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Best Famous Hood Poems

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Written by Thomas Hood | Create an image from this poem

November

 No sun - no moon! 
No morn - no noon - 
No dawn - no dusk - no proper time of day.
No warmth, no cheerfulness, no healthful ease, No comfortable feel in any member - No shade, no shine, no butterflies, no bees, No fruits, no flowers, no leaves, no birds! - November!


Written by Henry Kendall | Create an image from this poem

Mountains

RIFTED mountains, clad with forests, girded round by gleaming pines, 
Where the morning, like an angel, robed in golden splendour shines; 
Shimmering mountains, throwing downward on the slopes a mazy glare 
Where the noonday glory sails through gulfs of calm and glittering air; 
Stately mountains, high and hoary, piled with blocks of amber cloud, 
Where the fading twilight lingers, when the winds are wailing loud; 

Grand old mountains, overbeetling brawling brooks and deep ravines, 
Where the moonshine, pale and mournful, flows on rocks and evergreens. 

Underneath these regal ridges - underneath the gnarly trees, 
I am sitting, lonely-hearted, listening to a lonely breeze! 
Sitting by an ancient casement, casting many a longing look 
Out across the hazy gloaming - out beyond the brawling brook! 
Over pathways leading skyward - over crag and swelling cone, 

Past long hillocks looking like to waves of ocean turned to stone; 
Yearning for a bliss unworldly, yearning for a brighter change, 
Yearning for the mystic Aidenn, built beyond this mountain range. 


Happy years, amongst these valleys, happy years have come and gone, 
And my youthful hopes and friendships withered with them one by one; 
Days and moments bearing onward many a bright and beauteous dream, 
All have passed me like to sunstreaks flying down a distant stream. 

Oh, the love returned by loved ones! Oh, the faces that I knew! 
Oh, the wrecks of fond affection! Oh, the hearts so warm and true! 
But their voices I remember, and a something lingers still, 
Like a dying echo roaming sadly round a far off hill. 


I would sojourn here contented, tranquil as I was of yore, 
And would never wish to clamber, seeking for an unknown shore; 
I have dwelt within this cottage twenty summers, and mine eyes 

Never wandered erewhile round in search of undiscovered skies; 
But a spirit sits beside me, veiled in robes of dazzling white, 
And a dear one's whisper wakens with the symphonies of night; 
And a low sad music cometh, borne along on windy wings, 
Like a strain familiar rising from a maze of slumbering springs. 


And the Spirit, by my window, speaketh to my restless soul, 
Telling of the clime she came from, where the silent moments roll; 

Telling of the bourne mysterious, where the sunny summers flee 
Cliffs and coasts, by man untrodden, ridging round a shipless sea. 

There the years of yore are blooming - there departed life-dreams dwell, 
There the faces beam with gladness that I loved in youth so well; 
There the songs of childhood travel, over wave-worn steep and strand - 
Over dale and upland stretching out behind this mountain land. 


``Lovely Being, can a mortal, weary of this changeless scene, 

Cross these cloudy summits to the land where man hath never been? 
Can he find a pathway leading through that wildering mass of pines, 
So that he shall reach the country where ethereal glory shines; 
So that he may glance at waters never dark with coming ships; 
Hearing round him gentle language floating from angelic lips; 
Casting off his earthly fetters, living there for evermore; 
All the blooms of Beauty near him, gleaming on that quiet shore? 


``Ere you quit this ancient casement, tell me, is it well to yearn 
For the evanescent visions, vanished never to return? 
Is it well that I should with to leave this dreary world behind, 
Seeking for your fair Utopia, which perchance I may not find? 
Passing through a gloomy forest, scaling steeps like prison walls, 
Where the scanty sunshine wavers and the moonlight seldom falls? 
Oh, the feelings re-awakened! Oh, the hopes of loftier range! 

Is it well, thou friendly Being, well to wish for such a change?'' 


But the Spirit answers nothing! and the dazzling mantle fades; 
And a wailing whisper wanders out from dismal seaside shades! 
``Lo, the trees are moaning loudly, underneath their hood-like shrouds, 
And the arch above us darkens, scarred with ragged thunder clouds!'' 
But the spirit answers nothing, and I linger all alone, 
Gazing through the moony vapours where the lovely Dream has flown; 

And my heart is beating sadly, and the music waxeth faint, 
Sailing up to holy Heaven, like the anthems of a Saint.
Written by Thomas Hood | Create an image from this poem

I Remember I Remember

 I Remember, I Remember

I remember, I remember 
The house where I was born, 
The little window where the sun 
Came peeping in at morn; 
He never came a wink too soon 
Nor brought too long a day; 
But now, I often wish the night 
Had borne my breath away.
I remember, I remember The roses red and white, The violets and the lily cups-- Those flowers made of light! The lilacs where the robin built, And where my brother set The laburnum on his birthday,-- The tree is living yet! I remember, I remember Where I was used to swing, And thought the air must rush as fresh To swallows on the wing; My spirit flew in feathers then That is so heavy now, The summer pools could hardly cool The fever on my brow.
I remember, I remember The fir-trees dark and high; I used to think their slender tops Were close against the sky: It was a childish ignorance, But now 'tis little joy To know I'm farther off from Heaven Than when I was a boy.
Written by Alfred Lord Tennyson | Create an image from this poem

The Talking Oak

 Once more the gate behind me falls; 
Once more before my face 
I see the moulder'd Abbey-walls, 
That stand within the chace.
Beyond the lodge the city lies, Beneath its drift of smoke; And ah! with what delighted eyes I turn to yonder oak.
For when my passion first began, Ere that, which in me burn'd, The love, that makes me thrice a man, Could hope itself return'd; To yonder oak within the field I spoke without restraint, And with a larger faith appeal'd Than Papist unto Saint.
For oft I talk'd with him apart And told him of my choice, Until he plagiarized a heart, And answer'd with a voice.
Tho' what he whisper'd under Heaven None else could understand; I found him garrulously given, A babbler in the land.
But since I heard him make reply Is many a weary hour; 'Twere well to question him, and try If yet he keeps the power.
Hail, hidden to the knees in fern, Broad Oak of Sumner-chace, Whose topmost branches can discern The roofs of Sumner-place! Say thou, whereon I carved her name, If ever maid or spouse, As fair as my Olivia, came To rest beneath thy boughs.
--- "O Walter, I have shelter'd here Whatever maiden grace The good old Summers, year by year Made ripe in Sumner-chace: "Old Summers, when the monk was fat, And, issuing shorn and sleek, Would twist his girdle tight, and pat The girls upon the cheek, "Ere yet, in scorn of Peter's-pence, And number'd bead, and shrift, Bluff Harry broke into the spence And turn'd the cowls adrift: "And I have seen some score of those Fresh faces that would thrive When his man-minded offset rose To chase the deer at five; "And all that from the town would stroll, Till that wild wind made work In which the gloomy brewer's soul Went by me, like a stork: "The slight she-slips of royal blood, And others, passing praise, Straight-laced, but all-too-full in bud For puritanic stays: "And I have shadow'd many a group Of beauties, that were born In teacup-times of hood and hoop, Or while the patch was worn; "And, leg and arm with love-knots gay About me leap'd and laugh'd The modish Cupid of the day, And shrill'd his tinsel shaft.
"I swear (and else may insects prick Each leaf into a gall) This girl, for whom your heart is sick, Is three times worth them all.
"For those and theirs, by Nature's law, Have faded long ago; But in these latter springs I saw Your own Olivia blow, "From when she gamboll'd on the greens A baby-germ, to when The maiden blossoms of her teens Could number five from ten.
"I swear, by leaf, and wind, and rain, (And hear me with thine ears,) That, tho' I circle in the grain Five hundred rings of years--- "Yet, since I first could cast a shade, Did never creature pass So slightly, musically made, So light upon the grass: "For as to fairies, that will flit To make the greensward fresh, I hold them exquisitely knit, But far too spare of flesh.
" Oh, hide thy knotted knees in fern, And overlook the chace; And from thy topmost branch discern The roofs of Sumner-place.
But thou, whereon I carved her name, That oft hast heard my vows, Declare when last Olivia came To sport beneath thy boughs.
"O yesterday, you know, the fair Was holden at the town; Her father left his good arm-chair, And rode his hunter down.
"And with him Albert came on his.
I look'd at him with joy: As cowslip unto oxlip is, So seems she to the boy.
"An hour had past---and, sitting straight Within the low-wheel'd chaise, Her mother trundled to the gate Behind the dappled grays.
"But as for her, she stay'd at home, And on the roof she went, And down the way you use to come, She look'd with discontent.
"She left the novel half-uncut Upon the rosewood shelf; She left the new piano shut: She could not please herseif "Then ran she, gamesome as the colt, And livelier than a lark She sent her voice thro' all the holt Before her, and the park.
"A light wind chased her on the wing, And in the chase grew wild, As close as might be would he cling About the darling child: "But light as any wind that blows So fleetly did she stir, The flower, she touch'd on, dipt and rose, And turn'd to look at her.
"And here she came, and round me play'd, And sang to me the whole Of those three stanzas that you made About my Ôgiant bole;' "And in a fit of frolic mirth She strove to span my waist: Alas, I was so broad of girth, I could not be embraced.
"I wish'd myself the fair young beech That here beside me stands, That round me, clasping each in each, She might have lock'd her hands.
"Yet seem'd the pressure thrice as sweet As woodbine's fragile hold, Or when I feel about my feet The berried briony fold.
" O muffle round thy knees with fern, And shadow Sumner-chace! Long may thy topmost branch discern The roofs of Sumner-place! But tell me, did she read the name I carved with many vows When last with throbbing heart I came To rest beneath thy boughs? "O yes, she wander'd round and round These knotted knees of mine, And found, and kiss'd the name she found, And sweetly murmur'd thine.
"A teardrop trembled from its source, And down my surface crept.
My sense of touch is something coarse, But I believe she wept.
"Then flush'd her cheek with rosy light, She glanced across the plain; But not a creature was in sight: She kiss'd me once again.
"Her kisses were so close and kind, That, trust me on my word, Hard wood I am, and wrinkled rind, But yet my sap was stirr'd: "And even into my inmost ring A pleasure I discern'd, Like those blind motions of the Spring, That show the year is turn'd.
"Thrice-happy he that may caress The ringlet's waving balm--- The cushions of whose touch may press The maiden's tender palm.
"I, rooted here among the groves But languidly adjust My vapid vegetable loves With anthers and with dust: "For ah! my friend, the days were brief Whereof the poets talk, When that, which breathes within the leaf, Could slip its bark and walk.
"But could I, as in times foregone, From spray, and branch, and stem, Have suck'd and gather'd into one The life that spreads in them, "She had not found me so remiss; But lightly issuing thro', I would have paid her kiss for kiss, With usury thereto.
" O flourish high, with leafy towers, And overlook the lea, Pursue thy loves among the bowers But leave thou mine to me.
O flourish, hidden deep in fern, Old oak, I love thee well; A thousand thanks for what I learn And what remains to tell.
" ÔTis little more: the day was warm; At last, tired out with play, She sank her head upon her arm And at my feet she lay.
"Her eyelids dropp'd their silken eaves I breathed upon her eyes Thro' all the summer of my leaves A welcome mix'd with sighs.
"I took the swarming sound of life--- The music from the town--- The murmurs of the drum and fife And lull'd them in my own.
"Sometimes I let a sunbeam slip, To light her shaded eye; A second flutter'd round her lip Like a golden butterfly; "A third would glimmer on her neck To make the necklace shine; Another slid, a sunny fleck, From head to ankle fine, "Then close and dark my arms I spread, And shadow'd all her rest--- Dropt dews upon her golden head, An acorn in her breast.
"But in a pet she started up, And pluck'd it out, and drew My little oakling from the cup, And flung him in the dew.
"And yet it was a graceful gift--- I felt a pang within As when I see the woodman lift His axe to slay my kin.
"I shook him down because he was The finest on the tree.
He lies beside thee on the grass.
O kiss him once for me.
"O kiss him twice and thrice for me, That have no lips to kiss, For never yet was oak on lea Shall grow so fair as this.
' Step deeper yet in herb and fern, Look further thro' the chace, Spread upward till thy boughs discern The front of Sumner-place.
This fruit of thine by Love is blest, That but a moment lay Where fairer fruit of Love may rest Some happy future day.
I kiss it twice, I kiss it thrice, The warmth it thence shall win To riper life may magnetise The baby-oak within.
But thou, while kingdoms overset, Or lapse from hand to hand, Thy leaf shall never fail, nor yet Thine acorn in the land.
May never saw dismember thee, Nor wielded axe disjoint, That art the fairest-spoken tree From here to Lizard-point.
O rock upon thy towery-top All throats that gurgle sweet! All starry culmination drop Balm-dews to bathe thy feet! All grass of silky feather grow--- And while he sinks or swells The full south-breeze around thee blow The sound of minster bells.
The fat earth feed thy branchy root, That under deeply strikes! The northern morning o'er thee shoot, High up, in silver spikes! Nor ever lightning char thy grain, But, rolling as in sleep, Low thunders bring the mellow rain, That makes thee broad and deep! And hear me swear a solemn oath, That only by thy side Will I to Olive plight my troth, And gain her for my bride.
And when my marriage morn may fall, She, Dryad-like, shall wear Alternate leaf and acorn-ball In wreath about her hair.
And I will work in prose and rhyme, And praise thee more in both Than bard has honour'd beech or lime, Or that Thessalian growth, In which the swarthy ringdove sat, And mystic sentence spoke; And more than England honours that, Thy famous brother-oak, Wherein the younger Charles abode Till all the paths were dim, And far below the Roundhead rode, And humm'd a surly hymn.
Written by Algernon Charles Swinburne | Create an image from this poem

A Ballad of Death

 Kneel down, fair Love, and fill thyself with tears,
Girdle thyself with sighing for a girth
Upon the sides of mirth,
Cover thy lips and eyelids, let thine ears
Be filled with rumour of people sorrowing;
Make thee soft raiment out of woven sighs
Upon the flesh to cleave,
Set pains therein and many a grievous thing,
And many sorrows after each his wise
For armlet and for gorget and for sleeve.
O Love's lute heard about the lands of death, Left hanged upon the trees that were therein; O Love and Time and Sin, Three singing mouths that mourn now underbreath, Three lovers, each one evil spoken of; O smitten lips wherethrough this voice of mine Came softer with her praise; Abide a little for our lady's love.
The kisses of her mouth were more than wine, And more than peace the passage of her days.
O Love, thou knowest if she were good to see.
O Time, thou shalt not find in any land Till, cast out of thine hand, The sunlight and the moonlight fail from thee, Another woman fashioned like as this.
O Sin, thou knowest that all thy shame in her Was made a goodly thing; Yea, she caught Shame and shamed him with her kiss, With her fair kiss, and lips much lovelier Than lips of amorous roses in late spring.
By night there stood over against my bed Queen Venus with a hood striped gold and black, Both sides drawn fully back From brows wherein the sad blood failed of red, And temples drained of purple and full of death.
Her curled hair had the wave of sea-water And the sea's gold in it.
Her eyes were as a dove's that sickeneth.
Strewn dust of gold she had shed over her, And pearl and purple and amber on her feet.
Upon her raiment of dyed sendaline Were painted all the secret ways of love And covered things thereof, That hold delight as grape-flowers hold their wine; Red mouths of maidens and red feet of doves, And brides that kept within the bride-chamber Their garment of soft shame, And weeping faces of the wearied loves That swoon in sleep and awake wearier, With heat of lips and hair shed out like flame.
The tears that through her eyelids fell on me Made mine own bitter where they ran between As blood had fallen therein, She saying; Arise, lift up thine eyes and see If any glad thing be or any good Now the best thing is taken forth of us; Even she to whom all praise Was as one flower in a great multitude, One glorious flower of many and glorious, One day found gracious among many days: Even she whose handmaiden was Love--to whom At kissing times across her stateliest bed Kings bowed themselves and shed Pale wine, and honey with the honeycomb, And spikenard bruised for a burnt-offering; Even she between whose lips the kiss became As fire and frankincense; Whose hair was as gold raiment on a king, Whose eyes were as the morning purged with flame, Whose eyelids as sweet savour issuing thence.
Then I beheld, and lo on the other side My lady's likeness crowned and robed and dead.
Sweet still, but now not red, Was the shut mouth whereby men lived and died.
And sweet, but emptied of the blood's blue shade, The great curled eyelids that withheld her eyes.
And sweet, but like spoilt gold, The weight of colour in her tresses weighed.
And sweet, but as a vesture with new dyes, The body that was clothed with love of old.
Ah! that my tears filled all her woven hair And all the hollow bosom of her gown-- Ah! that my tears ran down Even to the place where many kisses were, Even where her parted breast-flowers have place, Even where they are cloven apart--who knows not this? Ah! the flowers cleave apart And their sweet fills the tender interspace; Ah! the leaves grown thereof were things to kiss Ere their fine gold was tarnished at the heart.
Ah! in the days when God did good to me, Each part about her was a righteous thing; Her mouth an almsgiving, The glory of her garments charity, The beauty of her bosom a good deed, In the good days when God kept sight of us; Love lay upon her eyes, And on that hair whereof the world takes heed; And all her body was more virtuous Than souls of women fashioned otherwise.
Now, ballad, gather poppies in thine hands And sheaves of brier and many rusted sheaves Rain-rotten in rank lands, Waste marigold and late unhappy leaves And grass that fades ere any of it be mown; And when thy bosom is filled full thereof Seek out Death's face ere the light altereth, And say "My master that was thrall to Love Is become thrall to Death.
" Bow down before him, ballad, sigh and groan.
But make no sojourn in thy outgoing; For haply it may be That when thy feet return at evening Death shall come in with thee.


Written by Elizabeth Bishop | Create an image from this poem

The Moose

 From narrow provinces
of fish and bread and tea,
home of the long tides
where the bay leaves the sea
twice a day and takes
the herrings long rides,

where if the river
enters or retreats 
in a wall of brown foam
depends on if it meets
the bay coming in,
the bay not at home;

where, silted red,
sometimes the sun sets
facing a red sea,
and others, veins the flats'
lavender, rich mud
in burning rivulets;

on red, gravelly roads,
down rows of sugar maples,
past clapboard farmhouses
and neat, clapboard churches,
bleached, ridged as clamshells,
past twin silver birches,

through late afternoon
a bus journeys west,
the windshield flashing pink,
pink glancing off of metal,
brushing the dented flank
of blue, beat-up enamel;

down hollows, up rises,
and waits, patient, while
a lone traveller gives
kisses and embraces
to seven relatives
and a collie supervises.
Goodbye to the elms, to the farm, to the dog.
The bus starts.
The light grows richer; the fog, shifting, salty, thin, comes closing in.
Its cold, round crystals form and slide and settle in the white hens' feathers, in gray glazed cabbages, on the cabbage roses and lupins like apostles; the sweet peas cling to their wet white string on the whitewashed fences; bumblebees creep inside the foxgloves, and evening commences.
One stop at Bass River.
Then the Economies Lower, Middle, Upper; Five Islands, Five Houses, where a woman shakes a tablecloth out after supper.
A pale flickering.
Gone.
The Tantramar marshes and the smell of salt hay.
An iron bridge trembles and a loose plank rattles but doesn't give way.
On the left, a red light swims through the dark: a ship's port lantern.
Two rubber boots show, illuminated, solemn.
A dog gives one bark.
A woman climbs in with two market bags, brisk, freckled, elderly.
"A grand night.
Yes, sir, all the way to Boston.
" She regards us amicably.
Moonlight as we enter the New Brunswick woods, hairy, scratchy, splintery; moonlight and mist caught in them like lamb's wool on bushes in a pasture.
The passengers lie back.
Snores.
Some long sighs.
A dreamy divagation begins in the night, a gentle, auditory, slow hallucination.
.
.
.
In the creakings and noises, an old conversation --not concerning us, but recognizable, somewhere, back in the bus: Grandparents' voices uninterruptedly talking, in Eternity: names being mentioned, things cleared up finally; what he said, what she said, who got pensioned; deaths, deaths and sicknesses; the year he remarried; the year (something) happened.
She died in childbirth.
That was the son lost when the schooner foundered.
He took to drink.
Yes.
She went to the bad.
When Amos began to pray even in the store and finally the family had to put him away.
"Yes .
.
.
" that peculiar affirmative.
"Yes .
.
.
" A sharp, indrawn breath, half groan, half acceptance, that means "Life's like that.
We know it (also death).
" Talking the way they talked in the old featherbed, peacefully, on and on, dim lamplight in the hall, down in the kitchen, the dog tucked in her shawl.
Now, it's all right now even to fall asleep just as on all those nights.
--Suddenly the bus driver stops with a jolt, turns off his lights.
A moose has come out of the impenetrable wood and stands there, looms, rather, in the middle of the road.
It approaches; it sniffs at the bus's hot hood.
Towering, antlerless, high as a church, homely as a house (or, safe as houses).
A man's voice assures us "Perfectly harmless.
.
.
.
" Some of the passengers exclaim in whispers, childishly, softly, "Sure are big creatures.
" "It's awful plain.
" "Look! It's a she!" Taking her time, she looks the bus over, grand, otherworldly.
Why, why do we feel (we all feel) this sweet sensation of joy? "Curious creatures," says our quiet driver, rolling his r's.
"Look at that, would you.
" Then he shifts gears.
For a moment longer, by craning backward, the moose can be seen on the moonlit macadam; then there's a dim smell of moose, an acrid smell of gasoline.
Written by José Martí | Create an image from this poem

A Sincere Man Am I

A sincere man am I
From the land where palm trees grow,
And I want before I die
My soul's verses to bestow.
I'm a traveler to all parts, And a newcomer to none: I am art among the arts, With the mountains I am one.
I know how to name and class All the strange flowers that grow; I know every blade of grass, Fatal lie and sublime woe.
I have seen through dead of night Upon my head softly fall, Rays formed of the purest light From beauty celestial.
I have seen wings that were surging From beautiful women's shoulders, And seen butterflies emerging From the refuse heap that moulders.
I have known a man to live With a dagger at his side, And never once the name give Of she by whose hand he died.
Twice, for an instant, did I My soul's reflection espy: Twice: when my poor father died And when she bade me good-bye.
I trembled once, when I flung The vineyard gate, and to my dread, The wicked hornet had stung My little girl on the forehead.
I rejoiced once and felt lucky The day that my jailer came To read the death warrant to me That bore his tears and my name.
I hear a sigh across the earth, I hear a sigh over the deep: It is no sign reaching my hearth, But my son waking from sleep.
If they say I have obtained The pick of the jeweller's trove, A good friend is what I've gained And I have put aside love.
I have seen across the skies A wounded eagle still flying; I know the cubby where lies The snake of its venom dying.
I know that the world is weak And must soon fall to the ground, Then the gentle brook will speak Above the quiet profound.
While trembling with joy and dread, I have touched with hand so bold A once-bright star that fell dead From heaven at my threshold.
On my brave heart is engraved The sorrow hidden from all eyes: The son of a land enslaved, Lives for it, suffers and dies.
All is beautiful and right, All is as music and reason; And all, like diamonds, is light That was coal before its season.
I know when fools are laid to rest Honor and tears will abound, And that of all fruits, the best Is left to rot in holy ground.
Without a word, the pompous muse I've set aside, and understood: From a withered branch, I choose To hang my doctoral hood.
Written by Anne Sexton | Create an image from this poem

Live

 Live or die, but don't poison everything.
.
.
Well, death's been here for a long time -- it has a hell of a lot to do with hell and suspicion of the eye and the religious objects and how I mourned them when they were made obscene by my dwarf-heart's doodle.
The chief ingredient is mutilation.
And mud, day after day, mud like a ritual, and the baby on the platter, cooked but still human, cooked also with little maggots, sewn onto it maybe by somebody's mother, the damn *****! Even so, I kept right on going on, a sort of human statement, lugging myself as if I were a sawed-off body in the trunk, the steamer trunk.
This became perjury of the soul.
It became an outright lie and even though I dressed the body it was still naked, still killed.
It was caught in the first place at birth, like a fish.
But I play it, dressed it up, dressed it up like somebody's doll.
Is life something you play? And all the time wanting to get rid of it? And further, everyone yelling at you to shut up.
And no wonder! People don't like to be told that you're sick and then be forced to watch you come down with the hammer.
Today life opened inside me like an egg and there inside after considerable digging I found the answer.
What a bargain! There was the sun, her yolk moving feverishly, tumbling her prize -- and you realize she does this daily! I'd known she was a purifier but I hadn't thought she was solid, hadn't known she was an answer.
God! It's a dream, lovers sprouting in the yard like celery stalks and better, a husband straight as a redwood, two daughters, two sea urchings, picking roses off my hackles.
If I'm on fire they dance around it and cook marshmallows.
And if I'm ice they simply skate on me in little ballet costumes.
Here, all along, thinking I was a killer, anointing myself daily with my little poisons.
But no.
I'm an empress.
I wear an apron.
My typewriter writes.
It didn't break the way it warned.
Even crazy, I'm as nice as a chocolate bar.
Even with the witches' gymnastics they trust my incalculable city, my corruptible bed.
O dearest three, I make a soft reply.
The witch comes on and you paint her pink.
I come with kisses in my hood and the sun, the smart one, rolling in my arms.
So I say Live and turn my shadow three times round to feed our puppies as they come, the eight Dalmatians we didn't drown, despite the warnings: The abort! The destroy! Despite the pails of water that waited, to drown them, to pull them down like stones, they came, each one headfirst, blowing bubbles the color of cataract-blue and fumbling for the tiny ****.
Just last week, eight Dalmatians, 3/4 of a lb.
, lined up like cord wood each like a birch tree.
I promise to love more if they come, because in spite of cruelty and the stuffed railroad cars for the ovens, I am not what I expected.
Not an Eichmann.
The poison just didn't take.
So I won't hang around in my hospital shift, repeating The Black Mass and all of it.
I say Live, Live because of the sun, the dream, the excitable gift.
Written by Thomas Hood | Create an image from this poem

The Bridge of Sighs

 One more Unfortunate, 
Weary of breath, 
Rashly importunate, 
Gone to her death! 

Take her up tenderly, 
Lift her with care; 
Fashion'd so slenderly 
Young, and so fair! 

Look at her garments 
Clinging like cerements; 
Whilst the wave constantly 
Drips from her clothing; 
Take her up instantly, 
Loving, not loathing.
Touch her not scornfully; Think of her mournfully, Gently and humanly; Not of the stains of her, All that remains of her Now is pure womanly.
Make no deep scrutiny Into her mutiny Rash and undutiful: Past all dishonour, Death has left on her Only the beautiful.
Still, for all slips of hers, One of Eve's family— Wipe those poor lips of hers Oozing so clammily.
Loop up her tresses Escaped from the comb, Her fair auburn tresses; Whilst wonderment guesses Where was her home? Who was her father? Who was her mother? Had she a sister? Had she a brother? Or was there a dearer one Still, and a nearer one Yet, than all other? Alas! for the rarity Of Christian charity Under the sun! O, it was pitiful! Near a whole city full, Home she had none.
Sisterly, brotherly, Fatherly, motherly Feelings had changed: Love, by harsh evidence, Thrown from its eminence; Even God's providence Seeming estranged.
Where the lamps quiver So far in the river, With many a light From window and casement, From garret to basement, She stood, with amazement, Houseless by night.
The bleak wind of March Made her tremble and shiver; But not the dark arch, Or the black flowing river: Mad from life's history, Glad to death's mystery, Swift to be hurl'd— Anywhere, anywhere Out of the world! In she plunged boldly— No matter how coldly The rough river ran— Over the brink of it, Picture it—think of it, Dissolute Man! Lave in it, drink of it, Then, if you can! Take her up tenderly, Lift her with care; Fashion'd so slenderly, Young, and so fair! Ere her limbs frigidly Stiffen too rigidly, Decently, kindly, Smooth and compose them; And her eyes, close them, Staring so blindly! Dreadfully staring Thro' muddy impurity, As when with the daring Last look of despairing Fix'd on futurity.
Perishing gloomily, Spurr'd by contumely, Cold inhumanity, Burning insanity, Into her rest.
— Cross her hands humbly As if praying dumbly, Over her breast! Owning her weakness, Her evil behaviour, And leaving, with meekness, Her sins to her Saviour!
Written by William Butler Yeats | Create an image from this poem

Among School Children

 I

I walk through the long schoolroom questioning;
A kind old nun in a white hood replies;
The children learn to cipher and to sing,
To study reading-books and histories,
To cut and sew, be neat in everything
In the best modern way - the children's eyes
In momentary wonder stare upon
A sixty-year-old smiling public man.
II I dream of a Ledaean body, bent Above a sinking fire.
a tale that she Told of a harsh reproof, or trivial event That changed some childish day to tragedy - Told, and it seemed that our two natures blent Into a sphere from youthful sympathy, Or else, to alter Plato's parable, Into the yolk and white of the one shell.
III And thinking of that fit of grief or rage I look upon one child or t'other there And wonder if she stood so at that age - For even daughters of the swan can share Something of every paddler's heritage - And had that colour upon cheek or hair, And thereupon my heart is driven wild: She stands before me as a living child.
IV Her present image floats into the mind - Did Quattrocento finger fashion it Hollow of cheek as though it drank the wind And took a mess of shadows for its meat? And I though never of Ledaean kind Had pretty plumage once - enough of that, Better to smile on all that smile, and show There is a comfortable kind of old scarecrow.
V What youthful mother, a shape upon her lap Honey of generation had betrayed, And that must sleep, shriek, struggle to escape As recollection or the drug decide, Would think her Son, did she but see that shape With sixty or more winters on its head, A compensation for the pang of his birth, Or the uncertainty of his setting forth? VI Plato thought nature but a spume that plays Upon a ghostly paradigm of things; Solider Aristotle played the taws Upon the bottom of a king of kings; World-famous golden-thighed Pythagoras Fingered upon a fiddle-stick or strings What a star sang and careless Muses heard: Old clothes upon old sticks to scare a bird.
VII Both nuns and mothers worship images, But thos the candles light are not as those That animate a mother's reveries, But keep a marble or a bronze repose.
And yet they too break hearts - O presences That passion, piety or affection knows, And that all heavenly glory symbolise - O self-born mockers of man's enterprise; VIII Labour is blossoming or dancing where The body is not bruised to pleasure soul.
Nor beauty born out of its own despair, Nor blear-eyed wisdom out of midnight oil.
O chestnut-tree, great-rooted blossomer, Are you the leaf, the blossom or the bole? O body swayed to music, O brightening glance, How can we know the dancer from the dance?

Book: Reflection on the Important Things