Get Your Premium Membership

Best Famous Confession Poems

Here is a collection of the all-time best famous Confession poems. This is a select list of the best famous Confession poetry. Reading, writing, and enjoying famous Confession poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of confession poems.

Search and read the best famous Confession poems, articles about Confession poems, poetry blogs, or anything else Confession poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Philip Levine | Create an image from this poem

The Negatives

 On March 1, 1958, four deserters from the French Army of North Africa, 
August Rein, Henri Bruette, Jack Dauville, & Thomas Delain, robbed a 
government pay station at Orleansville.
Because of the subsequent confession of Dauville the other three were captured or shot.
Dauville was given his freedom and returned to the land of his birth, the U.
S.
A.
AUGUST REIN: from a last camp near St.
Remy I dig in the soft earth all afternoon, spacing the holes a foot or so from the wall.
Tonight we eat potatoes, tomorrow rice and carrots.
The earth here is like the earth nowhere, ancient with wood rot.
How can anything come forth, I wonder; and the days are all alike, if there is more than one day.
If there is more of this I will not endure.
I have grown so used to being watched I can no longer sleep without my watcher.
The thing I fought against, the dark cape, crimsoned with terror that I so hated comforts me now.
Thomas is dead; insanity, prison, cowardice, or slow inner capitulation has found us all, and all men turn from us, knowing our pain is not theirs or caused by them.
HENRI BRUETTE: from a hospital in Algiers Dear Suzanne: this letter will not reach you because I can't write it; I have no pencil, no paper, only the blunt end of my anger.
My dear, if I had words how could I report the imperfect failure for which I began to die? I might begin by saying that it was for clarity, though I did not find it in terror: dubiously entered each act, unsure of who I was and what I did, touching my face for fear I was another inside my head I played back pictures of my childhood, of my wife even, for it was in her I found myself beaten, safe, and furthest from the present.
It is her face I see now though all I say is meant for you, her face in the slow agony of sexual release.
I cannot see you.
The dark wall ribbed with spittle on which I play my childhood brings me to this bed, mastered by what I was, betrayed by those I trusted.
The one word my mouth must open to is why.
JACK DAUVILLE: from a hotel in Tampa, Florida From Orleansville we drove south until we reached the hills, then east until the road stopped.
I was nervous and couldn't eat.
Thomas took over, told us when to think and when to ****.
We turned north and reached Blida by first dawn and the City by morning, having dumped our weapons beside an empty road.
We were free.
We parted, and to this hour I haven't seen them, except in photographs: the black hair and torn features of Thomas Delain captured a moment before his death on the pages of the world, smeared in the act.
I tortured myself with their betrayal: alone I hurled them into freedom, inner freedom which I can't find nor ever will until they are dead.
In my mind Delain stands against the wall precise in detail, steadied for the betrayal.
"La France C'Est Moi," he cried, but the irony was lost.
Since I returned to the U.
S.
nothing goes well.
I stay up too late, don't sleep, and am losing weight.
Thomas, I say, is dead, but what use telling myself what I won't believe.
The hotel quiets early at night, the aged brace themselves for another sleep, and offshore the sea quickens its pace.
I am suddenly old, caught in a strange country for which no man would die.
THOMAS DELAIN: from a journal found on his person At night wakened by the freight trains boring through the suburbs of Lyon, I watched first light corrode the darkness, disturb what little wildlife was left in the alleys: birds moved from branch to branch, and the dogs leapt at the garbage.
Winter numbed even the hearts of the young who had only their hearts.
We heard the war coming; the long wait was over, and we moved along the crowded roads south not looking for what lost loves fell by the roadsides.
To flee at all cost, that was my youth.
Here in the African night wakened by what I do not know and shivering in the heat, listen as the men fight with sleep.
Loosed from their weapons they cry out, frightened and young, who have never been children.
Once merely to be strong, to live, was moral.
Within these uniforms we accept the evil we were chosen to deliver, and no act human or benign can free us from ourselves.
Wait, sleep, blind soldiers of a blind will, and listen for that old command dreaming of authority.


Written by Robert Browning | Create an image from this poem

The Glove

 (PETER RONSARD _loquitur_.
) ``Heigho!'' yawned one day King Francis, ``Distance all value enhances! ``When a man's busy, why, leisure ``Strikes him as wonderful pleasure: `` 'Faith, and at leisure once is he? ``Straightway he wants to be busy.
``Here we've got peace; and aghast I'm ``Caught thinking war the true pastime.
``Is there a reason in metre? ``Give us your speech, master Peter!'' I who, if mortal dare say so, Ne'er am at loss with my Naso, ``Sire,'' I replied, ``joys prove cloudlets: ``Men are the merest Ixions''--- Here the King whistled aloud, ``Let's ``---Heigho---go look at our lions!'' Such are the sorrowful chances If you talk fine to King Francis.
And so, to the courtyard proceeding, Our company, Francis was leading, Increased by new followers tenfold Before be arrived at the penfold; Lords, ladies, like clouds which bedizen At sunset the western horizon.
And Sir De Lorge pressed 'mid the foremost With the dame he professed to adore most.
Oh, what a face! One by fits eyed Her, and the horrible pitside; For the penfold surrounded a hollow Which led where the eye scarce dared follow, And shelved to the chamber secluded Where Bluebeard, the great lion, brooded.
The King bailed his keeper, an Arab As glossy and black as a scarab,*1 And bade him make sport and at once stir Up and out of his den the old monster.
They opened a hole in the wire-work Across it, and dropped there a firework, And fled: one's heart's beating redoubled; A pause, while the pit's mouth was troubled, The blackness and silence so utter, By the firework's slow sparkling and sputter; Then earth in a sudden contortion Gave out to our gaze her abortion.
Such a brute! Were I friend Clement Marot (Whose experience of nature's but narrow, And whose faculties move in no small mist When he versifies David the Psalmist) I should study that brute to describe you _Illim Juda Leonem de Tribu_.
One's whole blood grew curdling and creepy To see the black mane, vast and heapy, The tail in the air stiff and straining, The wide eyes, nor waxing nor waning, As over the barrier which bounded His platform, and us who surrounded The barrier, they reached and they rested On space that might stand him in best stead: For who knew, he thought, what the amazement, The eruption of clatter and blaze meant, And if, in this minute of wonder, No outlet, 'mid lightning and thunder, Lay broad, and, his shackles all shivered, The lion at last was delivered? Ay, that was the open sky o'erhead! And you saw by the flash on his forehead, By the hope in those eyes wide and steady, He was leagues in the desert already, Driving the flocks up the mountain, Or catlike couched hard by the fountain To waylay the date-gathering negress: So guarded he entrance or egress.
``How he stands!'' quoth the King: ``we may well swear, (``No novice, we've won our spurs elsewhere ``And so can afford the confession,) ``We exercise wholesome discretion ``In keeping aloof from his threshold; ``Once hold you, those jaws want no fresh hold, ``Their first would too pleasantly purloin ``The visitor's brisket or surloin: ``But who's he would prove so fool-hardy? ``Not the best man of Marignan, pardie!'' The sentence no sooner was uttered, Than over the rails a glove flattered, Fell close to the lion, and rested: The dame 'twas, who flung it and jested With life so, De Lorge had been wooing For months past; he sat there pursuing His suit, weighing out with nonchalance Fine speeches like gold from a balance.
Sound the trumpet, no true knight's a tarrier! De Lorge made one leap at the barrier, Walked straight to the glove,---while the lion Neer moved, kept his far-reaching eye on The palm-tree-edged desert-spring's sapphire, And the musky oiled skin of the Kaffir,--- Picked it up, and as calmly retreated, Leaped back where the lady was seated, And full in the face of its owner Flung the glove.
``Your heart's queen, you dethrone her? ``So should I!''---cried the King---``'twas mere vanity, ``Not love, set that task to humanity!'' Lords and ladies alike turned with loathing From such a proved wolf in sheep's clothing.
Not so, I; for I caught an expression In her brow's undisturbed self-possession Amid the Court's scoffing and merriment,--- As if from no pleasing experiment She rose, yet of pain not much heedful So long as the process was needful,--- As if she had tried in a crucible, To what ``speeches like gold'' were reducible, And, finding the finest prove copper, Felt the smoke in her face was but proper; To know what she had _not_ to trust to, Was worth all the ashes and dust too.
She went out 'mid hooting and laughter; Clement Marot stayed; I followed after, And asked, as a grace, what it all meant? If she wished not the rash deed's recalment? ``For I''---so I spoke---``am a poet: ``Human nature,---behoves that I know it!'' She told me, ``Too long had I heard ``Of the deed proved alone by the word: ``For my love---what De Lorge would not dare! ``With my scorn---what De Lorge could compare! ``And the endless descriptions of death ``He would brave when my lip formed a breath, ``I must reckon as braved, or, of course, ``Doubt his word---and moreover, perforce, ``For such gifts as no lady could spurn, ``Must offer my love in return.
``When I looked on your lion, it brought ``All the dangers at once to my thought, ``Encountered by all sorts of men, ``Before he was lodged in his den,--- ``From the poor slave whose club or bare hands ``Dug the trap, set the snare on the sands, ``With no King and no Court to applaud, ``By no shame, should he shrink, overawed, ``Yet to capture the creature made shift, ``That his rude boys might laugh at the gift, ``---To the page who last leaped o'er the fence ``Of the pit, on no greater pretence ``Than to get back the bonnet he dropped, ``Lest his pay for a week should be stopped.
``So, wiser I judged it to make ``One trial what `death for my sake' ``Really meant, while the power was yet mine, ``Than to wait until time should define ``Such a phrase not so simply as I, ``Who took it to mean just `to die.
' ``The blow a glove gives is but weak: ``Does the mark yet discolour my cheek? ``But when the heart suffers a blow, ``Will the pain pass so soon, do you know?'' I looked, as away she was sweeping, And saw a youth eagerly keeping As close as he dared to the doorway.
No doubt that a noble should more weigh His life than befits a plebeian; And yet, had our brute been Nemean--- (I judge by a certain calm fervour The youth stepped with, forward to serve her) ---He'd have scarce thought you did him the worst turn If you whispered ``Friend, what you'd get, first earn!'' And when, shortly after, she carried Her shame from the Court, and they married, To that marriage some happiness, maugre The voice of the Court, I dared augur.
For De Lorge, he made women with men vie, Those in wonder and praise, these in envy; And in short stood so plain a head taller That he wooed and won .
.
.
how do you call her? The beauty, that rose in the sequel To the King's love, who loved her a week well.
And 'twas noticed he never would honour De Lorge (who looked daggers upon her) With the easy commission of stretching His legs in the service, and fetching His wife, from her chamber, those straying Sad gloves she was always mislaying, While the King took the closet to chat in,--- But of course this adventure came pat in.
And never the King told the story, How bringing a glove brought such glory, But the wife smiled---``His nerves are grown firmer: ``Mine he brings now and utters no murmur.
'' _Venienti occurrite morbo!_ With which moral I drop my theorbo.
*1 A beetle.
Written by Jonathan Swift | Create an image from this poem

The Beasts Confession

 To the Priest, on Observing how most Men mistake their own Talents
When beasts could speak (the learned say, 
They still can do so ev'ry day),
It seems, they had religion then,
As much as now we find in men.
It happen'd, when a plague broke out (Which therefore made them more devout), The king of brutes (to make it plain, Of quadrupeds I only mean) By proclamation gave command, That ev'ry subject in the land Should to the priest confess their sins; And thus the pious wolf begins: "Good father, I must own with shame, That often I have been to blame: I must confess, on Friday last, Wretch that I was! I broke my fast: But I defy the basest tongue To prove I did my neighbour wrong; Or ever went to seek my food By rapine, theft, or thirst of blood.
" The ass, approaching next, confess'd That in his heart he lov'd a jest: A wag he was, he needs must own, And could not let a dunce alone: Sometimes his friend he would not spare, And might perhaps be too severe: But yet, the worst that could be said, He was a wit both born and bred; And, if it be a sin or shame, Nature alone must bear the blame: One fault he hath, is sorry for't, His ears are half a foot too short; Which could he to the standard bring, He'd show his face before the King: Then for his voice, there's none disputes That he's the nightingale of brutes.
The swine with contrite heart allow'd, His shape and beauty made him proud: In diet was perhaps too nice, But gluttony was ne'er his vice: In ev'ry turn of life content, And meekly took what fortune sent: Inquire through all the parish round, A better neighbour ne'er was found: His vigilance might some displease; 'Tis true he hated sloth like peas.
The mimic ape began his chatter, How evil tongues his life bespatter: Much of the cens'ring world complain'd, Who said, his gravity was feign'd: Indeed, the strictness of his morals Engag'd him in a hundred quarrels: He saw, and he was griev'd to see't, His zeal was sometimes indiscreet: He found his virtues too severe For our corrupted times to bear: Yet, such a lewd licentious age Might well excuse a Stoic's rage.
The goat advanc'd with decent pace; And first excus'd his youthful face; Forgiveness begg'd that he appear'd ('Twas nature's fault) without a beard.
'Tis true, he was not much inclin'd To fondness for the female kind; Not, as his enemies object, From chance, or natural defect; Not by his frigid constitution, But through a pious resolution; For he had made a holy vow Of chastity as monks do now; Which he resolv'd to keep for ever hence, As strictly too, as doth his Reverence.
Apply the tale, and you shall find, How just it suits with human kind.
Some faults we own: but, can you guess? Why?--virtues carried to excess, Wherewith our vanity endows us, Though neither foe nor friend allows us.
The lawyer swears, you may rely on't, He never squeez'd a needy client; And this he makes his constant rule, For which his brethren call him fool: His conscience always was so nice, He freely gave the poor advice; By which he lost, he may affirm, A hundred fees last Easter term.
While others of the learned robe Would break the patience of a Job; No pleader at the bar could match His diligence and quick dispatch; Ne'er kept a cause, he well may boast, Above a term or two at most.
The cringing knave, who seeks a place Without success, thus tells his case: Why should he longer mince the matter? He fail'd because he could not flatter; He had not learn'd to turn his coat, Nor for a party give his vote: His crime he quickly understood; Too zealous for the nation's good: He found the ministers resent it, Yet could not for his heart repent it.
The chaplain vows he cannot fawn, Though it would raise him to the lawn: He pass'd his hours among his books; You find it in his meagre looks: He might, if he were worldly wise, Preferment get and spare his eyes: But own'd he had a stubborn spirit, That made him trust alone in merit: Would rise by merit to promotion; Alas! a mere chimeric notion.
The doctor, if you will believe him, Confess'd a sin; and God forgive him! Call'd up at midnight, ran to save A blind old beggar from the grave: But see how Satan spreads his snares; He quite forgot to say his prayers.
He cannot help it for his heart Sometimes to act the parson's part: Quotes from the Bible many a sentence, That moves his patients to repentance: And, when his med'cines do no good, Supports their minds with heav'nly food, At which, however well intended, He hears the clergy are offended; And grown so bold behind his back, To call him hypocrite and quack.
In his own church he keeps a seat; Says grace before and after meat; And calls, without affecting airs, His household twice a day to prayers.
He shuns apothecaries' shops; And hates to cram the sick with slops: He scorns to make his art a trade; Nor bribes my lady's fav'rite maid.
Old nurse-keepers would never hire To recommend him to the squire; Which others, whom he will not name, Have often practis'd to their shame.
The statesman tells you with a sneer, His fault is to be too sincere; And, having no sinister ends, Is apt to disoblige his friends.
The nation's good, his master's glory, Without regard to Whig or Tory, Were all the schemes he had in view; Yet he was seconded by few: Though some had spread a hundred lies, 'Twas he defeated the Excise.
'Twas known, though he had borne aspersion, That standing troops were his aversion: His practice was, in ev'ry station, To serve the King, and please the nation.
Though hard to find in ev'ry case The fittest man to fill a place: His promises he ne'er forgot, But took memorials on the spot: His enemies, for want of charity, Said he affected popularity: 'Tis true, the people understood, That all he did was for their good; Their kind affections he has tried; No love is lost on either side.
He came to Court with fortune clear, Which now he runs out ev'ry year: Must, at the rate that he goes on, Inevitably be undone: Oh! if his Majesty would please To give him but a writ of ease, Would grant him licence to retire, As it hath long been his desire, By fair accounts it would be found, He's poorer by ten thousand pound.
He owns, and hopes it is no sin, He ne'er was partial to his kin; He thought it base for men in stations To crowd the Court with their relations; His country was his dearest mother, And ev'ry virtuous man his brother; Through modesty or awkward shame (For which he owns himself to blame), He found the wisest man he could, Without respect to friends or blood; Nor ever acts on private views, When he hath liberty to choose.
The sharper swore he hated play, Except to pass an hour away: And well he might; for, to his cost, By want of skill he always lost; He heard there was a club of cheats, Who had contriv'd a thousand feats; Could change the stock, or cog a die, And thus deceive the sharpest eye: Nor wonder how his fortune sunk, His brothers fleece him when he's drunk.
I own the moral not exact; Besides, the tale is false in fact; And so absurd, that could I raise up From fields Elysian fabling Aesop; I would accuse him to his face For libelling the four-foot race.
Creatures of ev'ry kind but ours Well comprehend their natural pow'rs; While we, whom reason ought to sway, Mistake our talents ev'ry day.
The ass was never known so stupid To act the part of Tray or Cupid; Nor leaps upon his master's lap, There to be strok'd, and fed with pap, As Aesop would the world persuade; He better understands his trade: Nor comes, whene'er his lady whistles; But carries loads, and feeds on thistles.
Our author's meaning, I presume, is A creature bipes et implumis; Wherein the moralist design'd A compliment on human kind: For here he owns, that now and then Beasts may degenerate into men.
Written by Alexander Pushkin | Create an image from this poem

Confession (to Alina Osipova 1826)

 I love you - though it makes me beat,
Though vain it seems, and melancholy -
Yet to this shameless, hapless folly
I'll be confessing at your feet.
It ill becomes me: that I'm older, Time I should be more sensible.
.
.
And yet the frivolous disorder Fills every jitter of my soul.
Say you'll be gone - I'm jaded, yawning; You're back - I'm sad, I suffer through - Yet how can I be clear, from owning, My angel, all my care for you! When off the stairs your weightless footfall, Your dress's rustle, reaches me, Your voice, as maidenly, as youthful - I lose my senses instantly.
You smile at me - I'm glad, immensely; Ignore me - and I'm sad, again; Your pallid hand will recompense me For the whole day of utter pain.
When you're embroidering, or setting Your eye on something fair, or letting Your hair amuse you - I'm beguiled; In silence, reddening, all forgetting I watch you like a spellbound child.
But then how wretched my existence, How desolate my jealous pain, When you set out into the distance To wander in the cold and rain; And then your solitary grievings, Or, in the corner, twosome talks, Or twosome piano in the evenings, Or twosome trips, or twosome walks.
.
.
Alina! just a little mercy - I dare not even mention love: For sins I have been guilty of, My angel, of your care unworthy.
.
.
But feign it! All can be achieved By that absorbing gaze, believe me.
.
.
Oh, it takes little to deceive me - I cannot wait to be deceived! (tr.
by Genia Gurarie, 10.
95 - 4.
99) Copyright retained by Genia Gurarie.
email: egurarie@princeton.
edu http://www.
princeton.
edu/~egurarie/ For permission to reproduce, write personally to the translator.
Written by Vladimir Mayakovsky | Create an image from this poem

To All and Everything

 No.
It can’t be.
No! You too, beloved? Why? What for? Darling, look - I came, I brought flowers, but, but.
.
.
I never took silver spoons from your drawer! Ashen-faced, I staggered down five flights of stairs.
The street eddied round me.
Blasts.
Blares.
Tires screeched.
It was gusty.
The wind stung my cheeks.
Horn mounted horn lustfully.
Above the capital’s madness I raised my face, stern as the faces of ancient icons.
Sorrow-rent, on your body as on a death-bed, its days my heart ended.
You did not sully your hands with brute murder.
Instead, you let drop calmly: “He’s in bed.
There’s fruit and wine On the bedstand’s palm.
” Love! You only existed in my inflamed brain.
Enough! Stop this foolish comedy and take notice: I’m ripping off my toy armour, I, the greatest of all Don Quixotes! Remember? Weighed down by the cross, Christ stopped for a moment, weary.
Watching him, the mob yelled, jeering: “Get movin’, you clod!” That’s right! Be spiteful.
Spit upon him who begs for a rest on his day of days, harry and curse him.
To the army of zealots, doomed to do good, man shows no mercy! That does it! I swear by my pagan strength - gimme a girl, young, eye-filling, and I won’t waste my feelings on her.
I'll rape her and spear her heart with a gibe willingly.
An eye for an eye! A thousand times over reap of revenge the crops' Never stop! Petrify, stun, howl into every ear: “The earth is a convict, hear, his head half shaved by the sun!” An eye for an eye! Kill me, bury me - I’ll dig myself out, the knives of my teeth by stone — no wonder!- made sharper, A snarling dog, under the plank-beds of barracks I’ll crawl, sneaking out to bite feet that smell of sweat and of market stalls! You'll leap from bed in the night’s early hours.
“Moo!” I’ll roar.
Over my neck, a yoke-savaged sore, tornados of flies will rise.
I'm a white bull over the earth towering! Into an elk I’ll turn, my horns-branches entangled in wires, my eyes red with blood.
Above the world, a beast brought to bay, I'll stand tirelessly.
Man can’t escape! Filthy and humble, a prayer mumbling, on cold stone he lies.
What I’ll do is paint on the royal gates, over God’s own the face of Razin.
Dry up, rivers, stop him from quenching his thirst! Scorn him! Don’t waste your rays, sun! Glare! Let thousands of my disciples be born to trumpet anathemas on the squares! And when at last there comes, stepping onto the peaks of the ages, chillingly, the last of their days, in the black souls of anarchists and killers I, a gory vision, will blaze! It’s dawning, The sky’s mouth stretches out more and more, it drinks up the night sip by sip, thirstily.
The windows send off a glow.
Through the panes heat pours.
The sun, viscous, streams down onto the sleeping city.
O sacred vengeance! Lead me again above the dust without and up the steps of my poetic lines.
This heart of mine, full to the brim, in a confession I will pour out.
Men of the future! Who are you? I must know.
Please! Here am I, all bruises and aches, pain-scorched.
.
.
To you of my great soul I bequeath the orchard.


Written by Billy Collins | Create an image from this poem

Introduction To Poetry

 I ask them to take a poem
and hold it up to the light 
like a color slide

or press an ear against its hive.
I say drop a mouse into a poem and watch him probe his way out, or walk inside the poem's room and feel the walls for a light switch.
I want them to waterski across the surface of a poem waving at the author's name on the shore.
But all they want to do is tie the poem to a chair with rope and torture a confession out of it.
They begin beating it with a hose to find out what it really means.
Written by Helen Hunt Jackson | Create an image from this poem

New Years Morning

 Only a night from old to new! 
Only a night, and so much wrought! 
The Old Year's heart all weary grew, 
But said: The New Year rest has brought.
" The Old Year's hopes its heart laid down, As in a grave; but trusting, said: "The blossoms of the New Year's crown Bloom from the ashes of the dead.
" The Old Year's heart was full of greed; With selfishness it longed and ached, And cried: "I have not half I need.
My thirst is bitter and unslaked.
But to the New Year's generous hand All gifts in plenty shall return; True love it shall understand; By all y failures it shall learn.
I have been reckless; it shall be Quiet and calm and pure of life.
I was a slave; it shall go free, And find sweet pace where I leave strife.
" Only a night from old to new! Never a night such changes brought.
The Old Year had its work to do; No New Year miracles are wrought.
Always a night from old to new! Night and the healing balm of sleep! Each morn is New Year's morn come true, Morn of a festival to keep.
All nights are sacred nights to make Confession and resolve and prayer; All days are sacred days to wake New gladness in the sunny air.
Only a night from old to new; Only a sleep from night to morn.
The new is but the old coem true; Each sunrise sees a new year born.
Written by Andrew Hudgins | Create an image from this poem

Praying Drunk

 Our Father who art in heaven, I am drunk.
Again.
Red wine.
For which I offer thanks.
I ought to start with praise, but praise comes hard to me.
I stutter.
Did I tell you about the woman, whom I taught, in bed, this prayer? It starts with praise; the simple form keeps things in order.
I hear from her sometimes.
Do you? And after love, when I was hungry, I said, Make me something to eat.
She yelled, Poof! You're a casserole! - and laughed so hard she fell out of bed.
Take care of her.
Next, confession - the dreary part.
At night deer drift from the dark woods and eat my garden.
They're like enormous rats on stilts except, of course, they're beautiful.
But why? What makes them beautiful? I haven't shot one yet.
I might.
When I was twelve I'd ride my bike out to the dump and shoot the rats.
It's hard to kill your rats, our Father.
You have to use a hollow point and hit them solidly.
A leg is not enough.
The rat won't pause.
Yeep! Yeep! it screams, and scrabbles, three-legged, back into the trash, and I would feel a little bad to kill something that wants to live more savagely than I do, even if it's just a rat.
My garden's vanishing.
Perhaps I'll plant more beans, though that might mean more beautiful and hungry deer.
Who knows? I'm sorry for the times I've driven home past a black, enormous, twilight ridge.
Crested with mist it looked like a giant wave about to break and sweep across the valley, and in my loneliness and fear I've thought, O let it come and wash the whole world clean.
Forgive me.
This is my favorite sin: despair- whose love I celebrate with wine and prayer.
Our Father, thank you for all the birds and trees, that nature stuff.
I'm grateful for good health, food, air, some laughs, and all the other things I've never had to do without.
I have confused myself.
I'm glad there's not a rattrap large enough for deer.
While at the zoo last week, I sat and wept when I saw one elephant insert his trunk into another's ass, pull out a lump, and whip it back and forth impatiently to free the goodies hidden in the lump.
I could have let it mean most anything, but I was stunned again at just how little we ask for in our lives.
Don't look! Don't look! Two young nuns tried to herd their giggling schoolkids away.
Line up, they called, Let's go and watch the monkeys in the monkey house.
I laughed and got a dirty look.
Dear Lord, we lurch from metaphor to metaphor, which is -let it be so- a form of praying.
I'm usually asleep by now -the time for supplication.
Requests.
As if I'd stayed up late and called the radio and asked they play a sentimental song.
Embarrassed.
I want a lot of money and a woman.
And, also, I want vanishing cream.
You know- a character like Popeye rubs it on and disappears.
Although you see right through him, he's there.
He chuckles, stumbles into things, and smoke that's clearly visible escapes from his invisible pipe.
It make me think, sometimes, of you.
What makes me think of me is the poor jerk who wanders out on air and then looks down.
Below his feet, he sees eternity, and suddenly his shoes no longer work on nothingness, and down he goes.
As I fall past, remember me.
Written by Henry Wadsworth Longfellow | Create an image from this poem

Divina Commedia

 Oft have I seen at some cathedral door 
.
A laborer, pausing in the dust and heat, .
Lay down his burden, and with reverent feet .
Enter, and cross himself, and on the floor .
Kneel to repeat his paternoster o'er; .
Far off the noises of the world retreat; .
The loud vociferations of the street .
Become an undistinguishable roar.
.
So, as I enter here from day to day, .
And leave my burden at this minster gate, .
Kneeling in prayer, and not ashamed to pray, .
The tumult of the time disconsolate .
To inarticulate murmurs dies away, .
While the eternal ages watch and wait.
II.
2.
How strange the sculptures that adorn these towers! .
This crowd of statues, in whose folded sleeves .
Birds build their nests; while canopied with leaves .
Parvis and portal bloom like trellised bowers, .
And the vast minster seems a cross of flowers! .
But fiends and dragons on the gargoyled eaves .
Watch the dead Christ between the living thieves, .
And, underneath, the traitor Judas lowers! .
Ah! from what agonies of heart and brain, .
What exultations trampling on despair, .
What tenderness, what tears, what hate of wrong, .
What passionate outcry of a soul in pain, .
Uprose this poem of the earth and air, .
This medi?val miracle of song! III.
Written December 22, 1865.
3.
I enter, and I see thee in the gloom .
Of the long aisles, O poet saturnine! .
And strive to make my steps keep pace with thine.
.
The air is filled with some unknown perfume; .
The congregation of the dead make room .
For thee to pass; the votive tapers shine; .
Like rooks that haunt Ravenna's groves of pine .
The hovering echoes fly from tomb to tomb.
.
From the confessionals I hear arise .
Rehearsals of forgotten tragedies, .
And lamentations from the crypts below; .
And then a voice celestial that begins .
With the pathetic words, "Although your sins .
As scarlet be," and ends with "as the snow.
" IV.
Written May 5, 1867.
4.
With snow-white veil and garments as of flame, .
She stands before thee, who so long ago .
Filled thy young heart with passion and the woe .
From which thy song and all its splendors came; .
And while with stern rebuke she speaks thy name, .
The ice about thy heart melts as the snow .
On mountain heights, and in swift overflow .
Comes gushing from thy lips in sobs of shame.
.
Thou makest full confession; and a gleam, .
As of the dawn on some dark forest cast, .
Seems on thy lifted forehead to increase; .
Lethe and Euno? -- the remembered dream .
And the forgotten sorrow -- bring at last .
That perfect pardon which is perfect peace.
V.
Written January 16, 1866.
5.
I lift mine eyes, and all the windows blaze .
With forms of Saints and holy men who died, .
Here martyred and hereafter glorified; .
And the great Rose upon its leaves displays .
Christ's Triumph, and the angelic roundelays, .
With splendor upon splendor multiplied; .
And Beatrice again at Dante's side .
No more rebukes, but smiles her words of praise.
.
And then the organ sounds, and unseen choirs .
Sing the old Latin hymns of peace and love .
And benedictions of the Holy Ghost; .
And the melodious bells among the spires .
O'er all the house-tops and through heaven above .
Proclaim the elevation of the Host! VI.
Written March 7, 1866.
6.
O star of morning and of liberty! .
O bringer of the light, whose splendor shines .
Above the darkness of the Apennines, .
Forerunner of the day that is to be! .
The voices of the city and the sea, .
The voices of the mountains and the pines, .
Repeat thy song, till the familiar lines .
Are footpaths for the thought of Italy! .
Thy fame is blown abroad from all the heights, .
Through all the nations, and a sound is heard, .
As of a mighty wind, and men devout, .
Strangers of Rome, and the new proselytes, .
In their own language hear thy wondrous word, .
And many are amazed and many doubt.
Written by Robert Browning | Create an image from this poem

Aix In Provence

 Christ God who savest man, save most
Of men Count Gismond who saved me!
Count Gauthier, when he chose his post,
Chose time and place and company
To suit it; when he struck at length
My honour, 'twas with all his strength.
II.
And doubtlessly ere he could draw All points to one, he must have schemed! That miserable morning saw Few half so happy as I seemed, While being dressed in queen's array To give our tourney prize away.
III.
I thought they loved me, did me grace To please themselves; 'twas all their deed; God makes, or fair or foul, our face; If showing mine so caused to bleed My cousins' hearts, they should have dropped A word, and straight the play had stopped.
IV.
They, too, so beauteous! Each a queen By virtue of her brow and breast; Not needing to be crowned, I mean, As I do.
E'en when I was dressed, Had either of them spoke, instead Of glancing sideways with still head! V.
But no: they let me laugh, and sing My birthday song quite through, adjust The last rose in my garland, fling A last look on the mirror, trust My arms to each an arm of theirs, And so descend the castle-stairs--- VI.
And come out on the morning-troop Of merry friends who kissed my cheek, And called me queen, and made me stoop Under the canopy---(a streak That pierced it, of the outside sun, Powdered with gold its gloom's soft dun)--- VII.
And they could let me take my state And foolish throne amid applause Of all come there to celebrate My queen's-day---Oh I think the cause Of much was, they forgot no crowd Makes up for parents in their shroud! VIII.
However that be, all eyes were bent Upon me, when my cousins cast Theirs down; 'twas time I should present The victor's crown, but .
.
.
there, 'twill last No long time .
.
.
the old mist again Blinds me as then it did.
How vain! IX, See! Gismond's at the gate, in talk With his two boys: I can proceed.
Well, at that moment, who should stalk Forth boldly---to my face, indeed--- But Gauthier, and he thundered ``Stay!'' And all stayed.
``Bring no crowns, I say! X.
``Bring torches! Wind the penance-sheet ``About her! Let her shun the chaste, ``Or lay herself before their feet! ``Shall she whose body I embraced ``A night long, queen it in the day? ``For honour's sake no crowns, I say!'' XI.
I? What I answered? As I live, I never fancied such a thing As answer possible to give.
What says the body when they spring Some monstrous torture-engine's whole Strength on it? No more says the soul.
XII.
Till out strode Gismond; then I knew That I was saved.
I never met His face before, but, at first view, I felt quite sure that God had set Himself to Satan; who would spend A minute's mistrust on the end? XIII.
He strode to Gauthier, in his throat Gave him the lie, then struck his mouth With one back-handed blow that wrote In blood men's verdict there.
North, South, East, West, I looked.
The lie was dead, And damned, and truth stood up instead.
XIV.
This glads me most, that I enjoyed The heart of the joy, with my content In watching Gismond unalloyed By any doubt of the event: God took that on him---I was bid Watch Gismond for my part: I did.
XV.
Did I not watch him while he let His armourer just brace his greaves, Rivet his hauberk, on the fret The while! His foot .
.
.
my memory leaves No least stamp out, nor how anon He pulled his ringing gauntlets on.
XVI.
And e'en before the trumpet's sound Was finished, prone lay the false knight, Prone as his lie, upon the ground: Gismond flew at him, used no sleight O' the sword, but open-breasted drove, Cleaving till out the truth he clove.
XVII.
Which done, he dragged him to my feet And said ``Here die, but end thy breath ``In full confession, lest thou fleet ``From my first, to God's second death! ``Say, hast thou lied?'' And, ``I have lied ``To God and her,'' he said, and died.
XVIII.
Then Gismond, kneeling to me, asked ---What safe my heart holds, though no word Could I repeat now, if I tasked My powers forever, to a third Dear even as you are.
Pass the rest Until I sank upon his breast.
XIX.
Over my head his arm he flung Against the world; and scarce I felt His sword (that dripped by me and swung) A little shifted in its belt: For he began to say the while How South our home lay many a mile.
XX.
So 'mid the shouting multitude We two walked forth to never more Return.
My cousins have pursued Their life, untroubled as before I vexed them.
Gauthier's dwelling-place God lighten! May his soul find grace! XXI.
Our elder boy has got the clear Great brow; tho' when his brother's black Full eye slows scorn, it .
.
.
Gismond here? And have you brought my tercel*1 back? I just was telling Adela How many birds it struck since May.
*1 A male of the peregrine falcon.

Book: Radiant Verses: A Journey Through Inspiring Poetry