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Best Famous Narcissus Poems

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Written by Edna St Vincent Millay | Create an image from this poem

Ode To Silence

 Aye, but she?
Your other sister and my other soul
Grave Silence, lovelier
Than the three loveliest maidens, what of her?
Clio, not you,
Not you, Calliope,
Nor all your wanton line,
Not Beauty's perfect self shall comfort me
For Silence once departed,
For her the cool-tongued, her the tranquil-hearted,
Whom evermore I follow wistfully,
Wandering Heaven and Earth and Hell and the four seasons through;
Thalia, not you,
Not you, Melpomene,
Not your incomparable feet, O thin Terpsichore, I seek in this great hall,
But one more pale, more pensive, most beloved of you all.
I seek her from afar, I come from temples where her altars are, From groves that bear her name, Noisy with stricken victims now and sacrificial flame, And cymbals struck on high and strident faces Obstreperous in her praise They neither love nor know, A goddess of gone days, Departed long ago, Abandoning the invaded shrines and fanes Of her old sanctuary, A deity obscure and legendary, Of whom there now remains, For sages to decipher and priests to garble, Only and for a little while her letters wedged in marble, Which even now, behold, the friendly mumbling rain erases, And the inarticulate snow, Leaving at last of her least signs and traces None whatsoever, nor whither she is vanished from these places.
"She will love well," I said, "If love be of that heart inhabiter, The flowers of the dead; The red anemone that with no sound Moves in the wind, and from another wound That sprang, the heavily-sweet blue hyacinth, That blossoms underground, And sallow poppies, will be dear to her.
And will not Silence know In the black shade of what obsidian steep Stiffens the white narcissus numb with sleep? (Seed which Demeter's daughter bore from home, Uptorn by desperate fingers long ago, Reluctant even as she, Undone Persephone, And even as she set out again to grow In twilight, in perdition's lean and inauspicious loam).
She will love well," I said, "The flowers of the dead; Where dark Persephone the winter round, Uncomforted for home, uncomforted, Lacking a sunny southern slope in northern Sicily, With sullen pupils focussed on a dream, Stares on the stagnant stream That moats the unequivocable battlements of Hell, There, there will she be found, She that is Beauty veiled from men and Music in a swound.
" "I long for Silence as they long for breath Whose helpless nostrils drink the bitter sea; What thing can be So stout, what so redoubtable, in Death What fury, what considerable rage, if only she, Upon whose icy breast, Unquestioned, uncaressed, One time I lay, And whom always I lack, Even to this day, Being by no means from that frigid bosom weaned away, If only she therewith be given me back?" I sought her down that dolorous labyrinth, Wherein no shaft of sunlight ever fell, And in among the bloodless everywhere I sought her, but the air, Breathed many times and spent, Was fretful with a whispering discontent, And questioning me, importuning me to tell Some slightest tidings of the light of day they know no more, Plucking my sleeve, the eager shades were with me where I went.
I paused at every grievous door, And harked a moment, holding up my hand,—and for a space A hush was on them, while they watched my face; And then they fell a-whispering as before; So that I smiled at them and left them, seeing she was not there.
I sought her, too, Among the upper gods, although I knew She was not like to be where feasting is, Nor near to Heaven's lord, Being a thing abhorred And shunned of him, although a child of his, (Not yours, not yours; to you she owes not breath, Mother of Song, being sown of Zeus upon a dream of Death).
Fearing to pass unvisited some place And later learn, too late, how all the while, With her still face, She had been standing there and seen me pass, without a smile, I sought her even to the sagging board whereat The stout immortals sat; But such a laughter shook the mighty hall No one could hear me say: Had she been seen upon the Hill that day? And no one knew at all How long I stood, or when at last I sighed and went away.
There is a garden lying in a lull Between the mountains and the mountainous sea, I know not where, but which a dream diurnal Paints on my lids a moment till the hull Be lifted from the kernel And Slumber fed to me.
Your foot-print is not there, Mnemosene, Though it would seem a ruined place and after Your lichenous heart, being full Of broken columns, caryatides Thrown to the earth and fallen forward on their jointless knees, And urns funereal altered into dust Minuter than the ashes of the dead, And Psyche's lamp out of the earth up-thrust, Dripping itself in marble wax on what was once the bed Of Love, and his young body asleep, but now is dust instead.
There twists the bitter-sweet, the white wisteria Fastens its fingers in the strangling wall, And the wide crannies quicken with bright weeds; There dumbly like a worm all day the still white orchid feeds; But never an echo of your daughters' laughter Is there, nor any sign of you at all Swells fungous from the rotten bough, grey mother of Pieria! Only her shadow once upon a stone I saw,—and, lo, the shadow and the garden, too, were gone.
I tell you you have done her body an ill, You chatterers, you noisy crew! She is not anywhere! I sought her in deep Hell; And through the world as well; I thought of Heaven and I sought her there; Above nor under ground Is Silence to be found, That was the very warp and woof of you, Lovely before your songs began and after they were through! Oh, say if on this hill Somewhere your sister's body lies in death, So I may follow there, and make a wreath Of my locked hands, that on her quiet breast Shall lie till age has withered them! (Ah, sweetly from the rest I see Turn and consider me Compassionate Euterpe!) "There is a gate beyond the gate of Death, Beyond the gate of everlasting Life, Beyond the gates of Heaven and Hell," she saith, "Whereon but to believe is horror! Whereon to meditate engendereth Even in deathless spirits such as I A tumult in the breath, A chilling of the inexhaustible blood Even in my veins that never will be dry, And in the austere, divine monotony That is my being, the madness of an unaccustomed mood.
This is her province whom you lack and seek; And seek her not elsewhere.
Hell is a thoroughfare For pilgrims,—Herakles, And he that loved Euridice too well, Have walked therein; and many more than these; And witnessed the desire and the despair Of souls that passed reluctantly and sicken for the air; You, too, have entered Hell, And issued thence; but thence whereof I speak None has returned;—for thither fury brings Only the driven ghosts of them that flee before all things.
Oblivion is the name of this abode: and she is there.
" Oh, radiant Song! Oh, gracious Memory! Be long upon this height I shall not climb again! I know the way you mean,—the little night, And the long empty day,—never to see Again the angry light, Or hear the hungry noises cry my brain! Ah, but she, Your other sister and my other soul, She shall again be mine; And I shall drink her from a silver bowl, A chilly thin green wine, Not bitter to the taste, Not sweet, Not of your press, oh, restless, clamorous nine,— To foam beneath the frantic hoofs of mirth— But savoring faintly of the acid earth, And trod by pensive feet From perfect clusters ripened without haste Out of the urgent heat In some clear glimmering vaulted twilight under the odorous vine .
Lift up your lyres! Sing on! But as for me, I seek your sister whither she is gone.


Written by D. H. Lawrence | Create an image from this poem

Craving for Spring

 I wish it were spring in the world.
Let it be spring! Come, bubbling, surging tide of sap! Come, rush of creation! Come, life! surge through this mass of mortification! Come, sweep away these exquisite, ghastly first-flowers, which are rather last-flowers! Come, thaw down their cool portentousness, dissolve them: snowdrops, straight, death-veined exhalations of white and purple crocuses, flowers of the penumbra, issue of corruption, nourished in mortification, jets of exquisite finality; Come, spring, make havoc of them! I trample on the snowdrops, it gives me pleasure to tread down the jonquils, to destroy the chill Lent lilies; for I am sick of them, their faint-bloodedness, slow-blooded, icy-fleshed, portentous.
I want the fine, kindling wine-sap of spring, gold, and of inconceivably fine, quintessential brightness, rare almost as beams, yet overwhelmingly potent, strong like the greatest force of world-balancing.
This is the same that picks up the harvest of wheat and rocks it, tons of grain, on the ripening wind; the same that dangles the globe-shaped pleiads of fruit temptingly in mid-air, between a playful thumb and finger; oh, and suddenly, from out of nowhere, whirls the pear-bloom, upon us, and apple- and almond- and apricot- and quince-blossom, storms and cumulus clouds of all imaginable blossom about our bewildered faces, though we do not worship.
I wish it were spring cunningly blowing on the fallen sparks, odds and ends of the old, scattered fire, and kindling shapely little conflagrations curious long-legged foals, and wide-eared calves, and naked sparrow-bubs.
I wish that spring would start the thundering traffic of feet new feet on the earth, beating with impatience.
I wish it were spring, thundering delicate, tender spring.
I wish these brittle, frost-lovely flowers of passionate, mysterious corruption were not yet to come still more from the still-flickering discontent.
Oh, in the spring, the bluebell bows him down for very exuberance, exulting with secret warm excess, bowed down with his inner magnificence! Oh, yes, the gush of spring is strong enough to toss the globe of earth like a ball on a water-jet dancing sportfully; as you see a tiny celluloid ball tossing on a squirt of water for men to shoot at, penny-a-time, in a booth at a fair.
The gush of spring is strong enough to play with the globe of earth like a ball on a fountain; At the same time it opens the tiny hands of the hazel with such infinite patience.
The power of the rising, golden, all-creative sap could take the earth and heave it off among the stars, into the invisible; the same sets the throstle at sunset on a bough singing against the blackbird; comes out in the hesitating tremor of the primrose, and betrays its candour in the round white strawberry flower, is dignified in the foxglove, like a Red-Indian brave.
Ah come, come quickly, spring! come and lift us towards our culmination, we myriads; we who have never flowered, like patient cactuses.
Come and lift us to our end, to blossom, bring us to our summer we who are winter-weary in the winter of the of the world.
Come making the chaffinch nests hollow and cosy, come and soften the willow buds till they are puffed and furred, then blow them over with gold.
Coma and cajole the gawky colt’s-foot flowers.
Come quickly, and vindicate us.
against too much death.
Come quickly, and stir the rotten globe of the world from within, burst it with germination, with world anew.
Come now, to us, your adherents, who cannot flower from the ice.
All the world gleams with the lilies of death the Unconquerable, but come, give us our turn.
Enough of the virgins and lilies, of passionate, suffocating perfume of corruption, no more narcissus perfume, lily harlots, the blades of sensation piercing the flesh to blossom of death.
Have done, have done with this shuddering, delicious business of thrilling ruin in the flesh, of pungent passion, of rare, death-edged ecstasy.
Give us our turn, give us a chance, let our hour strike, O soon, soon! Let the darkness turn violet with rich dawn.
Let the darkness be warmed, warmed through to a ruddy violet, incipient purpling towards summer in the world of the heart of man.
Are the violets already here! Show me! I tremble so much to hear it, that even now on the threshold of spring, I fear I shall die.
Show me the violets that are out.
Oh, if it be true, and the living darkness of the blood of man is purpling with violets, if the violets are coming out from under the rack of men, winter-rotten and fallen, we shall have spring.
Pray not to die on this Pisgah blossoming with violets.
Pray to live through.
If you catch a whiff of violets from the darkness of the shadow of man it will be spring in the world, it will be spring in the world of the living; wonderment organising itself, heralding itself with the violets, stirring of new seasons.
Ah, do not let me die on the brink of such anticipation! Worse, let me not deceive myself.
Written by Oscar Wilde | Create an image from this poem

Panthea

 Nay, let us walk from fire unto fire,
From passionate pain to deadlier delight, -
I am too young to live without desire,
Too young art thou to waste this summer night
Asking those idle questions which of old
Man sought of seer and oracle, and no reply was told.
For, sweet, to feel is better than to know, And wisdom is a childless heritage, One pulse of passion - youth's first fiery glow, - Are worth the hoarded proverbs of the sage: Vex not thy soul with dead philosophy, Have we not lips to kiss with, hearts to love and eyes to see! Dost thou not hear the murmuring nightingale, Like water bubbling from a silver jar, So soft she sings the envious moon is pale, That high in heaven she is hung so far She cannot hear that love-enraptured tune, - Mark how she wreathes each horn with mist, yon late and labouring moon.
White lilies, in whose cups the gold bees dream, The fallen snow of petals where the breeze Scatters the chestnut blossom, or the gleam Of boyish limbs in water, - are not these Enough for thee, dost thou desire more? Alas! the Gods will give nought else from their eternal store.
For our high Gods have sick and wearied grown Of all our endless sins, our vain endeavour For wasted days of youth to make atone By pain or prayer or priest, and never, never, Hearken they now to either good or ill, But send their rain upon the just and the unjust at will.
They sit at ease, our Gods they sit at ease, Strewing with leaves of rose their scented wine, They sleep, they sleep, beneath the rocking trees Where asphodel and yellow lotus twine, Mourning the old glad days before they knew What evil things the heart of man could dream, and dreaming do.
And far beneath the brazen floor they see Like swarming flies the crowd of little men, The bustle of small lives, then wearily Back to their lotus-haunts they turn again Kissing each others' mouths, and mix more deep The poppy-seeded draught which brings soft purple-lidded sleep.
There all day long the golden-vestured sun, Their torch-bearer, stands with his torch ablaze, And, when the gaudy web of noon is spun By its twelve maidens, through the crimson haze Fresh from Endymion's arms comes forth the moon, And the immortal Gods in toils of mortal passions swoon.
There walks Queen Juno through some dewy mead, Her grand white feet flecked with the saffron dust Of wind-stirred lilies, while young Ganymede Leaps in the hot and amber-foaming must, His curls all tossed, as when the eagle bare The frightened boy from Ida through the blue Ionian air.
There in the green heart of some garden close Queen Venus with the shepherd at her side, Her warm soft body like the briar rose Which would be white yet blushes at its pride, Laughs low for love, till jealous Salmacis Peers through the myrtle-leaves and sighs for pain of lonely bliss.
There never does that dreary north-wind blow Which leaves our English forests bleak and bare, Nor ever falls the swift white-feathered snow, Nor ever doth the red-toothed lightning dare To wake them in the silver-fretted night When we lie weeping for some sweet sad sin, some dead delight.
Alas! they know the far Lethaean spring, The violet-hidden waters well they know, Where one whose feet with tired wandering Are faint and broken may take heart and go, And from those dark depths cool and crystalline Drink, and draw balm, and sleep for sleepless souls, and anodyne.
But we oppress our natures, God or Fate Is our enemy, we starve and feed On vain repentance - O we are born too late! What balm for us in bruised poppy seed Who crowd into one finite pulse of time The joy of infinite love and the fierce pain of infinite crime.
O we are wearied of this sense of guilt, Wearied of pleasure's paramour despair, Wearied of every temple we have built, Wearied of every right, unanswered prayer, For man is weak; God sleeps: and heaven is high: One fiery-coloured moment: one great love; and lo! we die.
Ah! but no ferry-man with labouring pole Nears his black shallop to the flowerless strand, No little coin of bronze can bring the soul Over Death's river to the sunless land, Victim and wine and vow are all in vain, The tomb is sealed; the soldiers watch; the dead rise not again.
We are resolved into the supreme air, We are made one with what we touch and see, With our heart's blood each crimson sun is fair, With our young lives each spring-impassioned tree Flames into green, the wildest beasts that range The moor our kinsmen are, all life is one, and all is change.
With beat of systole and of diastole One grand great life throbs through earth's giant heart, And mighty waves of single Being roll From nerveless germ to man, for we are part Of every rock and bird and beast and hill, One with the things that prey on us, and one with what we kill.
From lower cells of waking life we pass To full perfection; thus the world grows old: We who are godlike now were once a mass Of quivering purple flecked with bars of gold, Unsentient or of joy or misery, And tossed in terrible tangles of some wild and wind-swept sea.
This hot hard flame with which our bodies burn Will make some meadow blaze with daffodil, Ay! and those argent breasts of thine will turn To water-lilies; the brown fields men till Will be more fruitful for our love to-night, Nothing is lost in nature, all things live in Death's despite.
The boy's first kiss, the hyacinth's first bell, The man's last passion, and the last red spear That from the lily leaps, the asphodel Which will not let its blossoms blow for fear Of too much beauty, and the timid shame Of the young bridegroom at his lover's eyes, - these with the same One sacrament are consecrate, the earth Not we alone hath passions hymeneal, The yellow buttercups that shake for mirth At daybreak know a pleasure not less real Than we do, when in some fresh-blossoming wood, We draw the spring into our hearts, and feel that life is good.
So when men bury us beneath the yew Thy crimson-stained mouth a rose will be, And thy soft eyes lush bluebells dimmed with dew, And when the white narcissus wantonly Kisses the wind its playmate some faint joy Will thrill our dust, and we will be again fond maid and boy.
And thus without life's conscious torturing pain In some sweet flower we will feel the sun, And from the linnet's throat will sing again, And as two gorgeous-mailed snakes will run Over our graves, or as two tigers creep Through the hot jungle where the yellow-eyed huge lions sleep And give them battle! How my heart leaps up To think of that grand living after death In beast and bird and flower, when this cup, Being filled too full of spirit, bursts for breath, And with the pale leaves of some autumn day The soul earth's earliest conqueror becomes earth's last great prey.
O think of it! We shall inform ourselves Into all sensuous life, the goat-foot Faun, The Centaur, or the merry bright-eyed Elves That leave their dancing rings to spite the dawn Upon the meadows, shall not be more near Than you and I to nature's mysteries, for we shall hear The thrush's heart beat, and the daisies grow, And the wan snowdrop sighing for the sun On sunless days in winter, we shall know By whom the silver gossamer is spun, Who paints the diapered fritillaries, On what wide wings from shivering pine to pine the eagle flies.
Ay! had we never loved at all, who knows If yonder daffodil had lured the bee Into its gilded womb, or any rose Had hung with crimson lamps its little tree! Methinks no leaf would ever bud in spring, But for the lovers' lips that kiss, the poets' lips that sing.
Is the light vanished from our golden sun, Or is this daedal-fashioned earth less fair, That we are nature's heritors, and one With every pulse of life that beats the air? Rather new suns across the sky shall pass, New splendour come unto the flower, new glory to the grass.
And we two lovers shall not sit afar, Critics of nature, but the joyous sea Shall be our raiment, and the bearded star Shoot arrows at our pleasure! We shall be Part of the mighty universal whole, And through all aeons mix and mingle with the Kosmic Soul! We shall be notes in that great Symphony Whose cadence circles through the rhythmic spheres, And all the live World's throbbing heart shall be One with our heart; the stealthy creeping years Have lost their terrors now, we shall not die, The Universe itself shall be our Immortality.
Written by David Lehman | Create an image from this poem

Shake The Superflux!

 I like walking on streets as black and wet as this one
now, at two in the solemnly musical morning, when everyone else
in this town emptied of Lestrygonians and Lotus-eaters
is asleep or trying or worrying why
they aren't asleep, while unknown to them Ulysses walks
into the shabby apartment I live in, humming and feeling
happy with the avant-garde weather we're having,
the winds (a fugue for flute and oboe) pouring
into the windows which I left open although
I live on the ground floor and there have been
two burglaries on my block already this week,
do I quickly take a look to see
if the valuables are missing? No, that is I can't,
it's an epistemological quandary: what I consider
valuable, would they? Who are they, anyway? I'd answer that
with speculations based on newspaper accounts if I were
Donald E.
Westlake, whose novels I'm hooked on, but this first cigarette after twenty-four hours of abstinence tastes so good it makes me want to include it in my catalogue of pleasures designed to hide the ugliness or sweep it away the way the violent overflow of rain over cliffs cleans the sewers and drains of Ithaca whose waterfalls head my list, followed by crudites of carrots and beets, roots and all, with rained-on radishes, too beautiful to eat, and the pure pleasure of talking, talking and not knowing where the talk will lead, but willing to take my chances.
Furthermore I shall enumerate some varieties of tulips (Bacchus, Tantalus, Dardanelles) and other flowers with names that have a life of their own (Love Lies Bleeding, Dwarf Blue Bedding, Burning Bush, Torch Lily, Narcissus).
Mostly, as I've implied, it's the names of things that count; still, sometimes I wonder and, wondering, find the path of least resistance, the earth's orbit around the sun's delirious clarity.
Once you sniff the aphrodisiac of disaster, you know: there's no reason for the anxiety--or for expecting to be free of it; try telling Franz Kafka he has no reason to feel guilty; or so I say to well-meaning mongers of common sense.
They way I figure, you start with the names which are keys and then you throw them away and learn to love the locked rooms, with or without corpses inside, riddles to unravel, emptiness to possess, a woman to wake up with a kiss (who is she? no one knows) who begs your forgiveness (for what? you cannot know) and then, in the authoritative tone of one who has weathered the storm of his exile, orders you to put up your hands and beg the rain to continue as if it were in your power.
And it is, I feel it with each drop.
I am standing outside at the window, looking in on myself writing these words, feeling what wretches feel, just as the doctor ordered.
And that's what I plan to do, what the storm I was caught in reminded me to do, to shake the superflux, distribute my appetite, fast without so much as a glass of water, and love each bite I haven't taken.
I shall become the romantic poet whose coat of many colors smeared with blood, like a butcher's apron, left in the sacred pit or brought back to my father to confirm my death, confirms my new life instead, an alien prince of dungeons and dreams who sheds the disguise people recognize him by to reveal himself to his true brothers at last in the silence that stuns before joy descends, like rain.
Written by Aleister Crowley | Create an image from this poem

The Garden of Janus

 I

The cloud my bed is tinged with blood and foam.
The vault yet blazes with the sun Writhing above the West, brave hippodrome Whose gladiators shock and shun As the blue night devours them, crested comb Of sleep's dead sea That eats the shores of life, rings round eternity! II So, he is gone whose giant sword shed flame Into my bowels; my blood's bewitched; My brain's afloat with ecstasy of shame.
That tearing pain is gone, enriched By his life-spasm; but he being gone, the same Myself is gone Sucked by the dragon down below death's horizon.
III I woke from this.
I lay upon the lawn; They had thrown roses on the moss With all their thorns; we came there at the dawn, My lord and I; God sailed across The sky in's galleon of amber, drawn By singing winds While we wove garlands of the flowers of our minds.
IV All day my lover deigned to murder me, Linking his kisses in a chain About my neck; demon-embroidery! Bruises like far-ff mountains stain The valley of my body of ivory! Then last came sleep.
I wake, and he is gone; what should I do but weep? V Nay, for I wept enough --- more sacred tears! --- When first he pinned me, gripped My flesh, and as a stallion that rears, Sprang, hero-thewed and satyr-lipped; Crushed, as a grape between his teeth, my fears; Sucked out my life And stamped me with the shame, the monstrous word of wife.
VI I will not weep; nay, I will follow him Perchance he is not far, Bathing his limbs in some delicious dim Depth, where the evening star May kiss his mouth, or by the black sky's rim He makes his prayer To the great serpent that is coiled in rapture there.
VII I rose to seek him.
First my footsteps faint Pressed the starred moss; but soon I wandered, like some sweet sequestered saint, Into the wood, my mind.
The moon Was staggered by the trees; with fierce constraint Hardly one ray Pierced to the ragged earth about their roots that lay.
VIII I wandered, crying on my Lord.
I wandered Eagerly seeking everywhere.
The stories of life that on my lips he squandered Grew into shrill cries of despair, Until the dryads frightened and dumfoundered Fled into space --- Like to a demon-king's was grown my maiden face! XI At last I came unto the well, my soul In that still glass, I saw no sign Of him, and yet --- what visions there uproll To cloud that mirror-soul of mine? Above my head there screams a flying scroll Whose word burnt through My being as when stars drop in black disastrous dew.
X For in that scroll was written how the globe Of space became; of how the light Broke in that space and wrapped it in a robe Of glory; of how One most white Withdrew that Whole, and hid it in the lobe Of his right Ear, So that the Universe one dewdrop did appear.
IX Yea! and the end revealed a word, a spell, An incantation, a device Whereby the Eye of the Most Terrible Wakes from its wilderness of ice To flame, whereby the very core of hell Bursts from its rind, Sweeping the world away into the blank of mind.
XII So then I saw my fault; I plunged within The well, and brake the images That I had made, as I must make - Men spin The webs that snare them - while the knee Bend to the tyrant God - or unto Sin The lecher sunder! Ah! came that undulant light from over or from under? XIII It matters not.
Come, change! come, Woe! Come, mask! Drive Light, Life, Love into the deep! In vain we labour at the loathsome task Not knowing if we wake or sleep; But in the end we lift the plumed casque Of the dead warrior; Find no chaste corpse therein, but a soft-smiling whore.
XIV Then I returned into myself, and took All in my arms, God's universe: Crushed its black juice out, while His anger shook His dumbness pregnant with a curse.
I made me ink, and in a little book I wrote one word That God himself, the adder of Thought, had never heard.
XV It detonated.
Nature, God, mankind Like sulphur, nitre, charcoal, once Blended, in one annihilation blind Were rent into a myriad of suns.
Yea! all the mighty fabric of a Mind Stood in the abyss, Belching a Law for "That" more awful than for "This.
" XVI Vain was the toil.
So then I left the wood And came unto the still black sea, That oily monster of beatitude! ('Hath "Thee" for "Me," and "Me" for "Thee!") There as I stood, a mask of solitude Hiding a face Wried as a satyr's, rolled that ocean into space.
XVII Then did I build an altar on the shore Of oyster-shells, and ringed it round With star-fish.
Thither a green flame I bore Of phosphor foam, and strewed the ground With dew-drops, children of my wand, whose core Was trembling steel Electric that made spin the universal Wheel.
XVIII With that a goat came running from the cave That lurked below the tall white cliff.
Thy name! cried I.
The answer that gave Was but one tempest-whisper - "If!" Ah, then! his tongue to his black palate clave; For on soul's curtain Is written this one certainty that naught is certain! XIX So then I caught that goat up in a kiss.
And cried Io Pan! Io Pan! Io Pan! Then all this body's wealth of ambergris, (Narcissus-scented flesh of man!) I burnt before him in the sacrifice; For he was sure - Being the Doubt of Things, the one thing to endure! XX Wherefore, when madness took him at the end, He, doubt-goat, slew the goat of doubt; And that which inward did for ever tend Came at the last to have come out; And I who had the World and God to friend Found all three foes! Drowned in that sea of changes, vacancies, and woes! XXI Yet all that Sea was swallowed up therein; So they were not, and it was not.
As who should sweat his soul out through the skin And find (sad fool!) he had begot All that without him that he had left in, And in himself All he had taken out thereof, a mocking elf! XXII But now that all was gone, great Pan appeared.
Him then I strove to woo, to win, Kissing his curled lips, playing with his beard, Setting his brain a-shake, a-spin, By that strong wand, and muttering of the weird That only I Knew of all souls alive or dead beneath the sky.
XXIII So still I conquered, and the vision passed.
Yet still was beaten, for I knew Myself was He, Himself, the first and last; And as an unicorn drinks dew From under oak-leaves, so my strength was cast Into the mire; For all I did was dream, and all I dreamt desire.
XXIV More; in this journey I had clean forgotten The quest, my lover.
But the tomb Of all these thoughts, the rancid and the rotten, Proved in the end to be my womb Wherein my Lord and lover had begotten A little child To drive me, laughing lion, into the wanton wild! XXV This child hath not one hair upon his head, But he hath wings instead of ears.
No eyes hath he, but all his light is shed Within him on the ordered sphere Of nature that he hideth; and in stead Of mouth he hath One minute point of jet; silence, the lightning path! XXVI Also his nostrils are shut up; for he Hath not the need of any breath; Nor can the curtain of eternity Cover that head with life or death.
So all his body, a slim almond-tree, Knoweth no bough Nor branch nor twig nor bud, from never until now.
XXVII This thought I bred within my bowels, I am.
I am in him, as he in me; And like a satyr ravishing a lamb So either seems, or as the sea Swallows the whale that swallows it, the ram Beats its own head Upon the city walls, that fall as it falls dead.
XXVIII Come, let me back unto the lilied lawn! Pile me the roses and the thorns, Upon this bed from which he hath withdrawn! He may return.
A million morns May follow that first dire daemonic dawn When he did split My spirit with his lightnings and enveloped it! XXIX So I am stretched out naked to the knife, My whole soul twitching with the stress Of the expected yet surprising strife, A martyrdom of blessedness.
Though Death came, I could kiss him into life; Though Life came, I Could kiss him into death, and yet nor live nor die! *** Yet I that am the babe, the sire, the dam, Am also none of these at all; For now that cosmic chaos of I AM Bursts like a bubble.
Mystical The night comes down, a soaring wedge of flame Woven therein To be a sign to them who yet have never been.
XXXI The universe I measured with my rod.
The blacks were balanced with the whites; Satan dropped down even as up soared God; Whores prayed and danced with anchorites.
So in my book the even matched the odd: No word I wrote Therein, but sealed it with the signet of the goat.
XXXII This also I seal up.
Read thou herein Whose eyes are blind! Thou may'st behold Within the wheel (that alway seems to spin All ways) a point of static gold.
Then may'st thou out therewith, and fit it in That extreme spher Whose boundless farness makes it infinitely near.


Written by Oscar Wilde | Create an image from this poem

Athanasia

 To that gaunt House of Art which lacks for naught
Of all the great things men have saved from Time,
The withered body of a girl was brought
Dead ere the world's glad youth had touched its prime,
And seen by lonely Arabs lying hid
In the dim womb of some black pyramid.
But when they had unloosed the linen band Which swathed the Egyptian's body, - lo! was found Closed in the wasted hollow of her hand A little seed, which sown in English ground Did wondrous snow of starry blossoms bear And spread rich odours through our spring-tide air.
With such strange arts this flower did allure That all forgotten was the asphodel, And the brown bee, the lily's paramour, Forsook the cup where he was wont to dwell, For not a thing of earth it seemed to be, But stolen from some heavenly Arcady.
In vain the sad narcissus, wan and white At its own beauty, hung across the stream, The purple dragon-fly had no delight With its gold dust to make his wings a-gleam, Ah! no delight the jasmine-bloom to kiss, Or brush the rain-pearls from the eucharis.
For love of it the passionate nightingale Forgot the hills of Thrace, the cruel king, And the pale dove no longer cared to sail Through the wet woods at time of blossoming, But round this flower of Egypt sought to float, With silvered wing and amethystine throat.
While the hot sun blazed in his tower of blue A cooling wind crept from the land of snows, And the warm south with tender tears of dew Drenched its white leaves when Hesperos up-rose Amid those sea-green meadows of the sky On which the scarlet bars of sunset lie.
But when o'er wastes of lily-haunted field The tired birds had stayed their amorous tune, And broad and glittering like an argent shield High in the sapphire heavens hung the moon, Did no strange dream or evil memory make Each tremulous petal of its blossoms shake? Ah no! to this bright flower a thousand years Seemed but the lingering of a summer's day, It never knew the tide of cankering fears Which turn a boy's gold hair to withered grey, The dread desire of death it never knew, Or how all folk that they were born must rue.
For we to death with pipe and dancing go, Nor would we pass the ivory gate again, As some sad river wearied of its flow Through the dull plains, the haunts of common men, Leaps lover-like into the terrible sea! And counts it gain to die so gloriously.
We mar our lordly strength in barren strife With the world's legions led by clamorous care, It never feels decay but gathers life From the pure sunlight and the supreme air, We live beneath Time's wasting sovereignty, It is the child of all eternity.
Written by Delmore Schwartz | Create an image from this poem

The Poet

 The riches of the poet are equal to his poetry 
His power is his left hand
 It is idle weak and precious
His poverty is his wealth, a wealth which may destroy him
 like Midas Because it is that laziness which is a form of impatience 
And this he may be destroyed by the gold of the light
 which never was
On land or sea.
He may be drunken to death, draining the casks of excess That extreme form of success.
He may suffer Narcissus' destiny Unable to live except with the image which is infatuation Love, blind, adoring, overflowing Unable to respond to anything which does not bring love quickly or immediately.
.
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The poet must be innocent and ignorant But he cannot be innocent since stupidity is not his strong point Therefore Cocteau said, "What would I not give To have the poems of my youth withdrawn from existence? I would give to Satan my immortal soul.
" This metaphor is wrong, for it is his immortal soul which he wished to redeem, Lifting it and sifting it, free and white, from the actuality of youth's banality, vulgarity, pomp and affectation of his early works of poetry.
So too in the same way a Famous American Poet When fame at last had come to him sought out the fifty copies of his first book of poems which had been privately printed by himself at his own expense.
He succeeded in securing 48 of the 50 copies, burned them And learned then how the last copies were extant, As the law of the land required, stashed away in the national capital, at the Library of Congress.
Therefore he went to Washington, therefore he took out the last two copies Placed them in his pocket, planned to depart Only to be halted and apprehended.
Since he was the author, Since they were his books and his property he was reproached But forgiven.
But the two copies were taken away from him Thus setting a national precedent.
For neither amnesty nor forgiveness is bestowed upon poets, poetry and poems, For William James, the lovable genius of Harvard spoke the terrifying truth: "Your friends may forget, God may forgive you, But the brain cells record your acts for the rest of eternity.
" What a terrifying thing to say! This is the endless doom, without remedy, of poetry.
This is also the joy everlasting of poetry.
Written by Rainer Maria Rilke | Create an image from this poem

Narcissus

 Encircled by her arms as by a shell,
she hears her being murmur,
while forever he endures
the outrage of his too pure image.
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Wistfully following their example, nature re-enters herself; contemplating its own sap, the flower becomes too soft, and the boulder hardens.
.
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It's the return of all desire that enters toward all life embracing itself from afar.
.
.
Where does it fall? Under the dwindling surface, does it hope to renew a center?
Written by Edward Taylor | Create an image from this poem

Shut Up And Eat Your Toad

 The disorganization to which I currently belong
has skipped several meetings in a row
which is a pattern I find almost fatally attractive.
Down at headquarters there's a secretary and a janitor who I shall call Suzie and boy can she ever shoot straight.
She'll shoot you straight in the eye if you ask her to.
I mow the grass every other Saturday and that's the day she polishes the trivets whether they need it or not, I don't know if there is a name for this kind of behavior, hers or mine, but somebody once said something or another.
That's why I joined up in the first place, so somebody could teach me a few useful phrases, such as, "Good afternoon, my dear ****-retentive Doctor," and "My, that is a lovely dictionary you have on, Mrs.
Smith.
" Still, I hardly feel like functioning even on a brute or loutish level.
My plants think I'm one of them, and they don't look so good themselves, or so I tell them.
I like to give them at least several reasons to be annoyed with me, it's how they exercise their skinny spectrum of emotions.
Because.
That and cribbage.
Often when I return from the club late at night, weary-laden, weary-winged, washed out, I can actually hear the nematodes working, sucking the juices from the living cells of my narcissus.
I have mentioned this to Suzie on several occasions.
Each time she has backed away from me, panic-stricken when really I was just making a stab at conversation.
It is not my intention to alarm anyone, but dear Lord if I find a dead man in the road and his eyes are crawling with maggots, I refuse to say have a nice day Suzie just because she's desperate and her life is a runaway carriage rushing toward a cliff now can I? Would you let her get away with that kind of crap? Who are you anyway? And what kind of disorganization is this? Baron of the Holy Grail? Well it's about time you got here.
I was worried, I was starting to fret.
Written by Anne Kingsmill Finch | Create an image from this poem

A Pastoral Dialogue Between Two Shepherdesses

 [Silvia] Pretty Nymph! within this Shade, 
Whilst the Flocks to rest are laid,
Whilst the World dissolves in Heat,
Take this cool, and flow'ry Seat: 
And with pleasing Talk awhile
Let us two the Time beguile; 
Tho' thou here no Shepherd see, 
To encline his humble Knee, 
Or with melancholy Lays 
Sing thy dangerous Beauty's Praise.
[Dorinda] Nymph! with thee I here wou'd stay, But have heard, that on this Day, Near those Beeches, scarce in view, All the Swains some Mirth pursue: To whose meeting now I haste.
Solitude do's Life but waste.
[Silvia] Prithee, but a Moment stay.
[Dorinda] No! my Chaplet wou'd decay; Ev'ry drooping Flow'r wou'd mourn, And wrong the Face, they shou'd adorn.
[Silvia] I can tell thee, tho' so Fair, And dress'd with all that rural Care, Most of the admiring Swains Will be absent from the Plains.
Gay Sylvander in the Dance Meeting with a shrew'd Mischance, To his Cabin's now confin'd By Mopsus, who the Strain did bind: Damon through the Woods do's stray, Where his Kids have lost their way: Young Narcissus iv'ry Brow Rac'd by a malicious Bough, Keeps the girlish Boy from sight, Till Time shall do his Beauty right.
[Dorinda] Where's Alexis? [Silvia] –He, alas! Lies extended on the Grass; Tears his Garland, raves, despairs, Mirth and Harmony forswears; Since he was this Morning shown, That Delia must not be his Own.
[Dorinda] Foolish Swain! such Love to place.
[Silvia] On any but Dorinda's Face.
[Dorinda] Hasty Nymph! I said not so.
[Silvia] No–but I thy Meaning know.
Ev'ry Shepherd thou wou'd'st have Not thy Lover, but thy Slave; To encrease thy captive Train, Never to be lov'd again.
But, since all are now away, Prithee, but a Moment stay.
[Dorinda] No; the Strangers, from the Vale, Sure will not this Meeting fail; Graceful one, the other Fair.
He too, with the pensive Air, Told me, ere he came this way He was wont to look more Gay.
[Silvia] See! how Pride thy Heart inclines To think, for Thee that Shepherd pines; When those Words, that reach'd thy Ear, Chloe was design'd to hear; Chloe, who did near thee stand, And his more speaking Looks command.
[Dorinda] Now thy Envy makes me smile.
That indeed were worth his while: Chloe next thyself decay'd, And no more a courted Maid.
[Silvia] Next myself! Young Nymph, forbear.
Still the Swains allow me Fair, Tho' not what I was that Day, When Colon bore the Prize away; When– [Dorinda] –Oh, hold! that Tale will last, Till all the Evening Sports are past; Till no Streak of Light is seen, Nor Footstep prints the flow'ry Green.
What thou wert, I need not know, What I am, must haste to show.
Only this I now discern From the things, thou'd'st have me learn, That Woman-kind's peculiar Joys From past, or present Beauties rise.

Book: Radiant Verses: A Journey Through Inspiring Poetry