welfare checks.
And maybe we're all feeling the same rage,
seeing the up-turned fish tanks stacked against the parakeet cages,
sunlight catching on the twisted wire between the shabbiness
of an emptied storefront, rays of sunlight poking in
to finger the dusty hollowness of barren shelves.
Or maybe it's the cheap Plexiglas above the Chinese lettering
or the sound of car alarms and sirens blaring us back.
The city dead in me swaying down these aisles,
like everything else that fell from my life.
I walk down Main Street
trying to regain my balance
behind the men who walk home
from sweaty jobs with clenched fists
and the women who follow them
pulling their children
like dogs in the rain.
|
Written by
Robert William Service |
"The North has got him.
" --Yukonism.
I tried to refine that neighbor of mine, honest to God, I did.
I grieved for his fate, and early and late I watched over him like a kid.
I gave him excuse, I bore his abuse in every way that I could;
I swore to prevail; I camped on his trail; I plotted and planned for his good.
By day and by night I strove in men's sight to gather him into the fold,
With precept and prayer, with hope and despair, in hunger and hardship and cold.
I followed him into Gehennas of sin, I sat where the sirens sit;
In the shade of the Pole, for the sake of his soul, I strove with the powers of the Pit.
I shadowed him down to the scrofulous town; I dragged him from dissolute brawls;
But I killed the galoot when he started to shoot electricity into my walls.
God knows what I did he should seek to be rid of one who would save him from shame.
God knows what I bore that night when he swore and bade me make tracks from his claim.
I started to tell of the horrors of hell, when sudden his eyes lit like coals;
And "Chuck it," says he, "don't persecute me with your cant and your saving of souls.
"
I'll swear I was mild as I'd be with a child, but he called me the son of a ****;
And, grabbing his gun with a leap and a run, he threatened my face with the butt.
So what could I do (I leave it to you)? With curses he harried me forth;
Then he was alone, and I was alone, and over us menaced the North.
Our cabins were near; I could see, I could hear; but between us there rippled the creek;
And all summer through, with a rancor that grew, he would pass me and never would speak.
Then a shuddery breath like the coming of Death crept down from the peaks far away;
The water was still; the twilight was chill; the sky was a tatter of gray.
Swift came the Big Cold, and opal and gold the lights of the witches arose;
The frost-tyrant clinched, and the valley was cinched by the stark and cadaverous snows.
The trees were like lace where the star-beams could chase, each leaf was a jewel agleam.
The soft white hush lapped the Northland and wrapped us round in a crystalline dream;
So still I could hear quite loud in my ear the swish of the pinions of time;
So bright I could see, as plain as could be, the wings of God's angels ashine.
As I read in the Book I would oftentimes look to that cabin just over the creek.
Ah me, it was sad and evil and bad, two neighbors who never would speak!
I knew that full well like a devil in hell he was hatching out, early and late,
A system to bear through the frost-spangled air the warm, crimson waves of his hate.
I only could peer and shudder and fear--'twas ever so ghastly and still;
But I knew over there in his lonely despair he was plotting me terrible ill.
I knew that he nursed a malice accurst, like the blast of a winnowing flame;
I pleaded aloud for a shield, for a shroud--Oh, God! then calamity came.
Mad! If I'm mad then you too are mad; but it's all in the point of view.
If you'd looked at them things gallivantin' on wings, all purple and green and blue;
If you'd noticed them twist, as they mounted and hissed like scorpions dim in the dark;
If you'd seen them rebound with a horrible sound, and spitefully spitting a spark;
If you'd watched IT with dread, as it hissed by your bed, that thing with the feelers that crawls--
You'd have settled the brute that attempted to shoot electricity into your walls.
Oh, some they were blue, and they slithered right through; they were silent and squashy and round;
And some they were green; they were wriggly and lean; they writhed with so hateful a sound.
My blood seemed to freeze; I fell on my knees; my face was a white splash of dread.
Oh, the Green and the Blue, they were gruesome to view; but the worst of them all were the Red.
They came through the door, they came through the floor, they came through the moss-creviced logs.
They were savage and dire; they were whiskered with fire; they bickered like malamute dogs.
They ravined in rings like iniquitous things; they gulped down the Green and the Blue.
I crinkled with fear whene'er they drew near, and nearer and nearer they drew.
And then came the crown of Horror's grim crown, the monster so loathsomely red.
Each eye was a pin that shot out and in, as, squidlike, it oozed to my bed;
So softly it crept with feelers that swept and quivered like fine copper wire;
Its belly was white with a sulphurous light, it jaws were a-drooling with fire.
It came and it came; I could breathe of its flame, but never a wink could I look.
I thrust in its maw the Fount of the Law; I fended it off with the Book.
I was weak--oh, so weak--but I thrilled at its shriek, as wildly it fled in the night;
And deathlike I lay till the dawn of the day.
(Was ever so welcome the light?)
I loaded my gun at the rise of the sun; to his cabin so softly I slunk.
My neighbor was there in the frost-freighted air, all wrapped in a robe in his bunk.
It muffled his moans; it outlined his bones, as feebly he twisted about;
His gums were so black, and his lips seemed to crack, and his teeth all were loosening out.
'Twas a death's head that peered through the tangle of beard; 'twas a face I will never forget;
Sunk eyes full of woe, and they troubled me so with their pleadings and anguish, and yet
As I rested my gaze in a misty amaze on the scurvy-degenerate wreck,
I thought of the Things with the dragon-fly wings, then laid I my gun on his neck.
He gave out a cry that was faint as a sigh, like a perishing malamute,
And he says unto me, "I'm converted," says he; "for Christ's sake, Peter, don't shoot!"
* * * * *
They're taking me out with an escort about, and under a sergeant's care;
I am humbled indeed, for I'm 'cuffed to a Swede that thinks he's a millionaire.
But it's all Gospel true what I'm telling to you-- up there where the Shadow falls--
That I settled Sam Noot when he started to shoot electricity into my walls.
|
Written by
John Donne |
Who ever loves, if he do not propose
The right true end of love, he's one that goes
To sea for nothing but to make him sick.
Love is a bear-whelp born: if we o'erlick
Our love, and force it new strange shapes to take,
We err, and of a lump a monster make.
Were not a calf a monster that were grown
Faced like a man, though better than his own?
Perfection is in unity: prefer
One woman first, and then one thing in her.
I, when I value gold, may think upon
The ductileness, the application,
The wholsomeness, the ingenuity,
From rust, from soil, from fire ever free;
But if I love it, 'tis because 'tis made
By our new nature (Use) the soul of trade.
All these in women we might think upon
(If women had them) and yet love but one.
Can men more injure women than to say
They love them for that by which they're not they?
Makes virtue woman? Must I cool my blood
Till I both be, and find one, wise and good?
May barren angels love so! But if we
Make love to woman, virtue is not she,
As beauty's not, nor wealth.
He that strays thus
From her to hers is more adulterous
Than if he took her maid.
Search every sphere
And firmament, our Cupid is not there;
He's an infernal god, and under ground
With Pluto dwells, where gold and fire abound:
Men to such gods their sacrificing coals
Did not in altars lay, but pits and holes.
Although we see celestial bodies move
Above the earth, the earth we till and love:
So we her airs contemplate, words and heart
And virtues, but we love the centric part.
Nor is the soul more worthy, or more fit,
For love than this, as infinite is it.
But in attaining this desired place
How much they err that set out at the face.
The hair a forest is of ambushes,
Of springs, snares, fetters and manacles;
The brow becalms us when 'tis smooth and plain,
And when 'tis wrinkled shipwrecks us again—
Smooth, 'tis a paradise where we would have
Immortal stay, and wrinkled 'tis our grave.
The nose (like to the first meridian) runs
Not 'twixt an East and West, but 'twixt two suns;
It leaves a cheek, a rosy hemisphere,
On either side, and then directs us where
Upon the Islands Fortunate we fall,
(Not faint Canaries, but Ambrosial)
Her swelling lips; to which when we are come,
We anchor there, and think ourselves at home,
For they seem all: there Sirens' songs, and there
Wise Delphic oracles do fill the ear;
There in a creek where chosen pearls do swell,
The remora, her cleaving tongue doth dwell.
These, and the glorious promontory, her chin,
O'erpassed, and the straight Hellespont between
The Sestos and Abydos of her breasts,
(Not of two lovers, but two loves the nests)
Succeeds a boundless sea, but yet thine eye
Some island moles may scattered there descry;
And sailing towards her India, in that way
Shall at her fair Atlantic navel stay;
Though thence the current be thy pilot made,
Yet ere thou be where thou wouldst be embayed
Thou shalt upon another forest set,
Where many shipwreck and no further get.
When thou art there, consider what this chase
Misspent by thy beginning at the face.
Rather set out below; practise my art.
Some symetry the foot hath with that part
Which thou dost seek, and is thy map for that,
Lovely enough to stop, but not stay at;
Least subject to disguise and change it is—
Men say the devil never can change his.
It is the emblem that hath figured
Firmness; 'tis the first part that comes to bed.
Civility we see refined; the kiss
Which at the face began, transplanted is,
Since to the hand, since to the imperial knee,
Now at the papal foot delights to be:
If kings think that the nearer way, and do
Rise from the foot, lovers may do so too;
For as free spheres move faster far than can
Birds, whom the air resists, so may that man
Which goes this empty and ethereal way,
Than if at beauty's elements he stay.
Rich nature hath in women wisely made
Two purses, and their mouths aversely laid:
They then which to the lower tribute owe
That way which that exchequer looks must go:
He which doth not, his error is as great
As who by clyster gave the stomach meat.
|
Written by
Rg Gregory |
(1)
and off to scott's (the dockers' restaurant)
burly men packed in round solid tables
but what the helle (drowned in hellespont)
this place for me was rich in its own fables
i'll be the lover sunk if that enables
an awesome sense of just how deep the spells
that put scotts for me beyond the dardanelles
lace-curtained windows (or memory plays me false)
no capped odysseus could turn such sirens down
or was it a circean slip that shocked the pulse
all men are pigs when hunger rips the gown
and these men were not there to grace the town
service bustling (no time to take caps off)
hot steaming food and noses in the trough
i loved it deeply squashed in there with you
rough offensive banter bantered back
the smells of sweat and cargoes mixed with stew
and dumplings lamb chops roast beef - what the ****
these toughened men could outdo friar tuck
so ravenous their faith blown off the sea
that god lived in the stomach raucously
perhaps cramped into scotts i felt it most
that you belonged in a living sea of men
who shared the one blood-vision of a coast
tides washed you to but washed you off again
too much history made the struggle plain
but all the time there was this rough-hewn glimmer
that truth wore dirty clothes and ate its dinner
at midday - scotts was a parliament of sorts
where what was said had not the solid weight
of what was felt (or what was eaten) courts
bewigged and stuffed with pomp of state
were brushed aside in favour of the plate
but those who entered hungry came out wise
unspoken resolutions mulled like pies
(2)
and then the tram ride home (if we were lucky -
and nothing during the day had caused despair)
trams had a gift about them that was snaky
wriggling their straitened ways from lair to lair
they hissed upon their wires and flashed the air
they swallowed people whole and spewed them out
and most engorged in them became devout
you either believed in trams or thought them heathen
savage contraptions that shook you to your roots
on busy jaunts there was no room for breathing
damn dignity - rapt flesh was in cahoots
all sexes fused from head-scarves to their boots
and somewhere in the melee children pressed
shoulders to crotches noses to the rest
and in light-headed periods trams debunked
the classier lissome ways of shifting freight
emptied of pomp their anarchy instinct
they'd rattle down their tracks at such a rate
they'd writhe their upper structures like an eight
being drawn by revelling legless topers
strict rails (they claimed) gave sanction for such capers
trams had this kind of catholic conviction
the end ordained their waywardness was blessed
if tramways claimed per se this benediction
who cared if errant trams at times seemed pissed
religions prosper from the hedonist
who shags the world by day and prays at night
those drunken trams still brim me with delight
to climb the twisted stairs and seek a seat
as tram got under way through sozzled rotors
and find olympia vacant at my feet
(the gods too razzled by the rasping motors
- the sharps of life too much for absolutors)
would send me skeltering along the aisle
king of the upper world for one short while
and all the shaking rolling raucous gait
of this metallic serpent sizzling through
the maze of shoppy streets (o dizzy state)
sprinkled my heart-strings with ambrosial dew
(well tell a lie but such a wish will do)
and i'd be gloried as if leviathan
said hop on nip and sped me to japan
so back to earth - the tram that netley day
would be quite sober bumbling through the town
the rush-hour gone and night still on its way
mum lil and baby (babies) would stay down
and we'd be up the top - too tired to clown
our bodies glowed (a warm contentment brewed)
burnt backs nor aching legs could pop that mood
(3)
i lay in bed one day my joints subsiding
lost in a day-dream rhythmed by my heart
medicine-time (a pleasure not abiding)
i did my best to play the sleeping part
then at my back a nurse's rustling skirt
a bending breeze (all breathing held in check)
and then she blew sweet eddies down my neck
the nurse (of all) whose presence turned the winter
to summer's morning (cool before the sun)
who touched the quick with such exquisite splinter
the wince was there but no great hurt was done
she moved like silk the finest loom had spun
the ward went dark when she was gone or late
and i was seven longing to be eight
that whispering down my spine by scented lips
threw wants and hopes my way that stewed my mind
a draught drunk down in paradisal sips
stirred passages in me not then defined
at three i'd touched the grail with fingers blind
to heart-ache - this nurse though first described the gates
to elysium where grown-up love pupates
but soon a cloud knocked pristine sex aback
(i had to learn the hard way nothing's easy)
i went my own route off the sanctioned track
and came distraught - in fact distinctly queasy
without permission (both nonchalant and breezy)
i sailed from bed to have a pee (or worse)
and got locked in - and drew that nurse's curse
not only hers but all the fussing staff's
for daring such a voyage in my state
whose heart just then was not a bag of laughs
did i not understand the fist of fate
that waited naughty boys who could not wait
thunderous gods glared through the quaking panes
a corporate wrath set back my growing pains
forget the scented lips the creeping bliss
of such a nurse's presence on my flesh
locked in i'd been an hour or more amiss
they thought i'd done a bunk or slipped the leash
when found i'd gone all blue like frozen fish
those scented lips discharged their angry bile
and cupid's dart fell short a scornful mile
come christmas day the christmas tree was bright
its mothering arms held glittering gifts for all
and i was seven longing to be eight
and i was given a large pink fluffy ball
my spirit shrank into the nearest wall
true love reduced to this insulting gimcrack
my pumped-up heart was punctured by a tintack
|
Written by
Rudyard Kipling |
There's a whisper down the field where the year has shot her yield,
And the ricks stand grey to the sun,
Singing: "Over then, come over, for the bee has quit the dover,
"And your English summer's done.
"
You have heard the beat of the off-shore wind,
And the thresh of the deep-sea rain;
You have heard the song -- how long? how long?
Pull out on the trail again!
Ha' done with the Tents of Shem, dear lass,
We've seen the seasons through,
And it's time to turn the old trail, our own trail, the out trail,
Pull out, pull out, on the Long Trail-the trail that is always new!
It's North you may run to the rime-ringed sun
Or South to the blind Hom's hate;
Or East all the way into Mississippi Bay,
Or West to the Golden Gate --
Where the blindest bluffs hold good, dear lass,
And the wildest tales are true,
And the men bulk big on the old trail, our own trail, the out trail,
And life runs large on the Long Trail -- the trail that is always new.
The days are sick and cold, and the skies are grey and old
And the twice-breathed airs blow damp;
And I'd sell my tired soul for the bucking beam-sea roll
Of a black Bilbao tramp,
With her load-line over her hatch, dear lass,
And a drunken Dago crew,
And her nose held down on the old trail, our own trail, the out trail
From Cadiz south on the Long Trail-the trail that is always new.
There be triple ways to take, of the eagle or the snake,
Or the way of a man with a maid;
But the sweetest way to me is a ship's upon the sea
In the heel of the North-East Trade.
Can you hear the crash on her brows, dear lass.
And the drum of the racing screw,
As she ships it green on the old trail, our own trail, the out trail,
As she lifts and 'scends on the Long Trail -- the trail that is always new?
See the shaking funnels roar, with the Peter at the fore,
And the fenders grind and heave,
And the derricks clack and grate, as the tackle hooks the crate,
And the fall-rope whines through the sheave;
It's "Gang-plank up and in," dear lass,
It's "Hawsers warp her through!"
And it's "All clear aft" on the old trail, our own trail, the out trail,
We're backing down on the Long Trail -- the trail that is always new.
O the mutter overside, when the port-fog holds us tied,
And the sirens hoot their dread,
When foot by foot we creep o'er the hueless, viewless deep
To the sob of the questing lead!
It's down by the Lower Hope, dear lass,
With the Grinfleet Sands in view,
Till the Mouse swings green on the old trail, our own trail, the out trail,
And the Gull Light lifts on the Long Trail -- the trail that is always new.
O the blazing tropic night, when the wake's a welt of light
That holds the hot sky tame,
And the steady fore-foot snores through the planet-powdered floors
Where the scared whale flukes in flame!
Her plates are flaked by the sun, dear lass
And her ropes are taut with the dew,
For we're booming down on the old trail, our own trail, the out trail,
We're sagging south on the Long Trail -- the trail that is always new.
Then home, get her home, where the drunken rollers comb,
And the shouting seas drive by,
And the engines stamp and ring, and the wet bows reel and swing,
And the Southern Cross rides high!
Yes, the old lost stars wheel back, dear lass,
That blaze in the velvet blue.
They're all old friends on the old trail, our own trail, the out trail,
They're God's own guides on the Long Trail -- the trail that is always new.
Fly forward, O my heart, from the Foreland to the Start
We're steaming all too slow,
And it's twenty thousand mile to our little lazy isle
Where the trumpet-orchids blow!
You have heard the call of the off-shore wind
And the voice of the deep-sea rain;
You have heard the song-how long? how long?
Pull out on the trail again!
The Lord knows what we may find, dear lass,
And The Deuce knows we may do
But we're back once more on the old trail, our own trail, the out trail,
We're down, hull-down, on the Long Trail -- the trail that is always new!
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Written by
John Milton |
Part of an entertainment presented to the Countess Dowager of
Darby at Harefield, by som Noble persons of her Family, who
appear on the Scene in pastoral habit, moving toward the seat
of State with this Song.
I.
SONG.
Look Nymphs, and Shepherds look,
What sudden blaze of majesty
Is that which we from hence descry
Too divine to be mistook:
This this is she
To whom our vows and wishes bend,
Heer our solemn search hath end.
Fame that her high worth to raise,
Seem'd erst so lavish and profuse,
We may justly now accuse
Of detraction from her praise,
Less then half we find exprest,
Envy bid conceal the rest.
Mark what radiant state she spreds,
In circle round her shining throne,
Shooting her beams like silver threds,
This this is she alone,
Sitting like a Goddes bright,
In the center of her light.
Might she the wise Latona be,
Or the towred Cybele,
Mother of a hunderd gods;
Juno dare's not give her odds;
Who had thought this clime had held
A deity so unparalel'd?
As they com forward, the genius of the Wood appears, and
turning toward them, speaks.
GEN.
Stay gentle Swains, for though in this disguise,
I see bright honour sparkle through your eyes,
Of famous Arcady ye are, and sprung
Of that renowned flood, so often sung,
Divine Alpheus, who by secret sluse,
Stole under Seas to meet his Arethuse;
And ye the breathing Roses of the Wood,
Fair silver-buskind Nymphs as great and good,
I know this quest of yours, and free intent
Was all in honour and devotion ment
To the great Mistres of yon princely shrine,
Whom with low reverence I adore as mine,
And with all helpful service will comply
To further this nights glad solemnity;
And lead ye where ye may more neer behold
What shallow-searching Fame hath left untold;
Which I full oft amidst these shades alone
Have sate to wonder at, and gaze upon:
For know by lot from Jove I am the powr
Of this fair wood, and live in Oak'n bowr,
To nurse the Saplings tall, and curl the grove
With Ringlets quaint, and wanton windings wove.
And all my Plants I save from nightly ill,
Of noisom winds, and blasting vapours chill.
And from the Boughs brush off the evil dew,
And heal the harms of thwarting thunder blew,
Or what the cross dire-looking Planet smites,
Or hurtfull Worm with canker'd venom bites.
When Eev'ning gray doth rise, I fetch my round
Over the mount, and all this hallow'd ground,
And early ere the odorous breath of morn
Awakes the slumbring leaves, or tasseld horn
Shakes the high thicket, haste I all about,
Number my ranks, and visit every sprout
With puissant words, and murmurs made to bless,
But els in deep of night when drowsines
Hath lockt up mortal sense, then listen I
To the celestial Sirens harmony,
That sit upon the nine enfolded Sphears,
And sing to those that hold the vital shears,
And turn the Adamantine spindle round,
On which the fate of gods and men is wound.
Such sweet compulsion doth in musick ly,
To lull the daughters of Necessity,
And keep unsteddy Nature to her law,
And the low world in measur'd motion draw
After the heavenly tune, which none can hear
Of human mould with grosse unpurged ear;
And yet such musick worthiest were to blaze
The peerles height of her immortal praise,
Whose lustre leads us, and for her most fit,
If my inferior hand or voice could hit
Inimitable sounds, yet as we go,
What ere the skill of lesser gods can show,
I will assay, her worth to celebrate,
And so attend ye toward her glittering state;
Where ye may all that are of noble stemm
Approach, and kiss her sacred vestures hemm.
2.
SONG.
O're the smooth enameld green
Where no print of step hath been,
Follow me as I sing,
And touch the warbled string.
Under the shady roof
Of branching Elm Star-proof,
Follow me,
I will bring you where she sits
Clad in splendor as befits
Her deity.
Such a rural Queen
All Arcadia hath not seen.
3.
SONG.
Nymphs and Shepherds dance no more
By sandy Ladons Lillied banks.
On old Lycaeus or Cyllene hoar,
Trip no more in twilight ranks,
Though Erynanth your loss deplore,
A better soyl shall give ye thanks.
From the stony Maenalus,
Bring your Flocks, and live with us,
Here ye shall have greater grace,
To serve the Lady of this place.
Though Syrinx your Pans Mistres were,
Yet Syrinx well might wait on her.
Such a rural Queen
All Arcadia hath not seen.
Note: 22 hunderd] Milton's own spelling here is hundred.
But in
the Errata to Paradise Lost (i.
760) he corrects hundred to hunderd.
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