Written by
Allen Ginsberg |
I walked on the banks of the tincan banana dock and sat down under the huge shade of a Southern Pacific locomotive to look for the sunset over the box house hills and cry.
Jack Kerouac sat beside me on a busted rusty iron pole, companion, we thought the same thoughts of the soul, bleak and blue and sad-eyed, surrounded by the gnarled steel roots of trees of machinery.
The only water on the river mirrored the red sky, sun sank on top of final Frisco peaks, no fish in that stream, no hermit in those mounts, just ourselves rheumy-eyed and hung-over like old bums on the riverbank, tired and wily.
Look at the Sunflower, he said, there was a dead gray shadow against the sky, big as a man, sitting dry on top of a pile of ancient sawdust--
--I rushed up enchanted--it was my first sunflower, memories of Blake--my visions--Harlem
and Hells of the Eastern rivers, bridges clanking Joes greasy Sandwiches, dead baby carriages, black treadless tires forgotten and unretreaded, the poem of the riverbank, condoms & pots, steel knives, nothing stainless, only the dank muck and the razor-sharp artifacts passing into the past--
and the gray Sunflower poised against the sunset, crackly bleak and dusty with the smut and smog and smoke of olden locomotives in its eye--
corolla of bleary spikes pushed down and broken like a battered crown, seeds fallen out of its face, soon-to-be-toothless mouth of sunny air, sunrays obliterated on its hairy head like a dried wire spiderweb,
leaves stuck out like arms out of the stem, gestures from the sawdust root, broke pieces of plaster fallen out of the black twigs, a dead fly in its ear,
Unholy battered old thing you were, my sunflower O my soul, I loved you then!
The grime was no man's grime but death and human locomotives,
all that dress of dust, that veil of darkened railroad skin, that smog of cheek, that eyelid of black mis'ry, that sooty hand or phallus or protuberance of artificial worse-than-dirt--industrial-- modern--all that civilization spotting your crazy golden crown--
and those blear thoughts of death and dusty loveless eyes and ends and withered roots below, in the home-pile of sand and sawdust, rubber dollar bills, skin of machinery, the guts and innards of the weeping coughing car, the empty lonely tincans with their rusty tongues alack, what more could I name, the smoked ashes of some cock cigar, the cunts of wheelbarrows and the milky breasts of cars, wornout asses out of chairs & sphincters of dynamos--all these
entangled in your mummied roots--and you standing before me in the sunset, all your glory in your form!
A perfect beauty of a sunflower! a perfect excellent lovely sunflower existence! a sweet natural eye to the new hip moon, woke up alive and excited grasping in the sunset shadow sunrise golden monthly breeze!
How many flies buzzed round you innocent of your grime, while you cursed the heavens of your railroad and your flower soul?
Poor dead flower? when did you forget you were a flower? when did you look at your skin and decide you were an impotent dirty old locomotive? the ghost of a locomotive? the specter and shade of a once powerful mad American locomotive?
You were never no locomotive, Sunflower, you were a sunflower!
And you Locomotive, you are a locomotive, forget me not!
So I grabbed up the skeleton thick sunflower and stuck it at my side like a scepter,
and deliver my sermon to my soul, and Jack's soul too, and anyone who'll listen,
--We're not our skin of grime, we're not our dread bleak dusty imageless locomotive, we're all golden sunflowers inside, blessed by our own seed & hairy naked accomplishment-bodies growing into mad black formal sunflowers in the sunset, spied on by our eyes under the shadow of the mad locomotive riverbank sunset Frisco hilly tincan evening sitdown vision.
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Written by
John Keats |
"Dark eyes are dearer far
Than those that mock the hyacinthine bell.
"
Blue! 'Tis the life of heaven,—the domain
Of Cynthia,—the wide palace of the sun,—
The tent of Hesperus, and all his train,—
The bosomer of clouds, gold, gray, and dun.
Blue! 'Tis the life of waters:—Ocean
And all its vassal streams, pools numberless,
May rage, and foam, and fret, but never can
Subside, if not to dark-blue nativeness.
Blue! gentle cousin of the forest-green,
Married to green in all the sweetest flowers—
Forget-me-not,—the blue-bell,—and, that queen
Of secrecy, the violet: what strange powers
Hast thou, as a mere shadow! But how great,
When in an Eye thou art alive with fate!
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Written by
Thomas Hardy |
I
He bends his travel-tarnished feet
To where she wastes in clay:
From day-dawn until eve he fares
Along the wintry way;
From day-dawn until eve repairs
Unto her mound to pray.
II
"Are these the gravestone shapes that meet
My forward-straining view?
Or forms that cross a window-blind
In circle, knot, and queue:
Gay forms, that cross and whirl and wind
To music throbbing through?" -
III
"The Keeper of the Field of Tombs
Dwells by its gateway-pier;
He celebrates with feast and dance
His daughter's twentieth year:
He celebrates with wine of France
The birthday of his dear.
" -
IV
"The gates are shut when evening glooms:
Lay down your wreath, sad wight;
To-morrow is a time more fit
For placing flowers aright:
The morning is the time for it;
Come, wake with us to-night!" -
V
He grounds his wreath, and enters in,
And sits, and shares their cheer.
-
"I fain would foot with you, young man,
Before all others here;
I fain would foot it for a span
With such a cavalier!"
VI
She coaxes, clasps, nor fails to win
His first-unwilling hand:
The merry music strikes its staves,
The dancers quickly band;
And with the damsel of the graves
He duly takes his stand.
VII
"You dance divinely, stranger swain,
Such grace I've never known.
O longer stay! Breathe not adieu
And leave me here alone!
O longer stay: to her be true
Whose heart is all your own!" -
VIII
"I mark a phantom through the pane,
That beckons in despair,
Its mouth all drawn with heavy moan -
Her to whom once I sware!" -
"Nay; 'tis the lately carven stone
Of some strange girl laid there!" -
IX
"I see white flowers upon the floor
Betrodden to a clot;
My wreath were they?"--"Nay; love me much,
Swear you'll forget me not!
'Twas but a wreath! Full many such
Are brought here and forgot.
"
* * *
X
The watches of the night grow hoar,
He rises ere the sun;
"Now could I kill thee here!" he says,
"For winning me from one
Who ever in her living days
Was pure as cloistered nun!"
XI
She cowers, and he takes his track
Afar for many a mile,
For evermore to be apart
From her who could beguile
His senses by her burning heart,
And win his love awhile.
XII
A year: and he is travelling back
To her who wastes in clay;
From day-dawn until eve he fares
Along the wintry way,
From day-dawn until eve repairs
Unto her mound to pray.
XIII
And there he sets him to fulfil
His frustrate first intent:
And lay upon her bed, at last,
The offering earlier meant:
When, on his stooping figure, ghast
And haggard eyes are bent.
XIV
"O surely for a little while
You can be kind to me!
For do you love her, do you hate,
She knows not--cares not she:
Only the living feel the weight
Of loveless misery!
XV
"I own my sin; I've paid its cost,
Being outcast, shamed, and bare:
I give you daily my whole heart,
Your babe my tender care,
I pour you prayers; and aye to part
Is more than I can bear!"
XVI
He turns--unpitying, passion-tossed;
"I know you not!" he cries,
"Nor know your child.
I knew this maid,
But she's in Paradise!"
And swiftly in the winter shade
He breaks from her and flies.
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Written by
William Topaz McGonagall |
A gallant knight and his betroth'd bride,
Were walking one day by a river side,
They talk'd of love, and they talk'd of war,
And how very foolish lovers are.
At length the bride to the knight did say,
'There have been many young ladies led astray
By believing in all their lovers said,
And you are false to me I am afraid.
'
'No, Ellen, I was never false to thee,
I never gave thee cause to doubt me;
I have always lov'd thee and do still,
And no other woman your place shall fill.
'
'Dear Edwin, it may be true, but I am in doubt,
But there's some beautiful flowers here about,
Growing on the other side of the river,
But how to get one, I cannot discover.
'
'Dear Ellen, they seem beautiful indeed,
But of them, dear, take no heed;
Because they are on the other side,
Besides, the river is deep and wide.
'
'Dear Edwin, as I doubt your love to be untrue,
I ask one favour now from you:
Go! fetch me a flower from across the river,
Which will prove you love me more than ever.
'
'Dear Ellen! I will try and fetch you a flower
If it lies within my power
To prove that I am true to you,
And what more can your Edwin do?'
So he leap'd into the river wide,
And swam across to the other side,
To fetch a flower for his young bride,
Who watched him eagerly on the other side.
So he pluck'd a flower right merrily
Which seemed to fill his heart with glee,
That it would please his lovely bride;
But, alas! he never got to the other side.
For when he tried to swim across,
All power of his body he did loss,
But before he sank in the river wide,
He flung the flowers to his lovely bride.
And he cried, 'Oh, heaven! hard is my lot,
My dearest Ellen! Forget me not:
For I was ever true to you,
My dearest Ellen! I bid thee adieu!'
Then she wrung her hands in wild despair,
Until her cries did rend the air;
And she cried, 'Edwin, dear, hard is out lot,
But I'll name this flower Forget-me-not.
'And I'll remember thee while I live,
And to no other man my hand I'll give,
And I will place my affection on this little flower,
And it will solace me in a lonely hour.
'
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Written by
Johann Wolfgang von Goethe |
SONG OF THE IMPRISONED COUNT.
COUNT.
I KNOW a flower of beauty rare,
Ah, how I hold it dear!
To seek it I would fain repair,
Were I not prison'd here.
My sorrow sore oppresses me,
For when I was at liberty,
I had it close beside me.
Though from this castle's walls so steep
I cast mine eyes around,
And gaze oft from the lofty keep,
The flower can not be found.
Whoe'er would bring it to my sight,
Whether a vassal he, or knight,
My dearest friend I'd deem him.
THE ROSE.
I blossom fair,--thy tale of woes
I hear from 'neath thy grate.
Thou doubtless meanest me, the rose.
Poor knight of high estate!
Thou hast in truth a lofty mind;
The queen of flowers is then enshrin'd,
I doubt not, in thy bosom.
COUNT.
Thy red, in dress of green array'd,
As worth all praise I hold;
And so thou'rt treasured by each maid
Like precious stones or gold.
Thy wreath adorns the fairest face
But still thou'rt not the flower whose grace
I honour here in silence.
THE LILY.
The rose is wont with pride to swell,
And ever seeks to rise;
But gentle sweethearts love full well
The lily's charms to prize,
The heart that fills a bosom true,
That is, like me, unsullied too,
My merit values duly.
COUNT.
In truth, I hope myself unstain'd,
And free from grievous crime;
Yet I am here a prisoner chain'd,
And pass in grief my time,
To me thou art an image sure
Of many a maiden, mild and pure,
And yet I know a dearer.
THE PINK.
That must be me, the pink, who scent
The warder's garden here;
Or wherefore is he so intent
My charms with care to rear?
My petals stand in beauteous ring,
Sweet incense all around I fling,
And boast a thousand colours.
COUNT.
The pink in truth we should not slight,
It is the gardener's pride
It now must stand exposed to light,
Now in the shade abide.
Yet what can make the Count's heart glow
Is no mere pomp of outward show;
It is a silent flower.
THE VIOLET.
Here stand I, modestly half hid,
And fain would silence keep;
Yet since to speak I now am bid,
I'll break my silence deep.
If, worthy Knight, I am that flower,
It grieves me that I have not power
To breathe forth all my sweetness.
COUNT.
The violet's charms I prize indeed,
So modest 'tis, and fair,
And smells so sweet; yet more I need
To ease my heavy care.
The truth I'll whisper in thine ear:
Upon these rocky heights so drear,
I cannot find the loved one.
The truest maiden 'neath the sky
Roams near the stream below,
And breathes forth many a gentle sigh,
Till I from hence can go.
And when she plucks a flow'ret blue,
And says "Forget-me-not!"--I, too,
Though far away, can feel it.
Ay, distance only swells love's might,
When fondly love a pair;
Though prison'd in the dungeon's night,
In life I linger there
And when my heart is breaking nigh,
"Forget-me-not!" is all I cry,
And straightway life returneth.
1798.
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Written by
Claude McKay |
So much have I forgotten in ten years,
So much in ten brief years! I have forgot
What time the purple apples come to juice,
And what month brings the shy forget-me-not.
I have forgot the special, startling season
Of the pimento's flowering and fruiting;
What time of year the ground doves brown the fields
And fill the noonday with their curious fluting.
I have forgotten much, but still remember
The poinsettia's red, blood-red in warm December.
I still recall the honey-fever grass,
But cannot recollect the high days when
We rooted them out of the ping-wing path
To stop the mad bees in the rabbit pen.
I often try to think in what sweet month
The languid painted ladies used to dapple
The yellow by-road mazing from the main,
Sweet with the golden threads of the rose-apple.
I have forgotten--strange--but quite remember
The poinsettia's red, blood-red in warm December.
What weeks, what months, what time of the mild year
We cheated school to have our fling at tops?
What days our wine-thrilled bodies pulsed with joy
Feasting upon blackberries in the copse?
Oh some I know! I have embalmed the days,
Even the sacred moments when we played,
All innocent of passion, uncorrupt,
At noon and evening in the flame-heart's shade.
We were so happy, happy, I remember,
Beneath the poinsettia's red in warm December.
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Written by
Sidney Lanier |
When the golden day is done,
Through the closing portal,
Child and garden, Flower and sun,
Vanish all things mortal.
As the blinding shadows fall
As the rays diminish,
Under evening's cloak they all
Roll away and vanish.
Garden darkened, daisy shut,
Child in bed, they slumber--
Glow-worm in the hallway rut,
Mice among the lumber.
In the darkness houses shine,
Parents move the candles;
Till on all the night divine
Turns the bedroom handles.
Till at last the day begins
In the east a-breaking,
In the hedges and the whins
Sleeping birds a-waking.
In the darkness shapes of things,
Houses, trees and hedges,
Clearer grow; and sparrow's wings
Beat on window ledges.
These shall wake the yawning maid;
She the door shall open--
Finding dew on garden glade
And the morning broken.
There my garden grows again
Green and rosy painted,
As at eve behind the pane
From my eyes it fainted.
Just as it was shut away,
Toy-like, in the even,
Here I see it glow with day
Under glowing heaven.
Every path and every plot,
Every blush of roses,
Every blue forget-me-not
Where the dew reposes,
"Up!" they cry, "the day is come
On the smiling valleys:
We have beat the morning drum;
Playmate, join your allies!"
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Written by
Eugene Field |
"Sweetheart, take this," a soldier said,
"And bid me brave good-by;
It may befall we ne'er shall wed,
But love can never die.
Be steadfast in thy troth to me,
And then, whate'er my lot,
'My soul to God, my heart to thee,'--
Sweetheart, forget me not!"
The maiden took the tiny flower
And nursed it with her tears:
Lo! he who left her in that hour
Came not in after years.
Unto a hero's death he rode
'Mid shower of fire and shot;
But in the maiden's heart abode
The flower, forget-me-not.
And when he came not with the rest
From out the years of blood,
Closely unto her widowed breast
She pressed a faded bud;
Oh, there is love and there is pain,
And there is peace, God wot,--
And these dear three do live again
In sweet forget-me-not.
'T is to an unmarked grave to-day
That I should love to go,--
Whether he wore the blue or gray,
What need that we should know?
"He loved a woman," let us say,
And on that sacred spot,
To woman's love, that lives for aye,
We'll strew forget-me-not.
1887.
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Written by
Carl Sandburg |
1THERE was a late autumn cricket,
And two smoldering mountain sunsets
Under the valley roads of her eyes.
There was a late autumn cricket,
A hangover of summer song,
Scraping a tune
Of the late night clocks of summer,
In the late winter night fireglow,
This in a circle of black velvet at her neck.
2In pansy eyes a flash, a thin rim of white light, a beach bonfire ten miles across dunes, a speck of a fool star in night’s half circle of velvet.
In the corner of the left arm a dimple, a mole, a forget-me-not, and it fluttered a hummingbird wing, a blur in the honey-red clover, in the honey-white buckwheat.
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Written by
Fannie Isabelle Sherrick |
The crown of stars is broken in parts,
Its jewels brighter than the day,
Have one by one been stolen away
To shine in other homes and hearts.
—[Hanging of the Crane.]
Each poem is a star that shines
Within your crown of light;
Each jeweled thought—a fadeless gem
That dims the stars of night.
A flower here and there, so sweet,
Its fragrance fills the earth,
Is woven in among the gems
Of proud, immortal birth.
Each wee Forget-me-not hath eyes
As blue as yonder skies,
To tell the world each song of thine
Is one that never dies.
The purple pansies stained with gold,
The roses royal red,
In softened splendor shadow forth
The truths thy life hath said.
Oh would the earth were filled with flowers
To crown thee poet-king!
And all the world unto thy feet
Its wealth of love could fling.
And would I were one lowly flower
That fell beneath thy feet;
That even in dying I might win
One verse of music sweet.
The poet-heart doth hold the power
To thrill the hearts of men;
And though the chain is broken quite
It joins the links again.
No hand like thine can sweep the chords,
No heart like thine can sing;
The poet-world is full of song
And thou alone art king!
Oh would my eyes could see thy face
On which the glory shines!
And would my soul could trace the thought
That lies between the lines!
But though my eyes may never see,
My heart will worship still;
And at the fountain of thy song
My soul will drink its fill.
Thy crown of stars will never break,
Its circle is complete;
And yet each heart some gem will keep
To make its life more sweet.
The following autograph letter was received from the poet:
Dear Miss Sherrick:—I am much pleased and touched by the graceful and beautiful tribute you have paid me in your poem. I beg you to accept my best thanks for these kind words, and for the friendly expressions of your letter, which I have left too long unanswered. Pardon the delay and believe me with great regard,
Yours sincerely,
Henry W. Longfellow.
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