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Best Famous Sidles Poems

Here is a collection of the all-time best famous Sidles poems. This is a select list of the best famous Sidles poetry. Reading, writing, and enjoying famous Sidles poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sidles poems.

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Written by William Butler Yeats | Create an image from this poem

Supernatural Songs

 I.
Ribh at the Tomb of Baile and Aillinn Because you have found me in the pitch-dark night With open book you ask me what I do.
Mark and digest my tale, carry it afar To those that never saw this tonsured head Nor heard this voice that ninety years have cracked.
Of Baile and Aillinn you need not speak, All know their tale, all know what leaf and twig, What juncture of the apple and the yew, Surmount their bones; but speak what none have heard.
The miracle that gave them such a death Transfigured to pure substance what had once Been bone and sinew; when such bodies join There is no touching here, nor touching there, Nor straining joy, but whole is joined to whole; For the intercourse of angels is a light Where for its moment both seem lost, consumed.
Here in the pitch-dark atmosphere above The trembling of the apple and the yew, Here on the anniversary of their death, The anniversary of their first embrace, Those lovers, purified by tragedy, Hurry into each other's arms; these eyes, By water, herb and solitary prayer Made aquiline, are open to that light.
Though somewhat broken by the leaves, that light Lies in a circle on the grass; therein I turn the pages of my holy book.
II.
Ribh denounces Patrick An abstract Greek absurdity has crazed the man - Recall that masculine Trinity.
Man, woman, child (daughter or son), That's how all natural or supernatural stories run.
Natural and supernatural with the self-same ring are wed.
As man, as beast, as an ephemeral fly begets, Godhead begets Godhead, For things below are copies, the Great Smaragdine Tablet said.
Yet all must copy copies, all increase their kind; When the conflagration of their passion sinks, damped by the body or the mind, That juggling nature mounts, her coil in their embraces twined.
The mirror-scaled serpent is multiplicity, But all that run in couples, on earth, in flood or air, share God that is but three, And could beget or bear themselves could they but love as He.
III.
Ribh in Ecstasy What matter that you understood no word! Doubtless I spoke or sang what I had heard In broken sentences.
My soul had found All happiness in its own cause or ground.
Godhead on Godhead in sexual spasm begot Godhead.
Some shadow fell.
My soul forgot Those amorous cries that out of quiet come And must the common round of day resume.
IV.
There There all the barrel-hoops are knit, There all the serpent-tails are bit, There all the gyres converge in one, There all the planets drop in the Sun.
V.
Ribh considers Christian Love insufficient Why should I seek for love or study it? It is of God and passes human wit.
I study hatred with great diligence, For that's a passion in my own control, A sort of besom that can clear the soul Of everything that is not mind or sense.
Why do I hate man, woman or event? That is a light my jealous soul has sent.
From terror and deception freed it can Discover impurities, can show at last How soul may walk when all such things are past, How soul could walk before such things began.
Then my delivered soul herself shall learn A darker knowledge and in hatred turn From every thought of God mankind has had.
Thought is a garment and the soul's a bride That cannot in that trash and tinsel hide: Hatred of God may bring the soul to God.
At stroke of midnight soul cannot endure A bodily or mental furniture.
What can she take until her Master give! Where can she look until He make the show! What can she know until He bid her know! How can she live till in her blood He live! VI.
He and She As the moon sidles up Must she sidle up, As trips the scared moon Away must she trip: 'His light had struck me blind Dared I stop".
She sings as the moon sings: 'I am I, am I; The greater grows my light The further that I fly.
' All creation shivers With that sweet cry.
VII.
What Magic Drum? He holds him from desire, all but stops his breathing lest primordial Motherhood forsake his limbs, the child no longer rest, Drinking joy as it were milk upon his breast.
Through light-obliterating garden foliage what magic drum? Down limb and breast or down that glimmering belly move his mouth and sinewy tongue.
What from the forest came? What beast has licked its young? VIII.
Whence had they come? Eternity is passion, girl or boy Cry at the onset of their sexual joy 'For ever and for ever'; then awake Ignorant what Dramatis personae spake; A passion-driven exultant man sings out Sentences that he has never thought; The Flagellant lashes those submissive loins Ignorant what that dramatist enjoins, What master made the lash.
Whence had they come, The hand and lash that beat down frigid Rome? What sacred drama through her body heaved When world-transforming Charlemagne was conceived? IX.
The Four Ages of Man He with body waged a fight, But body won; it walks upright.
Then he struggled with the heart; Innocence and peace depart.
Then he struggled with the mind; His proud heart he left behind.
Now his wars on God begin; At stroke of midnight God shall win.
X.
Conjunctions If Jupiter and Saturn meet, What a cop of mummy wheat! The sword's a cross; thereon He died: On breast of Mars the goddess sighed.
XI.
A Needle's Eye All the stream that's roaring by Came out of a needle's eye; Things unborn, things that are gone, From needle's eye still goad it on.
XII.
Meru Civilisation is hooped together, brought Under a mle, under the semblance of peace By manifold illusion; but man's life is thought, And he, despite his terror, cannot cease Ravening through century after century, Ravening, raging, and uprooting that he may come Into the desolation of reality: Egypt and Greece, good-bye, and good-bye, Rome! Hermits upon Mount Meru or Everest, Caverned in night under the drifted snow, Or where that snow and winter's dreadful blast Beat down upon their naked bodies, know That day brings round the night, that before dawn His glory and his monuments are gone.


Written by Sylvia Plath | Create an image from this poem

Vanity Fair

 Through frost-thick weather
This witch sidles, fingers crooked, as if
Caught in a hazardous medium that might 
Merely by its continuing
Attach her to heaven.
At eye's envious corner Crow's-feet copy veining on a stained leaf; Cold squint steals sky's color; while bruit Of bells calls holy ones, her tongue Backtalks at the raven Claeving furred air Over her skull's midden; no knife Rivals her whetted look, divining what conceit Waylays simple girls, church-going, And what heart's oven Craves most to cook batter Rich in strayings with every amorous oaf, Ready, for a trinket, To squander owl-hours on bracken bedding, Flesh unshriven.
Against virgin prayer This sorceress sets mirrors enough To distract beauty's thought; Lovesick at first fond song, Each vain girl's driven To believe beyond heart's flare No fire is, nor in any book proof Sun hoists soul up after lids fall shut; So she wills all to the black king.
The worst sloven Vies with best queen over Right to blaze as satan's wife; Housed in earth, those million brides shriek out.
Some burn short, some long, Staked in pride's coven.
Written by Rg Gregory | Create an image from this poem

legs rivers and age

 with landbound legs a wish
for the easy flow of a river - not 
the clambering up crags to seek 
more favour from the sun
(or long-haired moon) harped for
since those sparks of who am i 
first clicked through consciousness

how the river sidles round 
rocks blocking the painful straight
seems to brush aside
all snags disrupting its ambition
to be sea - certain from its source
downwardness is good - legs don’t have 
that gift (being boned with doubt)

rivers in their waywardness 
become a rattling cage of tigers 
when the storm god snarls
legs are happy then 
to have hard ground to run away on
legs and rivers you could say
should show compassion for each other

as if legs themselves aren’t rivers
when (from hip to toe) the energy 
runs down from impulses
the high brain sources - summer’s joys
or winter’s nobbling aches
make the same ground safe
or fearful - as when the river legs it

legs or rivers - the game’s alike
seasons distort the flow
in age the river’s more appealing
(legs have a way of silting up)
after the high ground’s turmoils
you hope for the sanctity of meadows
a kind of green relief

legs feed on past dreams (now
kick a ball the leg drops off)
rivers are geared to what comes next
even in the sea’s maw 
hope is on their lips (ever) - legs
rest on their elegiac laurels
with the weight off them they flow best

Book: Reflection on the Important Things