Written by
Anne Sexton |
A woman
who loves a woman
is forever young.
The mentor
and the student
feed off each other.
Many a girl
had an old aunt
who locked her in the study
to keep the boys away.
They would play rummy
or lie on the couch
and touch and touch.
Old breast against young breast.
.
.
Let your dress fall down your shoulder,
come touch a copy of you
for I am at the mercy of rain,
for I have left the three Christs of Ypsilanti
for I have left the long naps of Ann Arbor
and the church spires have turned to stumps.
The sea bangs into my cloister
for the politicians are dying,
and dying so hold me, my young dear,
hold me.
.
.
The yellow rose will turn to cinder
and New York City will fall in
before we are done so hold me,
my young dear, hold me.
Put your pale arms around my neck.
Let me hold your heart like a flower
lest it bloom and collapse.
Give me your skin
as sheer as a cobweb,
let me open it up
and listen in and scoop out the dark.
Give me your nether lips
all puffy with their art
and I will give you angel fire in return.
We are two clouds
glistening in the bottle galss.
We are two birds
washing in the same mirror.
We were fair game
but we have kept out of the cesspool.
We are strong.
We are the good ones.
Do not discover us
for we lie together all in green
like pond weeds.
Hold me, my young dear, hold me.
They touch their delicate watches
one at a time.
They dance to the lute
two at a time.
They are as tender as bog moss.
They play mother-me-do
all day.
A woman
who loves a woman
is forever young.
Once there was a witch's garden
more beautiful than Eve's
with carrots growing like little fish,
with many tomatoes rich as frogs,
onions as ingrown as hearts,
the squash singing like a dolphin
and one patch given over wholly to magic --
rampion, a kind of salad root
a kind of harebell more potent than penicillin,
growing leaf by leaf, skin by skin.
as rapt and as fluid as Isadoran Duncan.
However the witch's garden was kept locked
and each day a woman who was with child
looked upon the rampion wildly,
fancying that she would die
if she could not have it.
Her husband feared for her welfare
and thus climbed into the garden
to fetch the life-giving tubers.
Ah ha, cried the witch,
whose proper name was Mother Gothel,
you are a thief and now you will die.
However they made a trade,
typical enough in those times.
He promised his child to Mother Gothel
so of course when it was born
she took the child away with her.
She gave the child the name Rapunzel,
another name for the life-giving rampion.
Because Rapunzel was a beautiful girl
Mother Gothel treasured her beyond all things.
As she grew older Mother Gothel thought:
None but I will ever see her or touch her.
She locked her in a tow without a door
or a staircase.
It had only a high window.
When the witch wanted to enter she cried"
Rapunzel, Rapunzel, let down your hair.
Rapunzel's hair fell to the ground like a rainbow.
It was as strong as a dandelion
and as strong as a dog leash.
Hand over hand she shinnied up
the hair like a sailor
and there in the stone-cold room,
as cold as a museum,
Mother Gothel cried:
Hold me, my young dear, hold me,
and thus they played mother-me-do.
Years later a prince came by
and heard Rapunzel singing her loneliness.
That song pierced his heart like a valentine
but he could find no way to get to her.
Like a chameleon he hid himself among the trees
and watched the witch ascend the swinging hair.
The next day he himself called out:
Rapunzel, Rapunzel, let down your hair,
and thus they met and he declared his love.
What is this beast, she thought,
with muscles on his arms
like a bag of snakes?
What is this moss on his legs?
What prickly plant grows on his cheeks?
What is this voice as deep as a dog?
Yet he dazzled her with his answers.
Yet he dazzled her with his dancing stick.
They lay together upon the yellowy threads,
swimming through them
like minnows through kelp
and they sang out benedictions like the Pope.
Each day he brought her a skein of silk
to fashion a ladder so they could both escape.
But Mother Gothel discovered the plot
and cut off Rapunzel's hair to her ears
and took her into the forest to repent.
When the prince came the witch fastened
the hair to a hook and let it down.
When he saw Rapunzel had been banished
he flung himself out of the tower, a side of beef.
He was blinded by thorns that prickled him like tacks.
As blind as Oedipus he wandered for years
until he heard a song that pierced his heart
like that long-ago valentine.
As he kissed Rapunzel her tears fell on his eyes
and in the manner of such cure-alls
his sight was suddenly restored.
They lived happily as you might expect
proving that mother-me-do
can be outgrown,
just as the fish on Friday,
just as a tricycle.
The world, some say,
is made up of couples.
A rose must have a stem.
As for Mother Gothel,
her heart shrank to the size of a pin,
never again to say: Hold me, my young dear,
hold me,
and only as she dreamed of the yellow hair
did moonlight sift into her mouth.
|
Written by
Anne Sexton |
A woman
who loves a woman
is forever young.
The mentor
and the student
feed off each other.
Many a girl
had an old aunt
who locked her in the study
to keep the boys away.
They would play rummy
or lie on the couch
and touch and touch.
Old breast against young breast.
.
.
Let your dress fall down your shoulder,
come touch a copy of you
for I am at the mercy of rain,
for I have left the three Christs of Ypsilanti
for I have left the long naps of Ann Arbor
and the church spires have turned to stumps.
The sea bangs into my cloister
for the politicians are dying,
and dying so hold me, my young dear,
hold me.
.
.
The yellow rose will turn to cinder
and New York City will fall in
before we are done so hold me,
my young dear, hold me.
Put your pale arms around my neck.
Let me hold your heart like a flower
lest it bloom and collapse.
Give me your skin
as sheer as a cobweb,
let me open it up
and listen in and scoop out the dark.
Give me your nether lips
all puffy with their art
and I will give you angel fire in return.
We are two clouds
glistening in the bottle galss.
We are two birds
washing in the same mirror.
We were fair game
but we have kept out of the cesspool.
We are strong.
We are the good ones.
Do not discover us
for we lie together all in green
like pond weeds.
Hold me, my young dear, hold me.
They touch their delicate watches
one at a time.
They dance to the lute
two at a time.
They are as tender as bog moss.
They play mother-me-do
all day.
A woman
who loves a woman
is forever young.
Once there was a witch's garden
more beautiful than Eve's
with carrots growing like little fish,
with many tomatoes rich as frogs,
onions as ingrown as hearts,
the squash singing like a dolphin
and one patch given over wholly to magic --
rampion, a kind of salad root
a kind of harebell more potent than penicillin,
growing leaf by leaf, skin by skin.
as rapt and as fluid as Isadoran Duncan.
However the witch's garden was kept locked
and each day a woman who was with child
looked upon the rampion wildly,
fancying that she would die
if she could not have it.
Her husband feared for her welfare
and thus climbed into the garden
to fetch the life-giving tubers.
Ah ha, cried the witch,
whose proper name was Mother Gothel,
you are a thief and now you will die.
However they made a trade,
typical enough in those times.
He promised his child to Mother Gothel
so of course when it was born
she took the child away with her.
She gave the child the name Rapunzel,
another name for the life-giving rampion.
Because Rapunzel was a beautiful girl
Mother Gothel treasured her beyond all things.
As she grew older Mother Gothel thought:
None but I will ever see her or touch her.
She locked her in a tow without a door
or a staircase.
It had only a high window.
When the witch wanted to enter she cried"
Rapunzel, Rapunzel, let down your hair.
Rapunzel's hair fell to the ground like a rainbow.
It was as strong as a dandelion
and as strong as a dog leash.
Hand over hand she shinnied up
the hair like a sailor
and there in the stone-cold room,
as cold as a museum,
Mother Gothel cried:
Hold me, my young dear, hold me,
and thus they played mother-me-do.
Years later a prince came by
and heard Rapunzel singing her loneliness.
That song pierced his heart like a valentine
but he could find no way to get to her.
Like a chameleon he hid himself among the trees
and watched the witch ascend the swinging hair.
The next day he himself called out:
Rapunzel, Rapunzel, let down your hair,
and thus they met and he declared his love.
What is this beast, she thought,
with muscles on his arms
like a bag of snakes?
What is this moss on his legs?
What prickly plant grows on his cheeks?
What is this voice as deep as a dog?
Yet he dazzled her with his answers.
Yet he dazzled her with his dancing stick.
They lay together upon the yellowy threads,
swimming through them
like minnows through kelp
and they sang out benedictions like the Pope.
Each day he brought her a skein of silk
to fashion a ladder so they could both escape.
But Mother Gothel discovered the plot
and cut off Rapunzel's hair to her ears
and took her into the forest to repent.
When the prince came the witch fastened
the hair to a hook and let it down.
When he saw Rapunzel had been banished
he flung himself out of the tower, a side of beef.
He was blinded by thorns that prickled him like tacks.
As blind as Oedipus he wandered for years
until he heard a song that pierced his heart
like that long-ago valentine.
As he kissed Rapunzel her tears fell on his eyes
and in the manner of such cure-alls
his sight was suddenly restored.
They lived happily as you might expect
proving that mother-me-do
can be outgrown,
just as the fish on Friday,
just as a tricycle.
The world, some say,
is made up of couples.
A rose must have a stem.
As for Mother Gothel,
her heart shrank to the size of a pin,
never again to say: Hold me, my young dear,
hold me,
and only as she dreamed of the yellow hair
did moonlight sift into her mouth.
|
Written by
Allen Ginsberg |
Tail turned to red sunset on a juniper crown a lone magpie cawks.
Mad at Oryoki in the shrine-room -- Thistles blossomed late afternoon.
Put on my shirt and took it off in the sun walking the path to lunch.
A dandelion seed floats above the marsh grass with the mosquitos.
At 4 A.
M.
the two middleaged men sleeping together holding hands.
In the half-light of dawn a few birds warble under the Pleiades.
Sky reddens behind fir trees, larks twitter, sparrows cheep cheep cheep
cheep cheep.
July 1983
Caught shoplifting ran out the department store at sunrise and woke up.
August 1983
|
Written by
Natasha Trethewey |
All week she's cleaned
someone else's house,
stared down her own face
in the shine of copper--
bottomed pots, polished
wood, toilets she'd pull
the lid to--that look saying
Let's make a change, girl.
But Sunday mornings are hers--
church clothes starched
and hanging, a record spinning
on the console, the whole house
dancing.
She raises the shades,
washes the rooms in light,
buckets of water, Octagon soap.
Cleanliness is next to godliness .
.
.
Windows and doors flung wide,
curtains two-stepping
forward and back, neck bones
bumping in the pot, a choir
of clothes clapping on the line.
Nearer my God to Thee .
.
.
She beats time on the rugs,
blows dust from the broom
like dandelion spores, each one
a wish for something better.
|
Written by
Bernadette Geyer |
Train.
Distant Train.
Praise the glorious distance of Train.
Dogs bark, reply to the mournful echo of Train's whistle.
Train looks back, keeps moving.
Train carries its boxcars of secrets further and further away (and even further still) from those who profess to love Train, but who do not run after him.
Eyes brimmed with glassy reflections of Train.
To watch Train pass is to feel your life as a single low note quiver from the rough pads of your toes to the stooped hunch of your shoulders.
To watch Train pass is to feel the vibrato of your first singular thought trilling in your ears, casting inward to slide the escarpment of your throat, until Train shudders the memory in the hollow of your belly.
Train leaves and returns like an abusive lover: the completion of necessary cycles.
Machinery joined, unjoined, loud and effusive.
Belligerent Train no sooner announces his arrival and is gone again, to another town, another set of rails against which to preen.
Can you feel Train's fist inside you? Can you feel the assault with the strength of ten thousand wishes blown from the head of a dandelion?
Train is gone and not gone.
For us, Train is the still-warm track we know does not disappear, but even continues to exist outside our sight range.
We trust in the existence of Train, even when we can no longer see him.
We believe in Train even when the night's silence fights our ears.
We await the coming of Train even when the unbelievers tell us Train is not expected.
We imagine Train's call and response like a cantor and a choir.
We pray to Train for the cleansing of our sins.
Train was.
Train is.
Train shall be evermore.
We sit on the tracks.
We wait.
|
Written by
Ezra Pound |
You came in out of the night
And there were flowers in your hand,
Now you will come out of a confusion of people,
Out of a turmoil of speech about you.
I who have seen you amid the primal things
Was angry when they spoke your name
IN ordinary places.
I would that the cool waves might flow over my mind,
And that the world should dry as a dead leaf,
Or as a dandelion see-pod and be swept away,
So that I might find you again,
Alone.
|
Written by
Vachel Lindsay |
O DANDELION, rich and haughty,
King of village flowers!
Each day is coronation time,
You have no humble hours.
I like to see you bring a troop
To beat the blue-grass spears,
To scorn the lawn-mower that would be
Like fate's triumphant shears,
Your yellow heads are cut away,
It seems your reign is o'er.
By noon you raise a sea of stars
More golden than before.
|
Written by
Henry Van Dyke |
I
When tulips bloom in Union Aquare,
And timid breaths of vernal air
Go wandering down the dusty town,
Like children lost in Vanity Fair;
When every long, unlovely row
Of westward houses stands aglow,
And leads the eyes to sunset skies
Beyond the hills where green trees grow;
Then wearly seems the street parade,
And weary books, and weary trade:
I'm only wishing to go a-fishing;
For this the month of May was made.
II
I guess the pussy-willows now
Are creeping out on every bough
Along the brook; and robins look
For early worms behind the plough.
The thistle-birds have changed their dun,
For yellow coats, to match the sun;
And in the same array of flame
The Dandelion Show's begun.
The flocks of young anemones
Are dancing round the budding trees:
Who can help wishing to go a-fishing
In days as full of joy as these?
III
I think the meadow-lark's clear sound
Leaks upward slowly from the ground,
While on the wing the bluebirds ring
Their wedding-bells to woods around.
The flirting chewink calls his dear
Behind the bush; and very near,
Where water flows, where green grass grows,
Song-sparrows gently sing, "Good cheer.
"
And, best of all, through twilight's calm
The hermit-thrush repeats his psalm.
How mush I'm wishing to go a-fishing
In days so sweet with music's balm!
IV
'Tis not a proud desire of mine;
I ask for nothing superfine;
No heavy weight, no salmon great,
To break the record, or my line.
Only an idle little stream,
Whose amber waters softly gleam,
Where I may wade, through woodland shade,
And cast the fly, and loaf, and dream:
Only a trout or two, to dart
>From foaming pools, and try my art:
'Tis all I'm wishing--old-fashioned fishing,
And just a day on Nature's heart.
|
Written by
Vachel Lindsay |
[A Poem for Aviators]
How the Wings Were Made
From many morning-glories
That in an hour will fade,
From many pansy buds
Gathered in the shade,
From lily of the valley
And dandelion buds,
From fiery poppy-buds
Are the Wings of the Morning made.
The Indian Girl Who Made Them
These, the Wings of the Morning,
An Indian Maiden wove,
Intertwining subtilely
Wands from a willow grove
Beside the Sangamon —
Rude stream of Dreamland Town.
She bound them to my shoulders
With fingers golden-brown.
The wings were part of me;
The willow-wands were hot.
Pulses from my heart
Healed each bruise and spot
Of the morning-glory buds,
Beginning to unfold
Beneath her burning song of suns untold.
The Indian Girl Tells the Hero Where to Go to Get the Laughing Bell
"To the farthest star of all,
Go, make a moment's raid.
To the west — escape the earth
Before your pennons fade!
West! west! o'ertake the night
That flees the morning sun.
There's a path between the stars —
A black and silent one.
O tremble when you near
The smallest star that sings:
Only the farthest star
Is cool for willow wings.
"There's a sky within the west —
There's a sky beyond the skies
Where only one star shines —
The Star of Laughing Bells —
In Chaos-land it lies;
Cold as morning-dew,
A gray and tiny boat
Moored on Chaos-shore,
Where nothing else can float
But the Wings of the Morning strong
And the lilt of laughing song
From many a ruddy throat:
"For the Tree of Laughing Bells
Grew from a bleeding seed
Planted mid enchantment
Played on a harp and reed:
Darkness was the harp —
Chaos-wind the reed;
The fruit of the tree is a bell, blood-red —
The seed was the heart of a fairy, dead.
Part of the bells of the Laughing Tree
Fell to-day at a blast from the reed.
Bring a fallen bell to me.
Go!" the maiden said.
"For the bell will quench our memory,
Our hope,
Our borrowed sorrow;
We will have no thirst for yesterday,
No thought for to-morrow.
"
The Journey Starts Swiftly
A thousand times ten thousand times
More swift than the sun's swift light
Were the Morning Wings in their flight
On — On —
West of the Universe,
Thro' the West
To Chaos-night.
He Nears the Goal
How the red bells rang
As I neared the Chaos-shore!
As I flew across to the end of the West
The young bells rang and rang
Above the Chaos roar,
And the Wings of the Morning
Beat in tune
And bore me like a bird along —
And the nearing star turned to a moon —
Gray moon, with a brow of red —
Gray moon with a golden song.
Like a diver after pearls
I plunged to that stifling floor.
It was wide as a giant's wheat-field
An icy, wind-washed shore.
O laughing, proud, but trembling star!
O wind that wounded sore!
He Climbs the Hill Where the Tree Grows
On —
Thro' the gleaming gray
I ran to the storm and clang —
To the red, red hill where the great tree swayed —
And scattered bells like autumn leaves.
How the red bells rang!
My breath within my breast
Was held like a diver's breath —
The leaves were tangled locks of gray —
The boughs of the tree were white and gray,
Shaped like scythes of Death.
The boughs of the tree would sweep and sway —
Sway like scythes of Death.
But it was beautiful!
I knew that all was well.
A thousand bells from a thousand boughs
Each moment bloomed and fell.
On the hill of the wind-swept tree
There were no bells asleep;
They sang beneath my trailing wings
Like rivers sweet and steep.
Deep rock-clefts before my feet
Mighty chimes did keep
And little choirs did keep.
He Receives the Bells
Honeyed, small and fair,
Like flowers, in flowery lands —
Like little maidens' hands —
Two bells fell in my hair,
Two bells caressed my hair.
I pressed them to my purple lips
In the strangling Chaos-air.
He Starts on the Return Journey
On desperate wings and strong,
Two bells within my breast,
I breathed again, I breathed again —
West of the Universe —
West of the skies of the West.
Into the black toward home,
And never a star in sight,
By Faith that is blind I took my way
With my two bosomed blossoms gay
Till a speck in the East was the Milky way:
Till starlit was the night.
And the bells had quenched all memory —
All hope —
All borrowed sorrow:
I had no thirst for yesterday,
No thought for to-morrow.
Like hearts within my breast
The bells would throb to me
And drown the siren stars
That sang enticingly;
My heart became a bell —
Three bells were in my breast,
Three hearts to comfort me.
We reached the daytime happily —
We reached the earth with glee.
In an hour, in an hour it was done!
The wings in their morning flight
Were a thousand times ten thousand times
More swift than beams of light.
He Gives What He Won to the Indian Girl
I panted in the grassy wood;
I kissed the Indian Maid
As she took my wings from me:
With all the grace I could
I gave two throbbing bells to her
From the foot of the Laughing Tree.
And one she pressed to her golden breast
And one, gave back to me.
From Lilies of the valley —
See them fade.
From poppy-blooms all frayed,
From dandelions gray with care,
From pansy-faces, worn and torn,
From morning-glories —
See them fade —
From all things fragile, faint and fair
Are the Wings of the Morning made!
|
Written by
Luisa Villani |
I hang the window inside out
like a shirt drying in a breeze
and the arms that are missing come to me
Yes, it's a song, one I don't quite comprehend
although I do understand the laundry.
White ash and rain water, a method
my aunt taught me, but I'll never know
how she learned it in Brooklyn.
Her mind
has gone to seed, blown by a stroke,
and that dandelion puff called memory
has flown far from her eyes.
Some things remain.
Procedures.
Methods.
If you burn
a fire all day, feeding it snapped
branches and newspapers--
the faces pressed against the print
fading into flames-you end up
with a barrel of white ash.
If
you take that same barrel and fill it
with rain, let it sit for a day,
you will have water
that can bring brightness to anything.
If you take that water,
and in it soak your husband's shirts,
he'll pause at dawn when he puts one on,
its softness like a haunting afterthought.
And if he works all day in the selva,
he'll divine his way home
in shirtsleeves aglow with torchlight.
|