Get Your Premium Membership

Best Famous Feud Poems

Here is a collection of the all-time best famous Feud poems. This is a select list of the best famous Feud poetry. Reading, writing, and enjoying famous Feud poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of feud poems.

Search and read the best famous Feud poems, articles about Feud poems, poetry blogs, or anything else Feud poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Robert Pinsky | Create an image from this poem

Impossible To Tell

 to Robert Hass and in memory of Elliot Gilbert


Slow dulcimer, gavotte and bow, in autumn,
Bashõ and his friends go out to view the moon;
In summer, gasoline rainbow in the gutter,

The secret courtesy that courses like ichor
Through the old form of the rude, full-scale joke,
Impossible to tell in writing.
"Bashõ" He named himself, "Banana Tree": banana After the plant some grateful students gave him, Maybe in appreciation of his guidance Threading a long night through the rules and channels Of their collaborative linking-poem Scored in their teacher's heart: live, rigid, fluid Like passages etched in a microscopic cicuit.
Elliot had in his memory so many jokes They seemed to breed like microbes in a culture Inside his brain, one so much making another It was impossible to tell them all: In the court-culture of jokes, a top banana.
Imagine a court of one: the queen a young mother, Unhappy, alone all day with her firstborn child And her new baby in a squalid apartment Of too few rooms, a different race from her neighbors.
She tells the child she's going to kill herself.
She broods, she rages.
Hoping to distract her, The child cuts capers, he sings, he does imitations Of different people in the building, he jokes, He feels if he keeps her alive until the father Gets home from work, they'll be okay till morning.
It's laughter versus the bedroom and the pills.
What is he in his efforts but a courtier? Impossible to tell his whole delusion.
In the first months when I had moved back East From California and had to leave a message On Bob's machine, I used to make a habit Of telling the tape a joke; and part-way through, I would pretend that I forgot the punchline, Or make believe that I was interrupted-- As though he'd be so eager to hear the end He'd have to call me back.
The joke was Elliot's, More often than not.
The doctors made the blunder That killed him some time later that same year.
One day when I got home I found a message On my machine from Bob.
He had a story About two rabbis, one of them tall, one short, One day while walking along the street together They see the corpse of a Chinese man before them, And Bob said, sorry, he forgot the rest.
Of course he thought that his joke was a dummy, Impossible to tell--a dead-end challenge.
But here it is, as Elliot told it to me: The dead man's widow came to the rabbis weeping, Begging them, if they could, to resurrect him.
Shocked, the tall rabbi said absolutely not.
But the short rabbi told her to bring the body Into the study house, and ordered the shutters Closed so the room was night-dark.
Then he prayed Over the body, chanting a secret blessing Out of Kabala.
"Arise and breathe," he shouted; But nothing happened.
The body lay still.
So then The little rabbi called for hundreds of candles And danced around the body, chanting and praying In Hebrew, then Yiddish, then Aramaic.
He prayed In Turkish and Egyptian and Old Galician For nearly three hours, leaping about the coffin In the candlelight so that his tiny black shoes Seemed not to touch the floor.
With one last prayer Sobbed in the Spanish of before the Inquisition He stopped, exhausted, and looked in the dead man's face.
Panting, he raised both arms in a mystic gesture And said, "Arise and breathe!" And still the body Lay as before.
Impossible to tell In words how Elliot's eyebrows flailed and snorted Like shaggy mammoths as--the Chinese widow Granting permission--the little rabbi sang The blessing for performing a circumcision And removed the dead man's foreskin, chanting blessings In Finnish and Swahili, and bathed the corpse From head to foot, and with a final prayer In Babylonian, gasping with exhaustion, He seized the dead man's head and kissed the lips And dropped it again and leaping back commanded, "Arise and breathe!" The corpse lay still as ever.
At this, as when Bashõ's disciples wind Along the curving spine that links the renga Across the different voices, each one adding A transformation according to the rules Of stasis and repetition, all in order And yet impossible to tell beforehand, Elliot changes for the punchline: the wee Rabbi, still panting, like a startled boxer, Looks at the dead one, then up at all those watching, A kind of Mel Brooks gesture: "Hoo boy!" he says, "Now that's what I call really dead.
" O mortal Powers and princes of earth, and you immortal Lords of the underground and afterlife, Jehovah, Raa, Bol-Morah, Hecate, Pluto, What has a brilliant, living soul to do with Your harps and fires and boats, your bric-a-brac And troughs of smoking blood? Provincial stinkers, Our languages don't touch you, you're like that mother Whose small child entertained her to beg her life.
Possibly he grew up to be the tall rabbi, The one who washed his hands of all those capers Right at the outset.
Or maybe he became The author of these lines, a one-man renga The one for whom it seems to be impossible To tell a story straight.
It was a routine Procedure.
When it was finished the physicians Told Sandra and the kids it had succeeded, But Elliot wouldn't wake up for maybe an hour, They should go eat.
The two of them loved to bicker In a way that on his side went back to Yiddish, On Sandra's to some Sicilian dialect.
He used to scold her endlessly for smoking.
When she got back from dinner with their children The doctors had to tell them about the mistake.
Oh swirling petals, falling leaves! The movement Of linking renga coursing from moment to moment Is meaning, Bob says in his Haiku book.
Oh swirling petals, all living things are contingent, Falling leaves, and transient, and they suffer.
But the Universal is the goal of jokes, Especially certain ethnic jokes, which taper Down through the swirling funnel of tongues and gestures Toward their preposterous Ithaca.
There's one A journalist told me.
He heard it while a hero Of the South African freedom movement was speaking To elderly Jews.
The speaker's own right arm Had been blown off by right-wing letter-bombers.
He told his listeners they had to cast their ballots For the ANC--a group the old Jews feared As "in with the Arabs.
" But they started weeping As the old one-armed fighter told them their country Needed them to vote for what was right, their vote Could make a country their children could return to From London and Chicago.
The moved old people Applauded wildly, and the speaker's friend Whispered to the journalist, "It's the Belgian Army Joke come to life.
" I wish I could tell it To Elliot.
In the Belgian Army, the feud Between the Flemings and Walloons grew vicious, So out of hand the army could barely function.
Finally one commander assembled his men In one great room, to deal with things directly.
They stood before him at attention.
"All Flemings," He ordered, "to the left wall.
" Half the men Clustered to the left.
"Now all Walloons," he ordered, "Move to the right.
" An equal number crowded Against the right wall.
Only one man remained At attention in the middle: "What are you, soldier?" Saluting, the man said, "Sir, I am a Belgian.
" "Why, that's astonishing, Corporal--what's your name?" Saluting again, "Rabinowitz," he answered: A joke that seems at first to be a story About the Jews.
But as the renga describes Religious meaning by moving in drifting petals And brittle leaves that touch and die and suffer The changing winds that riffle the gutter swirl, So in the joke, just under the raucous music Of Fleming, Jew, Walloon, a courtly allegiance Moves to the dulcimer, gavotte and bow, Over the banana tree the moon in autumn-- Allegiance to a state impossible to tell.


Written by Sarojini Naidu | Create an image from this poem

An Indian Love Song

 He

Lift up the veils that darken the delicate moon 
of thy glory and grace,
Withhold not, O love, from the night 
of my longing the joy of thy luminous face,
Give me a spear of the scented keora 
guarding thy pinioned curls, 
Or a silken thread from the fringes 
that trouble the dream of thy glimmering pearls;
Faint grows my soul with thy tresses' perfume 
and the song of thy anklets' caprice,
Revive me, I pray, with the magical nectar 
that dwells in the flower of thy kiss.
She How shall I yield to the voice of thy pleading, how shall I grant thy prayer, Or give thee a rose-red silken tassel, a scented leaf from my hair? Or fling in the flame of thy heart's desire the veils that cover my face, Profane the law of my father's creed for a foe of my father's race? Thy kinsmen have broken our sacred altars and slaughtered our sacred kine, The feud of old faiths and the blood of old battles sever thy people and mine.
He What are the sins of my race, Beloved, what are my people to thee? And what are thy shrines, and kine and kindred, what are thy gods to me? Love recks not of feuds and bitter follies, of stranger, comrade or kin, Alike in his ear sound the temple bells and the cry of the muezzin.
For Love shall cancel the ancient wrong and conquer the ancient rage, Redeem with his tears the memoried sorrow that sullied a bygone age.
Written by Rudyard Kipling | Create an image from this poem

The Ballad of East and West

 Oh, East is East, and West is West, and never the twain shall meet,
Till Earth and Sky stand presently at God's great Judgment Seat;
But there is neither East nor West, Border, nor Breed, nor Birth,
When two strong men stand face to face, tho' they come from the ends of the earth!

Kamal is out with twenty men to raise the Border-side,
And he has lifted the Colonel's mare that is the Colonel's pride:
He has lifted her out of the stable-door between the dawn and the day,
And turned the calkins upon her feet, and ridden her far away.
Then up and spoke the Colonel's son that led a troop of the Guides: "Is there never a man of all my men can say where Kamal hides?" Then up and spoke Mahommed Khan, the son of the Ressaldar: "If ye know the track of the morning-mist, ye know where his pickets are.
At dusk he harries the Abazai -- at dawn he is into Bonair, But he must go by Fort Bukloh to his own place to fare, So if ye gallop to Fort Bukloh as fast as a bird can fly, By the favour of God ye may cut him off ere he win to the Tongue of Jagai.
But if he be past the Tongue of Jagai, right swiftly turn ye then, For the length and the breadth of that grisly plain is sown with Kamal's men.
There is rock to the left, and rock to the right, and low lean thorn between, And ye may hear a breech-bolt snick where never a man is seen.
" The Colonel's son has taken a horse, and a raw rough dun was he, With the mouth of a bell and the heart of Hell and the head of the gallows-tree.
The Colonel's son to the Fort has won, they bid him stay to eat -- Who rides at the tail of a Border thief, he sits not long at his meat.
He's up and away from Fort Bukloh as fast as he can fly, Till he was aware of his father's mare in the gut of the Tongue of Jagai, Till he was aware of his father's mare with Kamal upon her back, And when he could spy the white of her eye, he made the pistol crack.
He has fired once, he has fired twice, but the whistling ball went wide.
"Ye shoot like a soldier," Kamal said.
"Show now if ye can ride.
" It's up and over the Tongue of Jagai, as blown dustdevils go, The dun he fled like a stag of ten, but the mare like a barren doe.
The dun he leaned against the bit and slugged his head above, But the red mare played with the snaffle-bars, as a maiden plays with a glove.
There was rock to the left and rock to the right, and low lean thorn between, And thrice he heard a breech-bolt snick tho' never a man was seen.
They have ridden the low moon out of the sky, their hoofs drum up the dawn, The dun he went like a wounded bull, but the mare like a new-roused fawn.
The dun he fell at a water-course -- in a woful heap fell he, And Kamal has turned the red mare back, and pulled the rider free.
He has knocked the pistol out of his hand -- small room was there to strive, "'Twas only by favour of mine," quoth he, "ye rode so long alive: There was not a rock for twenty mile, there was not a clump of tree, But covered a man of my own men with his rifle cocked on his knee.
If I had raised my bridle-hand, as I have held it low, The little jackals that flee so fast were feasting all in a row: If I had bowed my head on my breast, as I have held it high, The kite that whistles above us now were gorged till she could not fly.
" Lightly answered the Colonel's son: "Do good to bird and beast, But count who come for the broken meats before thou makest a feast.
If there should follow a thousand swords to carry my bones away, Belike the price of a jackal's meal were more than a thief could pay.
They will feed their horse on the standing crop, their men on the garnered grain, The thatch of the byres will serve their fires when all the cattle are slain.
But if thou thinkest the price be fair, -- thy brethren wait to sup, The hound is kin to the jackal-spawn, -- howl, dog, and call them up! And if thou thinkest the price be high, in steer and gear and stack, Give me my father's mare again, and I'll fight my own way back!" Kamal has gripped him by the hand and set him upon his feet.
"No talk shall be of dogs," said he, "when wolf and gray wolf meet.
May I eat dirt if thou hast hurt of me in deed or breath; What dam of lances brought thee forth to jest at the dawn with Death?" Lightly answered the Colonel's son: "I hold by the blood of my clan: Take up the mare for my father's gift -- by God, she has carried a man!" The red mare ran to the Colonel's son, and nuzzled against his breast; "We be two strong men," said Kamal then, "but she loveth the younger best.
So she shall go with a lifter's dower, my turquoise-studded rein, My broidered saddle and saddle-cloth, and silver stirrups twain.
" The Colonel's son a pistol drew and held it muzzle-end, "Ye have taken the one from a foe," said he; "will ye take the mate from a friend?" "A gift for a gift," said Kamal straight; "a limb for the risk of a limb.
Thy father has sent his son to me, I'll send my son to him!" With that he whistled his only son, that dropped from a mountain-crest -- He trod the ling like a buck in spring, and he looked like a lance in rest.
"Now here is thy master," Kamal said, "who leads a troop of the Guides, And thou must ride at his left side as shield on shoulder rides.
Till Death or I cut loose the tie, at camp and board and bed, Thy life is his -- thy fate it is to guard him with thy head.
So, thou must eat the White Queen's meat, and all her foes are thine, And thou must harry thy father's hold for the peace of the Border-line, And thou must make a trooper tough and hack thy way to power -- Belike they will raise thee to Ressaldar when I am hanged in Peshawur.
" They have looked each other between the eyes, and there they found no fault, They have taken the Oath of the Brother-in-Blood on leavened bread and salt: They have taken the Oath of the Brother-in-Blood on fire and fresh-cut sod, On the hilt and the haft of the Khyber knife, and the Wondrous Names of God.
The Colonel's son he rides the mare and Kamal's boy the dun, And two have come back to Fort Bukloh where there went forth but one.
And when they drew to the Quarter-Guard, full twenty swords flew clear -- There was not a man but carried his feud with the blood of the mountaineer.
"Ha' done! ha' done!" said the Colonel's son.
"Put up the steel at your sides! Last night ye had struck at a Border thief -- to-night 'tis a man of the Guides!" Oh, East is East, and West is West, and never the twain shall meet, Till Earth and Sky stand presently at God's great Judgment Seat; But there is neither East nor West, Border, nor Breed, nor Birth, When two strong men stand face to face, tho' they come from the ends of the earth!
Written by Anne Bradstreet | Create an image from this poem

The Flesh and the Spirit

 In secret place where once I stood
Close by the Banks of Lacrim flood,
I heard two sisters reason on
Things that are past and things to come.
One Flesh was call'd, who had her eye On worldly wealth and vanity; The other Spirit, who did rear Her thoughts unto a higher sphere.
'Sister,' quoth Flesh, 'what liv'st thou on Nothing but Meditation? Doth Contemplation feed thee so Regardlessly to let earth go? Can Speculation satisfy Notion without Reality? Dost dream of things beyond the Moon And dost thou hope to dwell there soon? Hast treasures there laid up in store That all in th' world thou count'st but poor? Art fancy-sick or turn'd a Sot To catch at shadows which are not? Come, come.
I'll show unto thy sense, Industry hath its recompence.
What canst desire, but thou maist see True substance in variety? Dost honour like? Acquire the same, As some to their immortal fame; And trophies to thy name erect Which wearing time shall ne'er deject.
For riches dost thou long full sore? Behold enough of precious store.
Earth hath more silver, pearls, and gold Than eyes can see or hands can hold.
Affects thou pleasure? Take thy fill.
Earth hath enough of what you will.
Then let not go what thou maist find For things unknown only in mind.
' pirit.
'Be still, thou unregenerate part, Disturb no more my settled heart, For I have vow'd (and so will do) Thee as a foe still to pursue, And combat with thee will and must Until I see thee laid in th' dust.
Sister we are, yea twins we be, Yet deadly feud 'twixt thee and me, For from one father are we not.
Thou by old Adam wast begot, But my arise is from above, Whence my dear father I do love.
Thou speak'st me fair but hat'st me sore.
Thy flatt'ring shews I'll trust no more.
How oft thy slave hast thou me made When I believ'd what thou hast said And never had more cause of woe Than when I did what thou bad'st do.
I'll stop mine ears at these thy charms And count them for my deadly harms.
Thy sinful pleasures I do hate, Thy riches are to me no bait.
Thine honours do, nor will I love, For my ambition lies above.
My greatest honour it shall be When I am victor over thee, And Triumph shall, with laurel head, When thou my Captive shalt be led.
How I do live, thou need'st not scoff, For I have meat thou know'st not of.
The hidden Manna I do eat; The word of life, it is my meat.
My thoughts do yield me more content Than can thy hours in pleasure spent.
Nor are they shadows which I catch, Nor fancies vain at which I snatch But reach at things that are so high, Beyond thy dull Capacity.
Eternal substance I do see With which inriched I would be.
Mine eye doth pierce the heav'ns and see What is Invisible to thee.
My garments are not silk nor gold, Nor such like trash which Earth doth hold, But Royal Robes I shall have on, More glorious than the glist'ring Sun.
My Crown not Diamonds, Pearls, and gold, But such as Angels' heads infold.
The City where I hope to dwell, There's none on Earth can parallel.
The stately Walls both high and trong Are made of precious Jasper stone, The Gates of Pearl, both rich and clear, And Angels are for Porters there.
The Streets thereof transparent gold Such as no Eye did e're behold.
A Crystal River there doth run Which doth proceed from the Lamb's Throne.
Of Life, there are the waters sure Which shall remain forever pure.
Nor Sun nor Moon they have no need For glory doth from God proceed.
No Candle there, nor yet Torch light, For there shall be no darksome night.
From sickness and infirmity Forevermore they shall be free.
Nor withering age shall e're come there, But beauty shall be bright and clear.
This City pure is not for thee, For things unclean there shall not be.
If I of Heav'n may have my fill, Take thou the world, and all that will.
'
Written by Alfred Lord Tennyson | Create an image from this poem

The Princess (The Conclusion)

 So closed our tale, of which I give you all 
The random scheme as wildly as it rose: 
The words are mostly mine; for when we ceased 
There came a minute's pause, and Walter said, 
'I wish she had not yielded!' then to me, 
'What, if you drest it up poetically?' 
So prayed the men, the women: I gave assent: 
Yet how to bind the scattered scheme of seven 
Together in one sheaf? What style could suit? 
The men required that I should give throughout 
The sort of mock-heroic gigantesque, 
With which we bantered little Lilia first: 
The women--and perhaps they felt their power, 
For something in the ballads which they sang, 
Or in their silent influence as they sat, 
Had ever seemed to wrestle with burlesque, 
And drove us, last, to quite a solemn close-- 
They hated banter, wished for something real, 
A gallant fight, a noble princess--why 
Not make her true-heroic--true-sublime? 
Or all, they said, as earnest as the close? 
Which yet with such a framework scarce could be.
Then rose a little feud betwixt the two, Betwixt the mockers and the realists: And I, betwixt them both, to please them both, And yet to give the story as it rose, I moved as in a strange diagonal, And maybe neither pleased myself nor them.
But Lilia pleased me, for she took no part In our dispute: the sequel of the tale Had touched her; and she sat, she plucked the grass, She flung it from her, thinking: last, she fixt A showery glance upon her aunt, and said, 'You--tell us what we are' who might have told, For she was crammed with theories out of books, But that there rose a shout: the gates were closed At sunset, and the crowd were swarming now, To take their leave, about the garden rails.
So I and some went out to these: we climbed The slope to Vivian-place, and turning saw The happy valleys, half in light, and half Far-shadowing from the west, a land of peace; Gray halls alone among their massive groves; Trim hamlets; here and there a rustic tower Half-lost in belts of hop and breadths of wheat; The shimmering glimpses of a stream; the seas; A red sail, or a white; and far beyond, Imagined more than seen, the skirts of France.
'Look there, a garden!' said my college friend, The Tory member's elder son, 'and there! God bless the narrow sea which keeps her off, And keeps our Britain, whole within herself, A nation yet, the rulers and the ruled-- Some sense of duty, something of a faith, Some reverence for the laws ourselves have made, Some patient force to change them when we will, Some civic manhood firm against the crowd-- But yonder, whiff! there comes a sudden heat, The gravest citizen seems to lose his head, The king is scared, the soldier will not fight, The little boys begin to shoot and stab, A kingdom topples over with a shriek Like an old woman, and down rolls the world In mock heroics stranger than our own; Revolts, republics, revolutions, most No graver than a schoolboys' barring out; Too comic for the serious things they are, Too solemn for the comic touches in them, Like our wild Princess with as wise a dream As some of theirs--God bless the narrow seas! I wish they were a whole Atlantic broad.
' 'Have patience,' I replied, 'ourselves are full Of social wrong; and maybe wildest dreams Are but the needful preludes of the truth: For me, the genial day, the happy crowd, The sport half-science, fill me with a faith.
This fine old world of ours is but a child Yet in the go-cart.
Patience! Give it time To learn its limbs: there is a hand that guides.
' In such discourse we gained the garden rails, And there we saw Sir Walter where he stood, Before a tower of crimson holly-hoaks, Among six boys, head under head, and looked No little lily-handed Baronet he, A great broad-shouldered genial Englishman, A lord of fat prize-oxen and of sheep, A raiser of huge melons and of pine, A patron of some thirty charities, A pamphleteer on guano and on grain, A quarter-sessions chairman, abler none; Fair-haired and redder than a windy morn; Now shaking hands with him, now him, of those That stood the nearest--now addressed to speech-- Who spoke few words and pithy, such as closed Welcome, farewell, and welcome for the year To follow: a shout rose again, and made The long line of the approaching rookery swerve From the elms, and shook the branches of the deer From slope to slope through distant ferns, and rang Beyond the bourn of sunset; O, a shout More joyful than the city-roar that hails Premier or king! Why should not these great Sirs Give up their parks some dozen times a year To let the people breathe? So thrice they cried, I likewise, and in groups they streamed away.
But we went back to the Abbey, and sat on, So much the gathering darkness charmed: we sat But spoke not, rapt in nameless reverie, Perchance upon the future man: the walls Blackened about us, bats wheeled, and owls whooped, And gradually the powers of the night, That range above the region of the wind, Deepening the courts of twilight broke them up Through all the silent spaces of the worlds, Beyond all thought into the Heaven of Heavens.
Last little Lilia, rising quietly, Disrobed the glimmering statue of Sir Ralph From those rich silks, and home well-pleased we went.


Written by Ben Jonson | Create an image from this poem

Epistle to Katherine, Lady Aubigny

  

XIII.
— EPISTLE TO KATHARINE LADY AUBIGNY.
           


As what they have lost t' expect, they dare deride.

So both the prais'd and praisers suffer ; yet,
For others ill ought none their good forget.

I therefore, who profess myself in love
With every virtue, wheresoe'er it move,
And howsoever ;  as I am at feudBy arts, and practice of the vicious,
Such as suspect themselves, and think it fit,
For their own capital crimes, to indict my wit ;
I that have suffer'd this ;  and though forsook
Of fortune, have not alter'd yet my look,
Or so myself abandon'd, as because
Men are not just, or keep no holy laws
Of nature and society, I should faint ;If it may stand with your soft blush, to hear
Yourself but told unto yourself, and see
In my character what your features be,
You will not from the paper slightly pass :
No lady, but at some time loves her glass.

And this shall be no false one, but as much
Remov'd, as you from need to have it such.

Look then, and see your self — I will not sayIt perfect, proper, pure, and natural,
Not taken up o' the doctors, but as well
As I, can say and see it doth excel ;
That asks but to be censured by the eyes :
And in those outward forms, all fools are wise.

Nor that your beauty wanted not a dower,
Do I reflect.
   Some alderman has power,
Or cozening farmer of the customs, soAnd raise not virtue ;  they may vice enhance.

My mirror is more subtle, clear, refined,
And.
takes and gives the beauties of the mind ;
Though it reject not those of fortune :  such
As blood, and match.
  Wherein, how more than much
Are you engaged to your happy fate,
For such a lot !  that mixt you with a state
Of so great title, birth, but virtue most,For he that once is good, is ever great.

Wherewith then, madam, can you better pay
This blessing of your stars, than by that way
Of virtue, which you tread ?   What if alone,
Without companions ?  'tis safe to have none.

In single paths dangers with ease are watch'd ;
Contagion in the press is soonest catch'd.

This makes, that wisely you decline your lifeNot looking by, or back, like those that wait
Times and occasions, to start forth, and seem.

Which though the turning world may disesteem,
Because that studies spectacles and shows,
And after varied, as fresh objects, goes,
Giddy with change, and therefore cannot see
Right, the right way ;  yet must your comfort be
Your conscience, and not wonder if none asksMaintain their liegers forth for foreign wires,
Melt down their husbands land, to pour away
On the close groom and page, on new-year's day,
And almost all days after, while they live ;
They find it both so witty, and safe to give.

Let them on powders, oils, and paintings spend,
Till that no usurer, nor his bawds dare lend
Them or their officers ;  and no man know,When their own parasites laugh at their fall,
May they have nothing left, whereof they can
Boast, but how oft they have gone wrong to man,
And call it their brave sin : for such there be
That do sin only for the infamy ;
And never think, how vice doth every hour
Eat on her clients, and some one devour.

You, madam, young have learn'd to shun these shelves,Into your harbor, and all passage shut
'Gainst storms or pirates, that might charge your peace ; 
For which you worthy are the glad increase
Of your blest womb, made fruitful from above,
To pay your lord the pledges of chaste love ;
And raise a noble stem, to give the fame
To Clifton's blood, that is denied their name.

Grow, grow, fair tree !  and as thy branches shoot,Before the moons have fill'd their triple trine,
To crown the burden which you go withal,
It shall a ripe and timely issue fall,
T' expect the honors of great AUBIGNY ;
And greater rites, yet writ in mystery,
But which the fates forbid me to reveal.

Only thus much out of a ravish'd zeal
Unto your name, and goodness of your life,What your tried manners are, what theirs should be ;
How you love one, and him you should, how still
You are depending on his word and will ;
Not fashion'd for the court, or strangers' eyes ;
But to please him, who is the dearer prize
Unto himself, by being so dear to you.

This makes, that your affections still be new,
And that your souls conspire, as they were goneMadam, be bold to use this truest glass ;
Wherein your form you still the same shall find ;
Because nor it can change, nor such a mind.

Of any good mind, now ; there are so few.

The bad, by number, are so fortified,
As what they have lost t' expect, they dare deride.

So both the prais'd and praisers suffer ; yet,
For others ill ought none their good forget.

I therefore, who profess myself in love
With every virtue, wheresoe'er it move,
And howsoever ;  as I am at feud
Written by Alfred Lord Tennyson | Create an image from this poem

In Memoriam 82: I Wage Not Any Feud With Death

 I wage not any feud with Death
For changes wrought on form and face;
No lower life that earth's embrace
May breed with him, can fright my faith.
Eternal process moving on, From state to state the spirit walks; And these are but the shatter'd stalks, Or ruin'd chrysalis of one.
Nor blame I Death, because he bare The use of virtue out of earth: I know transplanted human worth Will bloom to profit, otherwhere.
For this alone on Death I wreak The wrath that garners in my heart; He put our lives so far apart We cannot hear each other speak.
Written by Robert Burns | Create an image from this poem

87. The Twa Dogs

 ’TWAS 1 in that place o’ Scotland’s isle,
That bears the name o’ auld King Coil,
Upon a bonie day in June,
When wearin’ thro’ the afternoon,
Twa dogs, that were na thrang at hame,
Forgather’d ance upon a time.
The first I’ll name, they ca’d him Caesar, Was keepit for His Honor’s pleasure: His hair, his size, his mouth, his lugs, Shew’d he was nane o’ Scotland’s dogs; But whalpit some place far abroad, Whare sailors gang to fish for cod.
His locked, letter’d, braw brass collar Shew’d him the gentleman an’ scholar; But though he was o’ high degree, The fient a pride, nae pride had he; But wad hae spent an hour caressin, Ev’n wi’ al tinkler-gipsy’s messin: At kirk or market, mill or smiddie, Nae tawted tyke, tho’ e’er sae duddie, But he wad stan’t, as glad to see him, An’ stroan’t on stanes an’ hillocks wi’ him.
The tither was a ploughman’s collie— A rhyming, ranting, raving billie, Wha for his friend an’ comrade had him, And in freak had Luath ca’d him, After some dog in Highland Sang, 2 Was made lang syne,—Lord knows how lang.
He was a gash an’ faithfu’ tyke, As ever lap a sheugh or dyke.
His honest, sonsie, baws’nt face Aye gat him friends in ilka place; His breast was white, his touzie back Weel clad wi’ coat o’ glossy black; His gawsie tail, wi’ upward curl, Hung owre his hurdie’s wi’ a swirl.
Nae doubt but they were fain o’ ither, And unco pack an’ thick thegither; Wi’ social nose whiles snuff’d an’ snowkit; Whiles mice an’ moudieworts they howkit; Whiles scour’d awa’ in lang excursion, An’ worry’d ither in diversion; Until wi’ daffin’ weary grown Upon a knowe they set them down.
An’ there began a lang digression.
About the “lords o’ the creation.
” CÆSAR I’ve aften wonder’d, honest Luath, What sort o’ life poor dogs like you have; An’ when the gentry’s life I saw, What way poor bodies liv’d ava.
Our laird gets in his racked rents, His coals, his kane, an’ a’ his stents: He rises when he likes himsel’; His flunkies answer at the bell; He ca’s his coach; he ca’s his horse; He draws a bonie silken purse, As lang’s my tail, where, thro’ the steeks, The yellow letter’d Geordie keeks.
Frae morn to e’en, it’s nought but toiling At baking, roasting, frying, boiling; An’ tho’ the gentry first are stechin, Yet ev’n the ha’ folk fill their pechan Wi’ sauce, ragouts, an’ sic like trashtrie, That’s little short o’ downright wastrie.
Our whipper-in, wee, blasted wonner, Poor, worthless elf, it eats a dinner, Better than ony tenant-man His Honour has in a’ the lan’: An’ what poor cot-folk pit their painch in, I own it’s past my comprehension.
LUATH Trowth, C&æsar, whiles they’re fash’t eneugh: A cottar howkin in a sheugh, Wi’ dirty stanes biggin a dyke, Baring a quarry, an’ sic like; Himsel’, a wife, he thus sustains, A smytrie o’ wee duddie weans, An’ nought but his han’-daurk, to keep Them right an’ tight in thack an’ rape.
An’ when they meet wi’ sair disasters, Like loss o’ health or want o’ masters, Ye maist wad think, a wee touch langer, An’ they maun starve o’ cauld an’ hunger: But how it comes, I never kent yet, They’re maistly wonderfu’ contented; An’ buirdly chiels, an’ clever hizzies, Are bred in sic a way as this is.
CÆSAR But then to see how ye’re negleckit, How huff’d, an’ cuff’d, an’ disrespeckit! Lord man, our gentry care as little For delvers, ditchers, an’ sic cattle; They gang as saucy by poor folk, As I wad by a stinkin brock.
I’ve notic’d, on our laird’s court-day,— An’ mony a time my heart’s been wae,— Poor tenant bodies, scant o’cash, How they maun thole a factor’s snash; He’ll stamp an’ threaten, curse an’ swear He’ll apprehend them, poind their gear; While they maun stan’, wi’ aspect humble, An’ hear it a’, an’ fear an’ tremble! I see how folk live that hae riches; But surely poor-folk maun be wretches! LUATH They’re no sae wretched’s ane wad think.
Tho’ constantly on poortith’s brink, They’re sae accustom’d wi’ the sight, The view o’t gives them little fright.
Then chance and fortune are sae guided, They’re aye in less or mair provided: An’ tho’ fatigued wi’ close employment, A blink o’ rest’s a sweet enjoyment.
The dearest comfort o’ their lives, Their grushie weans an’ faithfu’ wives; The prattling things are just their pride, That sweetens a’ their fire-side.
An’ whiles twalpennie worth o’ nappy Can mak the bodies unco happy: They lay aside their private cares, To mind the Kirk and State affairs; They’ll talk o’ patronage an’ priests, Wi’ kindling fury i’ their breasts, Or tell what new taxation’s comin, An’ ferlie at the folk in Lon’on.
As bleak-fac’d Hallowmass returns, They get the jovial, rantin kirns, When rural life, of ev’ry station, Unite in common recreation; Love blinks, Wit slaps, an’ social Mirth Forgets there’s Care upo’ the earth.
That merry day the year begins, They bar the door on frosty win’s; The nappy reeks wi’ mantling ream, An’ sheds a heart-inspiring steam; The luntin pipe, an’ sneeshin mill, Are handed round wi’ right guid will; The cantie auld folks crackin crouse, The young anes rantin thro’ the house— My heart has been sae fain to see them, That I for joy hae barkit wi’ them.
Still it’s owre true that ye hae said, Sic game is now owre aften play’d; There’s mony a creditable stock O’ decent, honest, fawsont folk, Are riven out baith root an’ branch, Some rascal’s pridefu’ greed to quench, Wha thinks to knit himsel the faster In favour wi’ some gentle master, Wha, aiblins, thrang a parliamentin, For Britain’s guid his saul indentin— CÆSAR Haith, lad, ye little ken about it: For Britain’s guid! guid faith! I doubt it.
Say rather, gaun as Premiers lead him: An’ saying ay or no’s they bid him: At operas an’ plays parading, Mortgaging, gambling, masquerading: Or maybe, in a frolic daft, To Hague or Calais takes a waft, To mak a tour an’ tak a whirl, To learn bon ton, an’ see the worl’.
There, at Vienna, or Versailles, He rives his father’s auld entails; Or by Madrid he takes the rout, To thrum guitars an’ fecht wi’ nowt; Or down Italian vista startles, Wh-re-hunting amang groves o’ myrtles: Then bowses drumlie German-water, To mak himsel look fair an’ fatter, An’ clear the consequential sorrows, Love-gifts of Carnival signoras.
For Britain’s guid! for her destruction! Wi’ dissipation, feud, an’ faction.
LUATH Hech, man! dear sirs! is that the gate They waste sae mony a braw estate! Are we sae foughten an’ harass’d For gear to gang that gate at last? O would they stay aback frae courts, An’ please themsels wi’ country sports, It wad for ev’ry ane be better, The laird, the tenant, an’ the cotter! For thae frank, rantin, ramblin billies, Feint haet o’ them’s ill-hearted fellows; Except for breakin o’ their timmer, Or speakin lightly o’ their limmer, Or shootin of a hare or moor-cock, The ne’er-a-bit they’re ill to poor folk, But will ye tell me, Master C&æsar, Sure great folk’s life’s a life o’ pleasure? Nae cauld nor hunger e’er can steer them, The very thought o’t need na fear them.
CÆSAR L—d, man, were ye but whiles whare I am, The gentles, ye wad ne’er envy them! It’s true, they need na starve or sweat, Thro’ winter’s cauld, or simmer’s heat: They’ve nae sair wark to craze their banes, An’ fill auld age wi’ grips an’ granes: But human bodies are sic fools, For a’ their colleges an’ schools, That when nae real ills perplex them, They mak enow themsel’s to vex them; An’ aye the less they hae to sturt them, In like proportion, less will hurt them.
A country fellow at the pleugh, His acre’s till’d, he’s right eneugh; A country girl at her wheel, Her dizzen’s dune, she’s unco weel; But gentlemen, an’ ladies warst, Wi’ ev’n-down want o’ wark are curst.
They loiter, lounging, lank an’ lazy; Tho’ deil-haet ails them, yet uneasy; Their days insipid, dull, an’ tasteless; Their nights unquiet, lang, an’ restless.
An’ev’n their sports, their balls an’ races, Their galloping through public places, There’s sic parade, sic pomp, an’ art, The joy can scarcely reach the heart.
The men cast out in party-matches, Then sowther a’ in deep debauches.
Ae night they’re mad wi’ drink an’ whoring, Niest day their life is past enduring.
The ladies arm-in-arm in clusters, As great an’ gracious a’ as sisters; But hear their absent thoughts o’ ither, They’re a’ run-deils an’ jads thegither.
Whiles, owre the wee bit cup an’ platie, They sip the scandal-potion pretty; Or lee-lang nights, wi’ crabbit leuks Pore owre the devil’s pictur’d beuks; Stake on a chance a farmer’s stackyard, An’ cheat like ony unhanged blackguard.
There’s some exceptions, man an’ woman; But this is gentry’s life in common.
By this, the sun was out of sight, An’ darker gloamin brought the night; The bum-clock humm’d wi’ lazy drone; The kye stood rowtin i’ the loan; When up they gat an’ shook their lugs, Rejoic’d they werena men but dogs; An’ each took aff his several way, Resolv’d to meet some ither day.
Note 1.
Luath was Burns’ own dog.
[back] Note 2.
Cuchullin’s dog in Ossian’s “Fingal.
”—R.
B.
[back]
Written by Duncan Campbell Scott | Create an image from this poem

The Half-breed Girl

 She is free of the trap and the paddle,
The portage and the trail,
But something behind her savage life
Shines like a fragile veil.
Her dreams are undiscovered, Shadows trouble her breast, When the time for resting cometh Then least is she at rest.
Oft in the morns of winter, When she visits the rabbit snares, An appearance floats in the crystal air Beyond the balsam firs.
Oft in the summer mornings When she strips the nets of fish, The smell of the dripping net-twine Gives to her heart a wish.
But she cannot learn the meaning Of the shadows in her soul, The lights that break and gather, The clouds that part and roll, The reek of rock-built cities, Where her fathers dwelt of yore, The gleam of loch and shealing, The mist on the moor, Frail traces of kindred kindness, Of feud by hill and strand, The heritage of an age-long life In a legendary land.
She wakes in the stifling wigwam, Where the air is heavy and wild, She fears for something or nothing With the heart of a frightened child.
She sees the stars turn slowly Past the tangle of the poles, Through the smoke of the dying embers, Like the eyes of dead souls.
Her heart is shaken with longing For the strange, still years, For what she knows and knows not, For the wells of ancient tears.
A voice calls from the rapids, Deep, careless and free, A voice that is larger than her life Or than her death shall be.
She covers her face with her blanket, Her fierce soul hates her breath, As it cries with a sudden passion For life or death.
Written by Robinson Jeffers | Create an image from this poem

The Eye

 The Atlantic is a stormy moat; and the Mediterranean,
The blue pool in the old garden,
More than five thousand years has drunk sacrifice
Of ships and blood, and shines in the sun; but here the Pacific--
Our ships, planes, wars are perfectly irrelevant.
Neither our present blood-feud with the brave dwarfs Nor any future world-quarrel of westering And eastering man, the bloody migrations, greed of power, clash of faiths-- Is a speck of dust on the great scale-pan.
Here from this mountain shore, headland beyond stormy headland plunging like dolphins through the blue sea-smoke Into pale sea--look west at the hill of water: it is half the planet: this dome, this half-globe, this bulging Eyeball of water, arched over to Asia, Australia and white Antartica: those are the eyelids that never close; this is the staring unsleeping Eye of the earth; and what it watches is not our wars.

Book: Reflection on the Important Things