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Best Famous Seduction Poems

Here is a collection of the all-time best famous Seduction poems. This is a select list of the best famous Seduction poetry. Reading, writing, and enjoying famous Seduction poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of seduction poems.

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Written by Stanley Kunitz | Create an image from this poem

The Science Of The Night

 I touch you in the night, whose gift was you,
My careless sprawler,
And I touch you cold, unstirring, star-bemused,
That have become the land of your self-strangeness.
What long seduction of the bone has led you Down the imploring roads I cannot take Into the arms of ghosts I never knew, Leaving my manhood on a rumpled field To guard you where you lie so deep In absent-mindedness, Caught in the calcium snows of sleep? And even should I track you to your birth Through all the cities of your mortal trial, As in my jealous thought I try to do, You would escape me--from the brink of earth Take off to where the lawless auroras run, You with your wild and metaphysic heart.
My touch is on you, who are light-years gone.
We are not souls but systems, and we move In clouds of our unknowing like great nebulae.
Our very motives swirl and have their start With father lion and with mother crab.
Dreamer, my own lost rib, Whose planetary dust is blowing Past archipelagoes of myth and light What far Magellans are you mistress of To whom you speed the pleasure of your art? As through a glass that magnifies my loss I see the lines of your spectrum shifting red, The universe expanding, thinning out, Our worlds flying, oh flying, fast apart.
From hooded powers and from abstract flight I summon you, your person and your pride.
Fall to me now from outer space, Still fastened desperately to my side; Through gulfs of streaming air Bring me the mornings of the milky ways Down to my threshold in your drowsy eyes; And by the virtue of your honeyed word Restore the liquid language of the moon, That in gold mines of secrecy you delve.
Awake! My whirling hands stay at the noon, Each cell within my body holds a heart And all my hearts in unison strike twelve.


Written by Marge Piercy | Create an image from this poem

What Are Big Girls Made Of?

 The construction of a woman:
a woman is not made of flesh 
of bone and sinew 
belly and breasts, elbows and liver and toe.
She is manufactured like a sports sedan.
She is retooled, refitted and redesigned every decade.
Cecile had been seduction itself in college.
She wriggled through bars like a satin eel, her hips and ass promising, her mouth pursed in the dark red lipstick of desire.
She visited in '68 still wearing skirts tight to the knees, dark red lipstick, while I danced through Manhattan in mini skirt, lipstick pale as apricot milk, hair loose as a horse's mane.
Oh dear, I thought in my superiority of the moment, whatever has happened to poor Cecile? She was out of fashion, out of the game, disqualified, disdained, dis- membered from the club of desire.
Look at pictures in French fashion magazines of the 18th century: century of the ultimate lady fantasy wrought of silk and corseting.
Paniers bring her hips out three feet each way, while the waist is pinched and the belly flattened under wood.
The breasts are stuffed up and out offered like apples in a bowl.
The tiny foot is encased in a slipper never meant for walking.
On top is a grandiose headache: hair like a museum piece, daily ornamented with ribbons, vases, grottoes, mountains, frigates in full sail, balloons, baboons, the fancy of a hairdresser turned loose.
The hats were rococo wedding cakes that would dim the Las Vegas strip.
Here is a woman forced into shape rigid exoskeleton torturing flesh: a woman made of pain.
How superior we are now: see the modern woman thin as a blade of scissors.
She runs on a treadmill every morning, fits herself into machines of weights and pulleys to heave and grunt, an image in her mind she can never approximate, a body of rosy glass that never wrinkles, never grows, never fades.
She sits at the table closing her eyes to food hungry, always hungry: a woman made of pain.
A cat or dog approaches another, they sniff noses.
They sniff asses.
They bristle or lick.
They fall in love as often as we do, as passionately.
But they fall in love or lust with furry flesh, not hoop skirts or push up bras rib removal or liposuction.
It is not for male or female dogs that poodles are clipped to topiary hedges.
If only we could like each other raw.
If only we could love ourselves like healthy babies burbling in our arms.
If only we were not programmed and reprogrammed to need what is sold us.
Why should we want to live inside ads? Why should we want to scourge our softness to straight lines like a Mondrian painting? Why should we punish each other with scorn as if to have a large ass were worse than being greedy or mean? When will women not be compelled to view their bodies as science projects, gardens to be weeded, dogs to be trained? When will a woman cease to be made of pain?
Written by Walt Whitman | Create an image from this poem

Manhattan Streets I Saunter'd Pondering

 1
MANHATTAN’S streets I saunter’d, pondering, 
On time, space, reality—on such as these, and abreast with them, prudence.
2 After all, the last explanation remains to be made about prudence; Little and large alike drop quietly aside from the prudence that suits immortality.
The Soul is of itself; All verges to it—all has reference to what ensues; All that a person does, says, thinks, is of consequence; Not a move can a man or woman make, that affects him or her in a day, month, any part of the direct life-time, or the hour of death, but the same affects him or her onward afterward through the indirect life-time.
3 The indirect is just as much as the direct, The spirit receives from the body just as much as it gives to the body, if not more.
Not one word or deed—not venereal sore, discoloration, privacy of the onanist, putridity of gluttons or rum-drinkers, peculation, cunning, betrayal, murder, seduction, prostitution, but has results beyond death, as really as before death.
4 Charity and personal force are the only investments worth anything.
No specification is necessary—all that a male or female does, that is vigorous, benevolent, clean, is so much profit to him or her, in the unshakable order of the universe, and through the whole scope of it forever.
5 Who has been wise, receives interest, Savage, felon, President, judge, farmer, sailor, mechanic, literat, young, old, it is the same, The interest will come round—all will come round.
Singly, wholly, to affect now, affected their time, will forever affect all of the past, and all of the present, and all of the future, All the brave actions of war and peace, All help given to relatives, strangers, the poor, old, sorrowful, young children, widows, the sick, and to shunn’d persons, All furtherance of fugitives, and of the escape of slaves, All self-denial that stood steady and aloof on wrecks, and saw others fill the seats of the boats, All offering of substance or life for the good old cause, or for a friend’s sake, or opinion’s sake, All pains of enthusiasts, scoff’d at by their neighbors, All the limitless sweet love and precious suffering of mothers, All honest men baffled in strifes recorded or unrecorded, All the grandeur and good of ancient nations whose fragments we inherit, All the good of the dozens of ancient nations unknown to us by name, date, location, All that was ever manfully begun, whether it succeeded or no, All suggestions of the divine mind of man, or the divinity of his mouth, or the shaping of his great hands; All that is well thought or said this day on any part of the globe—or on any of the wandering stars, or on any of the fix’d stars, by those there as we are here; All that is henceforth to be thought or done by you, whoever you are, or by any one; These inure, have inured, shall inure, to the identities from which they sprang, or shall spring.
6 Did you guess anything lived only its moment? The world does not so exist—no parts palpable or impalpable so exist; No consummation exists without being from some long previous consummation—and that from some other, Without the farthest conceivable one coming a bit nearer the beginning than any.
7 Whatever satisfies Souls is true; Prudence entirely satisfies the craving and glut of Souls; Itself only finally satisfies the Soul; The Soul has that measureless pride which revolts from every lesson but its own.
8 Now I give you an inkling; Now I breathe the word of the prudence that walks abreast with time, space, reality, That answers the pride which refuses every lesson but its own.
What is prudence, is indivisible, Declines to separate one part of life from every part, Divides not the righteous from the unrighteous, or the living from the dead, Matches every thought or act by its correlative, Knows no possible forgiveness, or deputed atonement, Knows that the young man who composedly peril’d his life and lost it, has done exceedingly well for himself without doubt, That he who never peril’d his life, but retains it to old age in riches and ease, has probably achiev’d nothing for himself worth mentioning; Knows that only that person has really learn’d, who has learn’d to prefer results, Who favors Body and Soul the same, Who perceives the indirect assuredly following the direct, Who in his spirit in any emergency whatever neither hurries or, avoids death.
Written by Bob Kaufman | Create an image from this poem

On

 On yardbird corners of embryonic hopes, drowned in a heroin tear.
On yardbird corners of parkerflights to sound filled pockets in space.
On neuro-corners of striped brains & desperate electro-surgeons.
On alcohol corners of pointless discussion & historical hangovers.
On television corners of cornflakes & rockwells impotent America.
On university corners of tailored intellect & greek letter openers.
On military corners of megathon deaths & universal anesthesia.
On religious corners of theological limericks and On radio corners of century-long records & static events.
On advertising corners of filter-tipped ice-cream & instant instants On teen-age corners of comic book seduction and corrupted guitars, On political corners of wamted candidates & ritual lies.
On motion picture corners of lassie & other symbols.
On intellectual corners of conversational therapy & analyzed fear.
On newspaper corners of sexy headlines & scholarly comics.
On love divided corners of die now pay later mortuaries.
On philosophical corners of semantic desperadoes & idea-mongers.
On middle class corners of private school puberty & anatomical revolts On ultra-real corners of love on abandoned roller-coasters On lonely poet corners of low lying leaves & moist prophet eyes.
Written by G K Chesterton | Create an image from this poem

Americanisation

 Britannia needs no Boulevards,
No spaces wide and gay:
Her march was through the crooked streets
Along the narrow way.
Nor looks she where, New York's seduction, The Broadway leadeth to destruction.
Britannia needs no Cafes: If Coffee needs must be, Its place should be the Coffee-house Where Johnson growled for Tea; But who can hear that human mountain Growl for an ice-cream soda-fountain? She needs no Russian Theatrey Mere Father strangles Mother, In scenes where all the characters And colours kill each other-- Her boast is freedom had by halves, And Britons never shall be Slavs.
But if not hers the Dance of Death, Great Dostoievsky's dance, And if the things most finely French Are better done in France-- Might not Americanisation Be best applied to its own nation? Ere every shop shall be a store And every Trade a Trust .
.
.
Lo, many men in many lands Know when their cause is just.
There will be quite a large attendance When we Declare our Independence.


Written by Johann Wolfgang von Goethe | Create an image from this poem

HANS SACHS POETICAL MISSION

 [I feel considerable hesitation in venturing 
to offer this version of a poem which Carlyle describes to be 'a 
beautiful piece (a very Hans Sacks beatified, both in character 
and style), which we wish there was any possibility of translating.
' The reader will be aware that Hans Sachs was the celebrated Minstrel- Cobbler of Nuremberg, who Wrote 208 plays, 1700 comic tales, and between 4000 and 5000 lyric poems.
He flourished throughout almost the whole of the 16th century.
] EARLY within his workshop here, On Sundays stands our master dear; His dirty apron he puts away, And wears a cleanly doublet to-day; Lets wax'd thread, hammer, and pincers rest, And lays his awl within his chest; The seventh day he takes repose From many pulls and many blows.
Soon as the spring-sun meets his view, Repose begets him labour anew; He feels that he holds within his brain A little world, that broods there amain, And that begins to act and to live, Which he to others would gladly give.
He had a skilful eye and true, And was full kind and loving too.
For contemplation, clear and pure,-- For making all his own again, sure; He had a tongue that charm'd when 'twas heard, And graceful and light flow'd ev'ry word; Which made the Muses in him rejoice, The Master-singer of their choice.
And now a maiden enter'd there, With swelling breast, and body fair; With footing firm she took her place, And moved with stately, noble grace; She did not walk in wanton mood, Nor look around with glances lewd.
She held a measure in her hand, Her girdle was a golden band, A wreath of corn was on her head, Her eye the day's bright lustre shed; Her name is honest Industry, Else, Justice, Magnanimity.
She enter'd with a kindly greeting; He felt no wonder at the meeting, For, kind and fair as she might be, He long had known her, fancied he.
"I have selected thee," she said, "From all who earth's wild mazes tread, That thou shouldst have clear-sighted sense, And nought that's wrong shouldst e'er commence.
When others run in strange confusion, Thy gaze shall see through each illusion When others dolefully complain, Thy cause with jesting thou shalt gain, Honour and right shalt value duly, In everything act simply, truly,-- Virtue and godliness proclaim, And call all evil by its name, Nought soften down, attempt no quibble, Nought polish up, nought vainly scribble.
The world shall stand before thee, then, As seen by Albert Durer's ken, In manliness and changeless life, In inward strength, with firmness rife.
Fair Nature's Genius by the hand Shall lead thee on through every land, Teach thee each different life to scan, Show thee the wondrous ways of man, His shifts, confusions, thrustings, and drubbings, Pushings, tearings, pressings, and rubbings; The varying madness of the crew, The anthill's ravings bring to view; But thou shalt see all this express'd, As though 'twere in a magic chest.
Write these things down for folks on earth, In hopes they may to wit give birth.
"-- Then she a window open'd wide, And show'd a motley crowd outside, All kinds of beings 'neath the sky, As in his writings one may spy.
Our master dear was, after this, On Nature thinking, full of bliss, When tow'rd him, from the other side He saw an aged woman glide; The name she bears, Historia, Mythologia, Fabula; With footstep tottering and unstable She dragg'd a large and wooden carved-table, Where, with wide sleeves and human mien, The Lord was catechizing seen; Adam, Eve, Eden, the Serpent's seduction, Gomorrah and Sodom's awful destruction, The twelve illustrious women, too, That mirror of honour brought to view; All kinds of bloodthirstiness, murder, and sin, The twelve wicked tyrants also were in, And all kinds of goodly doctrine and law; Saint Peter with his scourge you saw, With the world's ways dissatisfied, And by our Lord with power supplied.
Her train and dress, behind and before, And e'en the seams, were painted o'er With tales of worldly virtue and crime.
-- Our master view'd all this for a time; The sight right gladly he survey'd, So useful for him in his trade, Whence he was able to procure Example good and precept sure, Recounting all with truthful care, As though he had been present there.
His spirit seem'd from earth to fly, He ne'er had turned away his eye, Did he not just behind him hear A rattle of bells approaching near.
And now a fool doth catch his eye, With goat and ape's leap drawing nigh A merry interlude preparing With fooleries and jests unsparing.
Behind him, in a line drawn out, He dragg'd all fools, the lean and stout, The great and little, the empty and full, All too witty, and all too dull, A lash he flourish'd overhead, As though a dance of apes he led, Abusing them with bitterness, As though his wrath would ne'er grow less.
While on this sight our master gazed, His head was growing well-nigh crazed: What words for all could he e'er find, Could such a medley be combined? Could he continue with delight For evermore to sing and write? When lo, from out a cloud's dark bed In at the upper window sped The Muse, in all her majesty, As fair as our loved maids we see.
With clearness she around him threw Her truth, that ever stronger grew.
"I, to ordain thee come," she spake: "So prosper, and my blessing take! The holy fire that slumb'ring lies Within thee, in bright flames shall rise; Yet that thine ever-restless life May still with kindly strength be rife, I, for thine inward spirit's calm.
Have granted nourishment and balm, That rapture may thy soul imbue, Like some fair blossom bathed in dew.
"-- Behind his house then secretly Outside the doorway pointed she, Where, in a shady garden-nook, A beauteous maid with downcast look Was sitting where a stream was flowing, With elder bushes near it growing, She sat beneath an apple tree, And nought around her seem'd to see.
Her lap was full of roses fair, Which in a wreath she twined with care.
And, with them, leaves and blossoms blended: For whom was that sweet wreath intended? Thus sat she, modest and retired, Her bosom throbb'd, with hope inspired; Such deep forebodings fill'd her mind, No room for wishing could she find, And with the thoughts that o'er it flew, Perchance a sigh was mingled too.
"But why should sorrow cloud thy brow? That, dearest love, which fills thee now Is fraught with joy and ecstasy.
Prepared in one alone for thee, That he within thine eye may find Solace when fortune proves unkind, And be newborn through many a kiss, That he receives with inward bliss; When'er he clasps thee to his breast.
May he from all his toils find rest When he in thy dear arms shall sink, May he new life and vigour drink: Fresh joys of youth shalt thou obtain, In merry jest rejoice again.
With raillery and roguish spite, Thou now shalt tease him, now delight.
Thus Love will nevermore grow old, Thus will the minstrel ne'er be cold!" While he thus lives, in secret bless'd, Above him in the clouds doth rest An oak-wreath, verdant and sublime, Placed on his brow in after-time; While they are banish'd to the slough, Who their great master disavow.
1776.
Written by Robert Seymour Bridges | Create an image from this poem

Pater Filio

 Sense with keenest edge unusèd, 
Yet unsteel'd by scathing fire; 
Lovely feet as yet unbruisèd 
On the ways of dark desire; 
Sweetest hope that lookest smiling
O'er the wilderness defiling! 

Why such beauty, to be blighted 
By the swarm of foul destruction? 
Why such innocence delighted, 
When sin stalks to thy seduction? 
All the litanies e'er chaunted 
Shall not keep thy faith undaunted.
I have pray'd the sainted Morning To unclasp her hands to hold thee; From resignful Eve's adorning Stol'n a robe of peace to enfold thee; With all charms of man's contriving Arm'd thee for thy lonely striving.
Me too once unthinking Nature, —Whence Love's timeless mockery took me,— Fashion'd so divine a creature, Yea, and like a beast forsook me.
I forgave, but tell the measure Of her crime in thee, my treasure.

Book: Radiant Verses: A Journey Through Inspiring Poetry