Written by
Constantine P Cavafy |
As you set out for Ithaka
hope your road is a long one,
full of adventure, full of discovery.
Laistrygonians, Cyclops,
angry Poseidon-don't be afraid of them:
you'll never find things like that on your way
as long as you keep your thoughts raised high,
as long as a rare excitement
stirs your spirit and your body.
Laistrygonians, Cyclops,
wild Poseidon-you won't encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you.
Hope your road is a long one.
May there be many summer mornings when,
with what pleasure, what joy,
you enter harbors you're seeing for the first time;
may you stop at Phoenician trading stations
to buy fine things,
mother of pearl and coral, amber and ebony,
sensual perfume of every kind-
as many sensual perfumes as you can;
and may you visit many Egyptian cities
to learn and go on learning from their scholars.
Keep Ithaka always in your mind.
Arriving there is what you're destined for.
But don't hurry the journey at all.
Better if it lasts for years,
so you're old by the time you reach the island,
wealthy with all you've gained on the way,
not expecting Ithaka to make you rich.
Ithaka gave you the marvelous journey.
Without her you wouldn't have set out.
She has nothing left to give you now.
And if you find her poor, Ithaka won't have fooled you.
Wise as you will have become, so full of experience,
you'll have understood by then what these Ithakas mean.
|
Written by
Walt Whitman |
WHOEVER you are, holding me now in hand,
Without one thing, all will be useless,
I give you fair warning, before you attempt me further,
I am not what you supposed, but far different.
Who is he that would become my follower?
Who would sign himself a candidate for my affections?
The way is suspicious—the result uncertain, perhaps destructive;
You would have to give up all else—I alone would expect to be your God, sole and
exclusive,
Your novitiate would even then be long and exhausting,
The whole past theory of your life, and all conformity to the lives around you, would have
to
be
abandon’d;
Therefore release me now, before troubling yourself any further—Let go your hand from my
shoulders,
Put me down, and depart on your way.
Or else, by stealth, in some wood, for trial,
Or back of a rock, in the open air,
(For in any roof’d room of a house I emerge not—nor in company,
And in libraries I lie as one dumb, a gawk, or unborn, or dead,)
But just possibly with you on a high hill—first watching lest any person, for miles
around,
approach unawares,
Or possibly with you sailing at sea, or on the beach of the sea, or some quiet island,
Here to put your lips upon mine I permit you,
With the comrade’s long-dwelling kiss, or the new husband’s kiss,
For I am the new husband, and I am the comrade.
Or, if you will, thrusting me beneath your clothing,
Where I may feel the throbs of your heart, or rest upon your hip,
Carry me when you go forth over land or sea;
For thus, merely touching you, is enough—is best,
And thus, touching you, would I silently sleep and be carried eternally.
But these leaves conning, you con at peril,
For these leaves, and me, you will not understand,
They will elude you at first, and still more afterward—I will certainly elude you,
Even while you should think you had unquestionably caught me, behold!
Already you see I have escaped from you.
For it is not for what I have put into it that I have written this book,
Nor is it by reading it you will acquire it,
Nor do those know me best who admire me, and vauntingly praise me,
Nor will the candidates for my love, (unless at most a very few,) prove victorious,
Nor will my poems do good only—they will do just as much evil, perhaps more;
For all is useless without that which you may guess at many times and not hit—that which I
hinted
at;
Therefore release me, and depart on your way.
|
Written by
William Topaz McGonagall |
Beautiful silvery Tay,
With your landscapes, so lovely and gay,
Along each side of your waters, to Perth all the way;
No other river in the world has got scenery more fine,
Only I am told the beautiful Rhine,
Near to Wormit Bay, it seems very fine,
Where the Railway Bridge is towering above its waters sublime,
And the beautiful ship Mars,
With her Juvenile Tare,
Both lively and gay,
Does carelessly lie By night and by day,
In the beautiful Bay
Of the silvery Tay.
Beautiful, beautiful silvery Tay,
Thy scenery is enchanting on a fine summer day,
Near by Balnerino it is beautiful to behold,
When the trees are in full bloom and the cornfields seems like gold -
And nature's face seems gay,
And the lambkins they do play,
And the humming bee is on the wing,
It is enough to make one sing,
While they carelessly do stray,
Along the beautiful banks of the silvery Tay,
Beautiful silvery Tay,
Rolling smoothly on your way,
Near by Newport, as clear as the day,
Thy scenery around is charming I'll be bound.
.
.
And would make the heart of any one feel light and gay on a fine summer day,
To view the beautiful scenery along the banks of the silvery Tay.
|
Written by
Primo Levi |
You who live secure
In your warm houses
Who return at evening to find
Hot food and friendly faces:
Consider whether this is a man,
Who labours in the mud
Who knows no peace
Who fights for a crust of bread
Who dies at a yes or a no.
Consider whether this is a woman,
Without hair or name
With no more strength to remember
Eyes empty and womb cold
As a frog in winter.
Consider that this has been:
I commend these words to you.
Engrave them on your hearts
When you are in your house, when you walk on your way,
When you go to bed, when you rise.
Repeat them to your children.
Or may your house crumble,
Disease render you powerless,
Your offspring avert their faces from you.
Translated by Ruth Feldman And Brian Swann
|
Written by
Andrew Barton Paterson |
He had drifted in among us as a straw drifts with the tide,
He was just a wand'ring mongrel from the weary world outside;
He was not aristocratic, being mostly ribs and hair,
With a hint of spaniel parents and a touch of native bear.
He was very poor and humble and content with what he got,
So we fed him bones and biscuits, till he heartened up a lot;
Then he growled and grew aggressive, treating orders with disdain,
Till at last he bit the butcher, which would argue want of brain.
Now the butcher, noble fellow, was a sport beyond belief,
And instead of bringing actions he brought half a shin of beef,
Which he handed on to Fido, who received it as a right
And removed it to the garden, where he buried it at night.
'Twas the means of his undoing, for my wife, who'd stood his friend,
To adopt a slang expression, "went in off the deepest end",
For among the pinks and pansies, the gloxinias and the gorse
He had made an excavation like a graveyard for a horse.
Then we held a consultation which decided on his fate:
'Twas in anger more than sorrow that we led him to the gate,
And we handed him the beef-bone as provision for the day,
Then we opened wide the portal and we told him, "On your way.
"
|
Written by
Philip Levine |
You pull over to the shoulder
of the two-lane
road and sit for a moment wondering
where you were going
in such a hurry.
The valley is burned
out, the oaks
dream day and night of rain
that never comes.
At noon or just before noon
the short shadows
are gray and hold what little
life survives.
In the still heat the engine
clicks, although
the real heat is hours ahead.
You get out and step
cautiously over a low wire
fence and begin
the climb up the yellowed hill.
A hundred feet
ahead the trunks of two
fallen oaks
rust; something passes over
them, a lizard
perhaps or a trick of sight.
The next tree
you pass is unfamiliar,
the trunk dark,
as black as an olive's; the low
branches stab
out, gnarled and dull: a carob
or a Joshua tree.
A sudden flaring-up ahead,
a black-winged
bird rises from nowhere,
white patches
underneath its wings, and is gone.
You hear your own
breath catching in your ears,
a roaring, a sea
sound that goes on and on
until you lean
forward to place both hands
-- fingers spread --
into the bleached grasses
and let your knees
slowly down.
Your breath slows
and you know
you're back in central
California
on your way to San Francisco
or the coastal towns
with their damp sea breezes
you haven't
even a hint of.
But first
you must cross
the Pacheco Pass.
People
expect you, and yet
you remain, still leaning forward
into the grasses
that if you could hear them
would tell you
all you need to know about
the life ahead.
.
.
.
Out of a sense of modesty
or to avoid the truth
I've been writing in the second
person, but in truth
it was I, not you, who pulled
the green Ford
over to the side of the road
and decided to get
up that last hill to look
back at the valley
he'd come to call home.
I can't believe
that man, only thirty-two,
less than half
my age, could be the person
fashioning these lines.
That was late July of '60.
I had heard
all about magpies, how they
snooped and meddled
in the affairs of others, not
birds so much
as people.
If you dared
to remove a wedding
ring as you washed away
the stickiness of love
or the cherished odors of another
man or woman,
as you turned away
from the mirror
having admired your new-found
potency -- humming
"My Funny Valentine" or
"Body and Soul" --
to reach for a rough towel
or some garment
on which to dry yourself,
he would enter
the open window behind you
that gave gratefully
onto the fields and the roads
bathed in dawn --
he, the magpie -- and snatch
up the ring
in his hard beak and shoulder
his way back
into the currents of the world
on his way
to the only person who could
change your life:
a king or a bride or an old woman
asleep on her porch.
.
.
.
Can you believe the bird
stood beside you
just long enough, though far
smaller than you
but fearless in a way
a man or woman
could never be? An apparition
with two dark
and urgent eyes and motions
so quick and precise
they were barely motions at all?
When he was gone
you turned, alarmed by the rustling
of oily feathers
and the curious pungency,
and were sure
you'd heard him say the words
that could explain
the meaning of blond grasses
burning on a hillside
beneath the hands of a man
in the middle of
his life caught in the posture
of prayer.
I'd
heard that a magpie could talk,
so I waited
for the words, knowing without
the least doubt
what he'd do, for up ahead
an old woman
waited on her wide front porch.
My children
behind her house played
in a silted pond
poking sticks at the slow
carp that flashed
in the fallen sunlight.
You
are thirty-two
only once in your life, and though
July comes
too quickly, you pray for
the overbearing
heat to pass.
It does, and
the year turns
before it holds still for
even a moment.
Beyond the last carob
or Joshua tree
the magpie flashes his sudden
wings; a second
flames and vanishes into the pale
blue air.
July 23, 1960.
I lean down
closer to hear the burned grasses
whisper all I
need to know.
The words rise
around me, separate
and finite.
A yellow dust
rises and stops
caught in the noon's driving light.
Three ants pass
across the back of my reddened
right hand.
Everything is speaking or singing.
We're still here.
|
Written by
Edwin Arlington Robinson |
I
Said the Watcher by the Way
To the young and the unladen,
To the boy and to the maiden,
"God be with you both to-day.
First your song came ringing,
Now you come, you two--
Knowing naught of what you do,
Or of what your dreams are bringing.
"O you children who go singing
To the Town down the River,
Where the millions cringe and shiver,
Tell me what you know to-day;
Tell me how far you are going,
Tell me how you find your way.
O you children who are dreaming,
Tell me what you dream to-day.
"
"He is old and we have heard him,"
Said the boy then to the maiden;
"He is old and heavy laden
With a load we throw away.
Care may come to find us,
Age may lay us low;
Still, we seek the light we know,
And the dead we leave behind us.
"Did he think that he would blind us
Into such a small believing
As to live without achieving,
When the lights have led so far?
Let him watch or let him wither,--
Shall he tell us where we are?
We know best, who go together,
Downward, onward, and so far.
"
II
Said the Watcher by the Way
To the fiery folk that hastened
To the loud and the unchastened,
"You are strong, I see, to-day.
Strength and hope may lead you
To the journey's end,--
Each to be the other's friend
If the Town should fail to need you.
"And are ravens there to feed you
In the Town down the River,
Where the gift appalls the giver
And youth hardens day by day?
O you brave and you unshaken,
Are you truly on your way?
And are sirens in the River,
That you come so far to-day?"
"You are old and we have listened,"
Said the voice of one who halted;
"You are sage and self-exalted,
But your way is not our way.
You that cannot aid us
Give us words to eat.
Be assured that they are sweet,
And that we are as God made us.
"Not in vain have you delayed us,
Though the river still be calling
Through the twilight that is falling
And the Town be still so far.
By the whirlwind of your wisdom
Leagues are lifted as leaves are;
But a king without a kingdom
Fails us, who have come so far.
"
III
Said the Watcher by the Way
To the slower folk who stumbled,
To the weak and the world-humbled,
"Tell me how you fare to-day.
Some with ardor shaken,
All with honor scarred,
Do you falter, finding hard
The far chance that you have taken?
"Or, do you at length awaken
To an antic retribution,
Goading to a new confusion
The drugged hopes of yesterday?
O you poor mad men that hobble,
Will you not return or stay?
Do you trust, you broken people,
To a dawn without the day?"
"You speak well of what you know not,"
Muttered one; and then a second:
"You have begged, and you have beckoned,
But you see us on our way.
Who are you to scold us,
Knowing what we know?
Jeremiah, long ago,
Said as much as you have told us.
"As we are, then, you behold us:
Derelicts of all conditions,
Poets, rogues, and sick physicians,
Plodding forward from afar;
Forward now into the darkness
Where the men before us are;
Forward, onward, out of grayness,
To the light that shone so far.
"
IV
Said the Watcher by the Way
To some aged ones who lingered,
To the shrunken, the claw-fingered,
"So you come for me to-day.
"--
"Yes, to give you warning;
You are old," one said;
"You have hairs on your head,
Fit for laurel, not for scorning.
"From the first of early morning
We have toiled along to find you;
We, as others, have maligned you,
But we need your scorn to-day.
By the light that we saw shining,
Let us not be lured alway;
Let us hear no River calling
When to-morrow is to-day.
"
"But your lanterns are unlighted
And the Town is far before you:
Let us hasten, I implore you,"
Said the Watcher by the Way.
"Long have I waited,
Longer have I known
That the Town would have its own,
And the call be for the fated.
"In the name of all created.
Let us hear no more my brothers;
Are we older than all others?
Are the planets in our way?"--
"Hark," said one; I hear the River,
Calling always, night and day.
"--
"Forward, then! The lights are shining,"
Said the Watcher by the Way.
|
Written by
Patrick Kavanagh |
I do not think of you lying in the wet clay
Of a Monaghan graveyard; I see
You walking down a lane among the poplars
On your way to the station, or happily
Going to second Mass on a summer Sunday--
You meet me and you say:
'Don't forget to see about the cattle--'
Among your earthiest words the angels stray.
And I think of you walking along a headland
Of green oats in June,
So full of repose, so rich with life--
And I see us meeting at the end of a town
On a fair day by accident, after
The bargains are all made and we can walk
Together through the shops and stalls and markets
Free in the oriental streets of thought.
O you are not lying in the wet clay,
For it is harvest evening now and we
Are piling up the ricks against the moonlight
And you smile up at us -- eternally.
|
Written by
David Lehman |
Nothing extends a phone
call more effectively than
saying you're on your way out
but she wants to tell you
the five things she requires
in a man one is intelligence
he must have a brain
also he must be good a term
she likes because it embraces both
the opposite of evil and "good in
bed" and you admire the way
she skillfully maneuvered the
conversation to the sex lives
of jazz fans who live in the Village
and the enduring validity
of the Cyrano story and so
well you wish you didn't have to go
|
Written by
Rabindranath Tagore |
Peace, my heart, let the time for
the parting be sweet.
Let it not be a death but completeness.
Let love melt into memory and pain
into songs.
Let the flight through the sky end
in the folding of the wings over the
nest.
Let the last touch of your hands be
gentle like the flower of the night.
Stand still, O Beautiful End, for a
moment, and say your last words in
silence.
I bow to you and hold up my lamp
to light you on your way.
|