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Best Famous Matron Poems

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Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?


Written by John Greenleaf Whittier | Create an image from this poem

The Pumpkin

 Oh, greenly and fair in the lands of the sun,
The vines of the gourd and the rich melon run,
And the rock and the tree and the cottage enfold,
With broad leaves all greenness and blossoms all gold,
Like that which o'er Nineveh's prophet once grew,
While he waited to know that his warning was true,
And longed for the storm-cloud, and listened in vain
For the rush of the whirlwind and red fire-rain.
On the banks of the Xenil the dark Spanish maiden Comes up with the fruit of the tangled vine laden; And the Creole of Cuba laughs out to behold Through orange-leaves shining the broad spheres of gold; Yet with dearer delight from his home in the North, On the fields of his harvest the Yankee looks forth, Where crook-necks are coiling and yellow fruit shines, And the sun of September melts down on his vines.
Ah! on Thanksgiving day, when from East and from West, From North and from South comes the pilgrim and guest; When the gray-haired New Englander sees round his board The old broken links of affection restored; When the care-wearied man seeks his mother once more, And the worn matron smiles where the girl smiled before; What moistens the lip and what brightens the eye, What calls back the past, like the rich Pumpkin pie? Oh, fruit loved of boyhood! the old days recalling, When wood-grapes were purpling and brown nuts were falling! When wild, ugly faces we carved in its skin, Glaring out through the dark with a candle within! When we laughed round the corn-heap, with hearts all in tune, Our chair a broad pumpkin, -- our lantern the moon, Telling tales of the fairy who travelled like steam In a pumpkin-shell coach, with two rats for her team! Then thanks for thy present! none sweeter or better E'er smoked from an oven or circled a platter! Fairer hands never wrought at a pastry more fine, Brighter eyes never watched o'er its baking, than thine! And the prayer, which my mouth is too full to express, Swells my heart that thy shadow may never be less, That the days of thy lot may be lengthened below, And the fame of thy worth like a pumpkin-vine grow, And thy life be as sweet, and its last sunset sky Golden-tinted and fair as thy own Pumpkin pie!
Written by Edgar Allan Poe | Create an image from this poem

Eulalie

 I dwelt alone
In a world of moan,
And my soul was a stagnant tide,
Till the fair and gentle Eulalie became my blushing bride-
Till the yellow-haired young Eulalie became my smiling bride.
Ah, less- less bright The stars of the night Than the eyes of the radiant girl! That the vapor can make With the moon-tints of purple and pearl, Can vie with the modest Eulalie's most unregarded curl- Can compare with the bright-eyed Eulalie's most humble and careless curl.
Now Doubt- now Pain Come never again, For her soul gives me sigh for sigh, And all day long Shines, bright and strong, Astarte within the sky, While ever to her dear Eulalie upturns her matron eye- While ever to her young Eulalie upturns her violet eye.
Written by William Cullen Bryant | Create an image from this poem

Thanatopsis

TO HIM who in the love of Nature holds 
Communion with her visible forms she speaks 
A various language; for his gayer hours 
She has a voice of gladness and a smile 
And eloquence of beauty and she glides 5 
Into his darker musings with a mild 
And healing sympathy that steals away 
Their sharpness ere he is aware.
When thoughts Of the last bitter hour come like a blight Over thy spirit and sad images 10 Of the stern agony and shroud and pall And breathless darkness and the narrow house Make thee to shudder and grow sick at heart;¡ª Go forth under the open sky and list To Nature's teachings while from all around¡ª 15 Earth and her waters and the depths of air¡ª Comes a still voice¡ªYet a few days and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground Where thy pale form was laid with many tears 20 Nor in the embrace of ocean shall exist Thy image.
Earth that nourished thee shall claim Thy growth to be resolved to earth again And lost each human trace surrendering up Thine individual being shalt thou go 25 To mix forever with the elements; To be a brother to the insensible rock And to the sluggish clod which the rude swain Turns with his share and treads upon.
The oak Shall send his roots abroad and pierce thy mould.
30 Yet not to thine eternal resting-place Shalt thou retire alone nor couldst thou wish Couch more magnificent.
Thou shalt lie down With patriarchs of the infant world ¡ªwith kings The powerful of the earth ¡ªthe wise the good 35 Fair forms and hoary seers of ages past All in one mighty sepulchre.
The hills Rock-ribbed and ancient as the sun; the vales Stretching in pensive quietness between; The venerable woods¡ªrivers that move 40 In majesty and the complaining brooks That make the meadows green; and poured round all Old Ocean's gray and melancholy waste ¡ª Are but the solemn decorations all Of the great tomb of man! The golden sun 45 The planets all the infinite host of heaven Are shining on the sad abodes of death Through the still lapse of ages.
All that tread The globe are but a handful to the tribes That slumber in its bosom.
¡ªTake the wings 50 Of morning pierce the Barcan wilderness Or lose thyself in the continuous woods Where rolls the Oregon and hears no sound Save his own dashings ¡ªyet the dead are there: And millions in those solitudes since first 55 The flight of years began have laid them down In their last sleep¡ªthe dead reign there alone.
So shalt thou rest; and what if thou withdraw In silence from the living and no friend Take note of thy departure? All that breathe 60 Will share thy destiny.
The gay will laugh When thou art gone the solemn brood of care Plod on and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments and shall come 65 And make their bed with thee.
As the long train Of ages glide away the sons of men The youth in life's green spring and he who goes In the full strength of years matron and maid The speechless babe and the gray-headed man¡ª 70 Shall one by one be gathered to thy side By those who in their turn shall follow them.
So live that when thy summons comes to join The innumerable caravan which moves To that mysterious realm where each shall take 75 His chamber in the silent halls of death Thou go not like the quarry-slave at night Scourged to his dungeon but sustained and soothed By an unfaltering trust approach thy grave Like one who wraps the drapery of his couch 80 About him and lies down to pleasant dreams.
Written by Alfred Lord Tennyson | Create an image from this poem

Boadicea

 While about the shore of Mona those Neronian legionaries
Burnt and broke the grove and altar of the Druid and Druidess,
Far in the East Boadicea, standing loftily charioted,
Mad and maddening all that heard her in her fierce volubility,
Girt by half the tribes of Britain, near the colony Camulodune,
Yell'd and shriek'd between her daughters o'er a wild confederacy.
`They that scorn the tribes and call us Britain's barbarous populaces, Did they hear me, would they listen, did they pity me supplicating? Shall I heed them in their anguish? shall I brook to be supplicated? Hear Icenian, Catieuchlanian, hear Coritanian, Trinobant! Must their ever-ravening eagle's beak and talon annihilate us? Tear the noble hear of Britain, leave it gorily quivering? Bark an answer, Britain's raven! bark and blacken innumerable, Blacken round the Roman carrion, make the carcase a skeleton, Kite and kestrel, wolf and wolfkin, from the wilderness, wallow in it, Till the face of Bel be brighten'd, Taranis be propitiated.
Lo their colony half-defended! lo their colony, Camulodune! There the horde of Roman robbers mock at a barbarous adversary.
There the hive of Roman liars worship a gluttonous emperor-idiot.
Such is Rome, and this her deity: hear it, Spirit of Cassivelaun! `Hear it, Gods! the Gods have heard it, O Icenian, O Coritanian! Doubt not ye the Gods have answer'd, Catieuchlanian, Trinobant.
These have told us all their anger in miraculous utterances, Thunder, a flying fire in heaven, a murmur heard aerially, Phantom sound of blows descending, moan of an enemy massacred, Phantom wail of women and children, multitudinous agonies.
Bloodily flow'd the Tamesa rolling phantom bodies of horses and men; Then a phantom colony smoulder'd on the refluent estuary; Lastly yonder yester-even, suddenly giddily tottering-- There was one who watch'd and told me--down their statue of Victory fell.
Lo their precious Roman bantling, lo the colony Camulodune, Shall we teach it a Roman lesson? shall we care to be pitiful? Shall we deal with it as an infant? shall we dandle it amorously? `Hear Icenian, Catieuchlanian, hear Coritanian, Trinobant! While I roved about the forest, long and bitterly meditating, There I heard them in the darkness, at the mystical ceremony, Loosely robed in flying raiment, sang the terrible prophetesses.
"Fear not, isle of blowing woodland, isle of silvery parapets! Tho' the Roman eagle shadow thee, tho' the gathering enemy narrow thee, Thou shalt wax and he shall dwindle, thou shalt be the mighty one yet! Thine the liberty, thine the glory, thine the deeds to be celebrated, Thine the myriad-rolling ocean, light and shadow illimitable, Thine the lands of lasting summer, many-blossoming Paradises, Thine the North and thine the South and thine the battle-thunder of God.
" So they chanted: how shall Britain light upon auguries happier? So they chanted in the darkness, and there cometh a victory now.
Hear Icenian, Catieuchlanian, hear Coritanian, Trinobant! Me the wife of rich Prasutagus, me the lover of liberty, Me they seized and me they tortured, me they lash'd and humiliated, Me the sport of ribald Veterans, mine of ruffian violators! See they sit, they hide their faces, miserable in ignominy! Wherefore in me burns an anger, not by blood to be satiated.
Lo the palaces and the temple, lo the colony Camulodune! There they ruled, and thence they wasted all the flourishing territory, Thither at their will they haled the yellow-ringleted Britoness-- Bloodily, bloodily fall the battle-axe, unexhausted, inexorable.
Shout Icenian, Catieuchlanian, shout Coritanian, Trinobant, Till the victim hear within and yearn to hurry precipitously Like the leaf in a roaring whirlwind, like the smoke in a hurricane whirl'd.
Lo the colony, there they rioted in the city of Cunobeline! There they drank in cups of emerald, there at tables of ebony lay, Rolling on their purple couches in their tender effeminacy.
There they dwelt and there they rioted; there--there--they dwell no more.
Burst the gates, and burn the palaces, break the works of the statuary, Take the hoary Roman head and shatter it, hold it abominable, Cut the Roman boy to pieces in his lust and voluptuousness, Lash the maiden into swooning, me they lash'd and humiliated, Chop the breasts from off the mother, dash the brains of the little one out, Up my Britons, on my chariot, on my chargers, trample them under us.
' So the Queen Boadicea, standing loftily charioted, Brandishing in her hand a dart and rolling glances lioness-like, Yell'd and shriek'd between her daughters in her fierce volubility.
Till her people all around the royal chariot agitated, Madly dash'd the darts together, writhing barbarous lineaments, Made the noise of frosty woodlands, when they shiver in January, Roar'd as when the rolling breakers boom and blanch on the precipices, Yell'd as when the winds of winter tear an oak on a promontory.
So the silent colony hearing her tumultuous adversaries Clash the darts and on the buckler beat with rapid unanimous hand, Thought on all her evil tyrannies, all her pitiless avarice, Till she felt the heart within her fall and flutter tremulously, Then her pulses at the clamoring of her enemy fainted away.
Out of evil evil flourishes, out of tyranny tyranny buds.
Ran the land with Roman slaughter, multitudinous agonies.
Perish'd many a maid and matron, many a valorous legionary.
Fell the colony, city, and citadel, London, Verulam, Camulodune.


Written by Philip Freneau | Create an image from this poem

To Mr. Blanchard the Celebrated Aeronaut in America

 Nil mortalibus ardui est
  Caelum ipsum petimus stultitia
   Horace

FROM Persian looms the silk he wove
No Weaver meant should trail above
The surface of the earth we tread,
To deck the matron or the maid.
But you ambitious, have design'd With silk to soar above mankind:-- On silk you hang your splendid car And mount towards the morning star.
How can you be so careless--gay: Would you amidst red lightnings play; Meet sulphurous blasts, and fear them not-- Is Phaeton's sad fate forgot? Beyond our view you mean to rise-- And this Balloon, of mighty size, Will to the astonish'd eye appear, An atom wafted thro' the air.
Where would you rove? amidst the storms, Departed Ghosts, and shadowy forms, Vast tracks of aether, and, what's more, A sea of space without a shore!-- Would you to Herschell find the way-- To Saturn's moons, undaunted stray; Or, wafted on a silken wing, Alight on Saturn's double ring? Would you the lunar mountains trace, Or in her flight fair Venus chase; Would you, like her, perform the tour Of sixty thousand miles an hour?-- To move at such a dreadful rate He must propel, who did create-- By him, indeed, are wonders done Who follows Venus round the sun.
At Mars arriv'd, what would you see!-- Strange forms, I guess--not such as we; Alarming shapes, yet seen by none; For every planet has its own.
If onward still, you urge your flight You may approach some satellite, Some of the shining train above That circle round the orb of Jove.
Attracted by so huge a sphere You might become a stranger here: There you might be, if there you fly, A giant sixty fathoms high.
May heaven preserve you from that fate! Here, men are men of little weight: There, Polypheme, it might be shown, Is but a middle sized baboon.
-- This ramble through, the aether pass'd, Pray tell us when you stop at last; Would you with gods that aether share, Or dine on atmospheric air?-- You have a longing for the skies, To leave the fogs that round us rise, To haste your flight and speed your wings Beyond this world of little things.
Your silken project is too great; Stay here, Blanchard, 'till death or fate To which, yourself, like us, must bow, Shall send you where you want to go.
Yes--wait, and let the heav'ns decide;-- Your wishes may be gratified, And you shall go, as swift as thought, Where nature has more finely wrought, Her Chrystal spheres, her heavens serene; A more sublime, enchanting scene Than thought depicts or poets feign.
Written by William Cullen Bryant | Create an image from this poem

Spring in Town

 The country ever has a lagging Spring,
Waiting for May to call its violets forth,
And June its roses--showers and sunshine bring,
Slowly, the deepening verdure o'er the earth;
To put their foliage out, the woods are slack,
And one by one the singing-birds come back.
Within the city's bounds the time of flowers Comes earlier.
Let a mild and sunny day, Such as full often, for a few bright hours, Breathes through the sky of March the airs of May, Shine on our roofs and chase the wintry gloom-- And lo! our borders glow with sudden bloom.
For the wide sidewalks of Broadway are then Gorgeous as are a rivulet's banks in June, That overhung with blossoms, through its glen, Slides soft away beneath the sunny noon, And they who search the untrodden wood for flowers Meet in its depths no lovelier ones than ours.
For here are eyes that shame the violet, Or the dark drop that on the pansy lies, And foreheads, white, as when in clusters set, The anemonies by forest fountains rise; And the spring-beauty boasts no tenderer streak Than the soft red on many a youthful cheek.
And thick about those lovely temples lie Locks that the lucky Vignardonne has curled, Thrice happy man! whose trade it is to buy, And bake, and braid those love-knots of the world; Who curls of every glossy colour keepest, And sellest, it is said, the blackest cheapest.
And well thou may'st--for Italy's brown maids Send the dark locks with which their brows are dressed, And Gascon lasses, from their jetty braids, Crop half, to buy a riband for the rest; But the fresh Norman girls their tresses spare, And the Dutch damsel keeps her flaxen hair.
Then, henceforth, let no maid nor matron grieve, To see her locks of an unlovely hue, Frouzy or thin, for liberal art shall give Such piles of curls as nature never knew.
Eve, with her veil of tresses, at the sight Had blushed, outdone, and owned herself a fright.
Soft voices and light laughter wake the street, Like notes of woodbirds, and where'er the eye Threads the long way, plumes wave, and twinkling feet Fall light, as hastes that crowd of beauty by.
The ostrich, hurrying o'er the desert space, Scarce bore those tossing plumes with fleeter pace.
No swimming Juno gait, of languor born, Is theirs, but a light step of freest grace, Light as Camilla's o'er the unbent corn, A step that speaks the spirit of the place, Since Quiet, meek old dame, was driven away To Sing Sing and the shores of Tappan bay.
Ye that dash by in chariots! who will care For steeds or footmen now? ye cannot show Fair face, and dazzling dress, and graceful air, And last edition of the shape! Ah no, These sights are for the earth and open sky, And your loud wheels unheeded rattle by.
Written by Craig Raine | Create an image from this poem

An Attempt At Jealousy

 So how is life with your new bloke?
Simpler, I bet.
Just one stroke of his quivering oar and the skin of the Thames goes into a spin, eh? How is life with an oarsman? Better? More in--out? Athletic? Wetter? When you hear the moan of the rowlocks, do you urge him on like a cox? Tell me, is he bright enough to find that memo-pad you call a mind? Or has he contrived to bring you out-- given you an in-tray and an out? How did I ever fall for a paper-clip? How could I ever listen to office gossip even in bed and find it so intelligent? Was is straight biological bent? I suppose you go jogging together? Tackle the Ridgeway in nasty weather? Face force 55 gales and chat about prep or how you bested that Birmingham rep? He must be mad with excitement.
So must you.
What an incitement to lust all those press-ups must be.
Or is it just the same? PE? Tell me, I'm curious.
Is it fun being in love with just anyone? How do you remember his face if you meet in a public place? Perhaps you know him by his shoes? Or do you sometimes choose another pinstriped clone by accident and drag that home instead? From what you say, he's perfect.
For a Chekhov play.
Tall and dark and brightly dim, Kulygin's part was made for him.
Imagine your life with a 'beak'.
Week after week after week like homework or detention; all that standing to attention whenever his colleagues drop in for a spot of what's-your-toxin.
Speech Day, matron, tuck-shop, Christ, you'll find school fees are over-priced and leave, but not come back to me.
You've done your bit for poetry.
Words, or deeds? You'll stick to youth.
I'm a stickler for the truth-- which makes me wonder what it was I loved you for.
Tell me, because now I feel nothing--except regret.
What is it, love, I need to forget?
Written by William Allingham | Create an image from this poem

The Eviction

 In early morning twilight, raw and chill, 
Damp vapours brooding on the barren hill, 
Through miles of mire in steady grave array 
Threescore well-arm'd police pursue their way;
Each tall and bearded man a rifle swings, 
And under each greatcoat a bayonet clings: 
The Sheriff on his sturdy cob astride 
Talks with the chief, who marches by their side,
And, creeping on behind them, Paudeen Dhu 
Pretends his needful duty much to rue.
Six big-boned labourers, clad in common frieze, Walk in the midst, the Sheriff's staunch allies; Six crowbar men, from distant county brought, - Orange, and glorying in their work, 'tis thought, But wrongly,- churls of Catholics are they, And merely hired at half a crown a day.
The hamlet clustering on its hill is seen, A score of petty homesteads, dark and mean; Poor always, not despairing until now; Long used, as well as poverty knows how, With life's oppressive trifles to contend.
This day will bring its history to an end.
Moveless and grim against the cottage walls Lean a few silent men: but someone calls Far off; and then a child 'without a stitch' Runs out of doors, flies back with piercing screech, And soon from house to house is heard the cry Of female sorrow, swelling loud and high, Which makes the men blaspheme between their teeth.
Meanwhile, o'er fence and watery field beneath, The little army moves through drizzling rain; A 'Crowbar' leads the Sheriff's nag; the lane Is enter'd, and their plashing tramp draws near, One instant, outcry holds its breath to hear "Halt!" - at the doors they form in double line, And ranks of polish'd rifles wetly shine.
The Sheriff's painful duty must be done; He begs for quiet-and the work's begun.
The strong stand ready; now appear the rest, Girl, matron, grandsire, baby on the breast, And Rosy's thin face on a pallet borne; A motley concourse, feeble and forlorn.
One old man, tears upon his wrinkled cheek, Stands trembling on a threshold, tries to speak, But, in defect of any word for this, Mutely upon the doorpost prints a kiss, Then passes out for ever.
Through the crowd The children run bewilder'd, wailing loud; Where needed most, the men combine their aid; And, last of all, is Oona forth convey'd, Reclined in her accustom'd strawen chair, Her aged eyelids closed, her thick white hair Escaping from her cap; she feels the chill, Looks round and murmurs, then again is still.
Now bring the remnants of each household fire; On the wet ground the hissing coals expire; And Paudeen Dhu, with meekly dismal face, Receives the full possession of the place.
Written by Ben Jonson | Create an image from this poem

To the Memory of My Beloved the Author, Mr. William Shakespeare

 MASTER WILLIAM SHAKESPEARE,
AND WHAT HE HATH LEFT US
by Ben Jonson


To draw no envy, SHAKSPEARE, on thy name,
Am I thus ample to thy book and fame ;
While I confess thy writings to be such,
As neither Man nor Muse can praise too much.
'Tis true, and all men's suffrage.
But these ways
Were not the paths I meant unto thy praise ;
For seeliest ignorance on these may light,
Which, when it sounds at best, but echoes right ;
Or blind affection, which doth ne'er advance
The truth, but gropes, and urgeth all by chance ;
Or crafty malice might pretend this praise,
And think to ruin where it seemed to raise.
These are, as some infamous bawd or whore
Should praise a matron ; what could hurt her more ?
But thou art proof against them, and, indeed,
Above the ill fortune of them, or the need.
I therefore will begin: Soul of the age!
The applause ! delight ! the wonder of our stage!
My SHAKSPEARE rise ! I will not lodge thee by
Chaucer, or Spenser, or bid Beaumont lie
A little further, to make thee a room :
Thou art a monument without a tomb,
And art alive still while thy book doth live
And we have wits to read, and praise to give.
That I not mix thee so my brain excuses,
I mean with great, but disproportioned Muses :
For if I thought my judgment were of years,
I should commit thee surely with thy peers,
And tell how far thou didst our Lyly outshine,
Or sporting Kyd, or Marlowe's mighty line.
And though thou hadst small Latin and less Greek,
From thence to honour thee, I would not seek
For names : but call forth thund'ring Aeschylus,
Euripides, and Sophocles to us,
Pacuvius, Accius, him of Cordova dead,
To life again, to hear thy buskin tread
And shake a stage : or when thy socks were on,
Leave thee alone for the comparison
Of all that insolent Greece or haughty Rome
Sent forth, or since did from their ashes come.
Triumph, my Britain, thou hast one to show
To whom all Scenes of Europe homage owe.
He was not of an age, but for all time !
And all the Muses still were in their prime,
When, like Apollo, he came forth to warm
Our ears, or like a Mercury to charm !
Nature herself was proud of his designs,
And joyed to wear the dressing of his lines !
Which were so richly spun, and woven so fit,
As, since, she will vouchsafe no other wit.
The merry Greek, tart Aristophanes,
Neat Terence, witty Plautus, now not please ;
But antiquated and deserted lie,
As they were not of Nature's family.
Yet must I not give Nature all ; thy art,
My gentle Shakspeare, must enjoy a part.
For though the poet's matter nature be,
His art doth give the fashion : and, that he
Who casts to write a living line, must sweat,
(Such as thine are) and strike the second heat
Upon the Muses' anvil ; turn the same,
And himself with it, that he thinks to frame ;
Or for the laurel he may gain a scorn ;
For a good poet's made, as well as born.
And such wert thou ! Look how the father's face
Lives in his issue, even so the race
Of Shakspeare's mind and manners brightly shines
In his well torned and true filed lines;
In each of which he seems to shake a lance,
As brandisht at the eyes of ignorance.
Sweet Swan of Avon ! what a sight it were
To see thee in our waters yet appear,
And make those flights upon the banks of Thames,
That so did take Eliza, and our James !
But stay, I see thee in the hemisphere
Advanced, and made a constellation there !
Shine forth, thou Star of Poets, and with rage
Or influence, chide or cheer the drooping stage,
Which, since thy flight from hence, hath mourned like night,
And despairs day, but for thy volume's light.



Source:
Jonson, Ben.
The Works of Ben Jonson, vol.
3.
London: Chatto & Windus, 1910.
287-9.



Book: Reflection on the Important Things