Written by
Henry Wadsworth Longfellow |
Downward through the evening twilight,
In the days that are forgotten,
In the unremembered ages,
From the full moon fell Nokomis,
Fell the beautiful Nokomis,
She a wife, but not a mother.
She was sporting with her women,
Swinging in a swing of grape-vines,
When her rival the rejected,
Full of jealousy and hatred,
Cut the leafy swing asunder,
Cut in twain the twisted grape-vines,
And Nokomis fell affrighted
Downward through the evening twilight,
On the Muskoday, the meadow,
On the prairie full of blossoms.
"See! a star falls!" said the people;
"From the sky a star is falling!"
There among the ferns and mosses,
There among the prairie lilies,
On the Muskoday, the meadow,
In the moonlight and the starlight,
Fair Nokomis bore a daughter.
And she called her name Wenonah,
As the first-born of her daughters.
And the daughter of Nokomis
Grew up like the prairie lilies,
Grew a tall and slender maiden,
With the beauty of the moonlight,
With the beauty of the starlight.
And Nokomis warned her often,
Saying oft, and oft repeating,
"Oh, beware of Mudjekeewis,
Of the West-Wind, Mudjekeewis;
Listen not to what he tells you;
Lie not down upon the meadow,
Stoop not down among the lilies,
Lest the West-Wind come and harm you!"
But she heeded not the warning,
Heeded not those words of wisdom,
And the West-Wind came at evening,
Walking lightly o'er the prairie,
Whispering to the leaves and blossoms,
Bending low the flowers and grasses,
Found the beautiful Wenonah,
Lying there among the lilies,
Wooed her with his words of sweetness,
Wooed her with his soft caresses,
Till she bore a son in sorrow,
Bore a son of love and sorrow.
Thus was born my Hiawatha,
Thus was born the child of wonder;
But the daughter of Nokomis,
Hiawatha's gentle mother,
In her anguish died deserted
By the West-Wind, false and faithless,
By the heartless Mudjekeewis.
For her daughter long and loudly
Wailed and wept the sad Nokomis;
"Oh that I were dead!" she murmured,
"Oh that I were dead, as thou art!
No more work, and no more weeping,
Wahonowin! Wahonowin!"
By the shores of Gitche Gumee,
By the shining Big-Sea-Water,
Stood the wigwam of Nokomis,
Daughter of the Moon, Nokomis.
Dark behind it rose the forest,
Rose the black and gloomy pine-trees,
Rose the firs with cones upon them;
Bright before it beat the water,
Beat the clear and sunny water,
Beat the shining Big-Sea-Water.
There the wrinkled old Nokomis
Nursed the little Hiawatha,
Rocked him in his linden cradle,
Bedded soft in moss and rushes,
Safely bound with reindeer sinews;
Stilled his fretful wail by saying,
"Hush! the Naked Bear will hear thee!"
Lulled him into slumber, singing,
"Ewa-yea! my little owlet!
Who is this, that lights the wigwam?
With his great eyes lights the wigwam?
Ewa-yea! my little owlet!"
Many things Nokomis taught him
Of the stars that shine in heaven;
Showed him Ishkoodah, the comet,
Ishkoodah, with fiery tresses;
Showed the Death-Dance of the spirits,
Warriors with their plumes and war-clubs,
Flaring far away to northward
In the frosty nights of Winter;
Showed the broad white road in heaven,
Pathway of the ghosts, the shadows,
Running straight across the heavens,
Crowded with the ghosts, the shadows.
At the door on summer evenings
Sat the little Hiawatha;
Heard the whispering of the pine-trees,
Heard the lapping of the waters,
Sounds of music, words of wonder;
'Minne-wawa!" said the Pine-trees,
Mudway-aushka!" said the water.
Saw the fire-fly, Wah-wah-taysee,
Flitting through the dusk of evening,
With the twinkle of its candle
Lighting up the brakes and bushes,
And he sang the song of children,
Sang the song Nokomis taught him:
"Wah-wah-taysee, little fire-fly,
Little, flitting, white-fire insect,
Little, dancing, white-fire creature,
Light me with your little candle,
Ere upon my bed I lay me,
Ere in sleep I close my eyelids!"
Saw the moon rise from the water
Rippling, rounding from the water,
Saw the flecks and shadows on it,
Whispered, "What is that, Nokomis?"
And the good Nokomis answered:
"Once a warrior, very angry,
Seized his grandmother, and threw her
Up into the sky at midnight;
Right against the moon he threw her;
'T is her body that you see there.
"
Saw the rainbow in the heaven,
In the eastern sky, the rainbow,
Whispered, "What is that, Nokomis?"
And the good Nokomis answered:
"'T is the heaven of flowers you see there;
All the wild-flowers of the forest,
All the lilies of the prairie,
When on earth they fade and perish,
Blossom in that heaven above us.
"
When he heard the owls at midnight,
Hooting, laughing in the forest,
'What is that?" he cried in terror,
"What is that," he said, "Nokomis?"
And the good Nokomis answered:
"That is but the owl and owlet,
Talking in their native language,
Talking, scolding at each other.
"
Then the little Hiawatha
Learned of every bird its language,
Learned their names and all their secrets,
How they built their nests in Summer,
Where they hid themselves in Winter,
Talked with them whene'er he met them,
Called them "Hiawatha's Chickens.
"
Of all beasts he learned the language,
Learned their names and all their secrets,
How the beavers built their lodges,
Where the squirrels hid their acorns,
How the reindeer ran so swiftly,
Why the rabbit was so timid,
Talked with them whene'er he met them,
Called them "Hiawatha's Brothers.
"
Then Iagoo, the great boaster,
He the marvellous story-teller,
He the traveller and the talker,
He the friend of old Nokomis,
Made a bow for Hiawatha;
From a branch of ash he made it,
From an oak-bough made the arrows,
Tipped with flint, and winged with feathers,
And the cord he made of deer-skin.
Then he said to Hiawatha:
"Go, my son, into the forest,
Where the red deer herd together,
Kill for us a famous roebuck,
Kill for us a deer with antlers!"
Forth into the forest straightway
All alone walked Hiawatha
Proudly, with his bow and arrows;
And the birds sang round him, o'er him,
"Do not shoot us, Hiawatha!"
Sang the robin, the Opechee,
Sang the bluebird, the Owaissa,
"Do not shoot us, Hiawatha!"
Up the oak-tree, close beside him,
Sprang the squirrel, Adjidaumo,
In and out among the branches,
Coughed and chattered from the oak-tree,
Laughed, and said between his laughing,
"Do not shoot me, Hiawatha!"
And the rabbit from his pathway
Leaped aside, and at a distance
Sat erect upon his haunches,
Half in fear and half in frolic,
Saying to the little hunter,
"Do not shoot me, Hiawatha!"
But he heeded not, nor heard them,
For his thoughts were with the red deer;
On their tracks his eyes were fastened,
Leading downward to the river,
To the ford across the river,
And as one in slumber walked he.
Hidden in the alder-bushes,
There he waited till the deer came,
Till he saw two antlers lifted,
Saw two eyes look from the thicket,
Saw two nostrils point to windward,
And a deer came down the pathway,
Flecked with leafy light and shadow.
And his heart within him fluttered,
Trembled like the leaves above him,
Like the birch-leaf palpitated,
As the deer came down the pathway.
Then, upon one knee uprising,
Hiawatha aimed an arrow;
Scarce a twig moved with his motion,
Scarce a leaf was stirred or rustled,
But the wary roebuck started,
Stamped with all his hoofs together,
Listened with one foot uplifted,
Leaped as if to meet the arrow;
Ah! the singing, fatal arrow,
Like a wasp it buzzed and stung him!
Dead he lay there in the forest,
By the ford across the river;
Beat his timid heart no longer,
But the heart of Hiawatha
Throbbed and shouted and exulted,
As he bore the red deer homeward,
And Iagoo and Nokomis
Hailed his coming with applauses.
From the red deer's hide Nokomis
Made a cloak for Hiawatha,
From the red deer's flesh Nokomis
Made a banquet to his honor.
All the village came and feasted,
All the guests praised Hiawatha,
Called him Strong-Heart, Soan-ge-taha!
Called him Loon-Heart, Mahn-go-taysee!
|
Written by
William Topaz McGonagall |
Edward Teach was a native of Bristol, and sailed from that port
On board a privateer, in search of sport,
As one of the crew, during the French War in that station,
And for personal courage he soon gained his Captain's approbation.
'Twas in the spring of 1717, Captajn Harnigold and Teach sailed from Providence
For the continent of America, and no further hence;
And in their way captured a vessel laden with flour,
Which they put on board their own vessels in the space of an hour.
They also seized two other vessels snd took some gallons of wine,
Besides plunder to a considerable value, and most of it most costly design;
And after that they made a prize of a large French Guinea-man,
Then to act an independent part Teach now began.
But the news spread throughout America, far and near,
And filled many of the inhabitants' hearts with fear;
But Lieutenant Maynard with his sloops of war directly steered,
And left James River on the 17th November in quest of Black Beard,
And on the evening of the 21st came in sight of the pirate;
And when Black Beard spied his sloops he felt elate.
When he saw the sloops sent to apprehend him,
He didn't lose his courage, but fiendishly did grin;
And told his men to cease from drinking and their tittle-tattle,
Although he had only twenty men on board, and prepare for battle.
In case anything should happen to him during the engagement,
One of his men asked him, who felt rather discontent,
Whether his wife knew where he had buried his pelf,
When he impiously replied that nobody knew but the devil and himself.
In the Morning Maynard weighed and sent his boat to sound,
Which, coming near the pirate, unfortunately ran aground;
But Maynard lightened his vessel of the ballast and water,
Whilst from the pirates' ship small shot loudly did clatter.
But the pirates' small shot or slugs didn't Maynard appal,
He told his men to take their cutlasses and be ready upon his call;
And to conceal themselves every man below,
While he would remain at the helm and face the foe.
Then Black Beard cried, "They're all knocked on the head,"
When he saw no hand upon deck he thought they were dead;
Then Black Beard boarded Maynard'a sloop without dismay,
But Maynard's men rushed upon deck, then began the deadly fray.
Then Black Beard and Maynard engaged sword in hand,
And the pirate fought manfully and made a bold stand;
And Maynard with twelve men, and Black Beard with fourteen,
Made the most desperate and bloody conflict that ever was seen.
At last with shots and wounds the pirate fell down dead,
Then from his body Maynard severed the pirate's head,
And suspended it upon his bowsprit-end,
And thanked God Who so mercifully did him defend.
Black Beard derived his name from his long black beard,
Which terrified America more than any comet that had ever appeared;
But, thanks be to God, in this age we need not be afeared,
Of any such pirates as the inhuman Black Beard.
|
Written by
Ralph Waldo Emerson |
'Twas the night before Christmas, when all thro' the house,
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hopes that St.
Nicholas soon would be there;
The children were nestled all snug in their beds,
While visions of sugar plums danc'd in their heads,
And Mama in her 'kerchief, and I in my cap,
Had just settled our brains for a long winter's nap—
When out on the lawn there arose such a clatter,
I sprang from the bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters, and threw up the sash.
The moon on the breast of the new fallen snow,
Gave the lustre of mid-day to objects below;
When, what to my wondering eyes should appear,
But a miniature sleigh, and eight tiny rein-deer,
With a little old driver, so lively and quick,
I knew in a moment it must be St.
Nick.
More rapid than eagles his coursers they came,
And he whistled, and shouted, and call'd them by name:
"Now! Dasher, now! Dancer, now! Prancer, and Vixen,
"On! Comet, on! Cupid, on! Dunder and Blixem1;
"To the top of the porch! to the top of the wall!
"Now dash away! dash away! dash away all!"
As dry leaves before the wild hurricane fly,
When they meet with an obstacle, mount to the sky;
So up to the house-top the coursers they flew,
With the sleigh full of Toys—and St.
Nicholas too:
And then in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my head, and was turning around,
Down the chimney St.
Nicholas came with a bound:
He was dress'd all in fur, from his head to his foot,
And his clothes were all tarnish'd with ashes and soot;
A bundle of toys was flung on his back,
And he look'd like a peddler just opening his pack:
His eyes—how they twinkled! his dimples how merry,
His cheeks were like roses, his nose like a cherry;
His droll little mouth was drawn up like a bow.
And the beard of his chin was as white as the snow;
The stump of a pipe he held tight in his teeth,
And the smoke it encircled his head like a wreath.
He had a broad face, and a little round belly
That shook when he laugh'd, like a bowl full of jelly:
He was chubby and plump, a right jolly old elf,
And I laugh'd when I saw him in spite of myself;
A wink of his eye and a twist of his head
Soon gave me to know I had nothing to dread.
He spoke not a word, but went straight to his work,
And fill'd all the stockings; then turn'd with a jerk,
And laying his finger aside of his nose
And giving a nod, up the chimney he rose.
He sprung to his sleigh, to his team gave a whistle,
And away they all flew, like the down of a thistle:
But I heard him exclaim, ere he drove out of sight—
Happy Christmas to all, and to all a good night.
NOTES:
In the year 2000, Don Foster, an English professor at Vassar College
in Poughkeepsie, New York, used external and internal evidence to show
that Clement Clarke Moore could not have been the author of this poem,
but that it was probably the work of Livingston, and that Moore had
written another, and almost forgotten, Christmas piece, "Old
Santeclaus.
" Foster's analysis of this deception appears in his Author
Unknown: On the Trail of Anonymous (New York: Henry Holt, 2000):
221-75.
22.
1Later revised to "Donder and Blitzen" by Clement Clarke
Moore when he took credit for the poem in Poems (New York: Bartlett
and Welford, 1844).
Source:
http://www.
library.
utoronto.
ca/utel/rp/poems/livingston1.
html
|
Written by
John Ashbery |
Orpheus liked the glad personal quality
Of the things beneath the sky.
Of course, Eurydice was a part
Of this.
Then one day, everything changed.
He rends
Rocks into fissures with lament.
Gullies, hummocks
Can't withstand it.
The sky shudders from one horizon
To the other, almost ready to give up wholeness.
Then Apollo quietly told him: "Leave it all on earth.
Your lute, what point? Why pick at a dull pavan few care to
Follow, except a few birds of dusty feather,
Not vivid performances of the past.
" But why not?
All other things must change too.
The seasons are no longer what they once were,
But it is the nature of things to be seen only once,
As they happen along, bumping into other things, getting along
Somehow.
That's where Orpheus made his mistake.
Of course Eurydice vanished into the shade;
She would have even if he hadn't turned around.
No use standing there like a gray stone toga as the whole wheel
Of recorded history flashes past, struck dumb, unable to
utter an intelligent
Comment on the most thought-provoking element in its train.
Only love stays on the brain, and something these people,
These other ones, call life.
Singing accurately
So that the notes mount straight up out of the well of
Dim noon and rival the tiny, sparkling yellow flowers
Growing around the brink of the quarry, encapsulizes
The different weights of the things.
But it isn't enough
To just go on singing.
Orpheus realized this
And didn't mind so much about his reward being in heaven
After the Bacchantes had torn him apart, driven
Half out of their minds by his music, what it was doing to them.
Some say it was for his treatment of Eurydice.
But probably the music had more to do with it, and
The way music passes, emblematic
Of life and how you cannot isolate a note of it
And say it is good or bad.
You must
Wait till it's over.
"The end crowns all,"
Meaning also that the "tableau"
Is wrong.
For although memories, of a season, for example,
Melt into a single snapshot, one cannot guard, treasure
That stalled moment.
It too is flowing, fleeting;
It is a picture of flowing, scenery, though living, mortal,
Over which an abstract action is laid out in blunt,
Harsh strokes.
And to ask more than this
Is to become the tossing reeds of that slow,
Powerful stream, the trailing grasses
Playfully tugged at, but to participate in the action
No more than this.
Then in the lowering gentian sky
Electric twitches are faintly apparent first, then burst forth
Into a shower of fixed, cream-colored flares.
The horses
Have each seen a share of the truth, though each thinks,
"I'm a maverick.
Nothing of this is happening to me,
Though I can understand the language of birds, and
The itinerary of the lights caught in the storm is
fully apparent to me.
Their jousting ends in music much
As trees move more easily in the wind after a summer storm
And is happening in lacy shadows of shore-trees, now,
day after day.
"
But how late to be regretting all this, even
Bearing in mind that regrets are always late, too late!
To which Orpheus, a bluish cloud with white contours,
Replies that these are of course not regrets at all,
Merely a careful, scholarly setting down of
Unquestioned facts, a record of pebbles along the way.
And no matter how all this disappeared,
Or got where it was going, it is no longer
Material for a poem.
Its subject
Matters too much, and not enough, standing there helplessly
While the poem streaked by, its tail afire, a bad
Comet screaming hate and disaster, but so turned inward
That the meaning, good or other, can never
Become known.
The singer thinks
Constructively, builds up his chant in progressive stages
Like a skyscraper, but at the last minute turns away.
The song is engulfed in an instant in blackness
Which must in turn flood the whole continent
With blackness, for it cannot see.
The singer
Must then pass out of sight, not even relieved
Of the evil burthen of the words.
Stellification
Is for the few, and comes about much later
When all record of these people and their lives
Has disappeared into libraries, onto microfilm.
A few are still interested in them.
"But what about
So-and-so?" is still asked on occasion.
But they lie
Frozen and out of touch until an arbitrary chorus
Speaks of a totally different incident with a similar name
In whose tale are hidden syllables
Of what happened so long before that
In some small town, one different summer.
|
Written by
Oliver Wendell Holmes |
I love all sights of earth and skies,
From flowers that glow to stars that shine;
The comet and the penny show,
All curious things, above, below,
Hold each in turn my wandering eyes:
I claim the Christian Pagan's line,
Humani nihil, -- even so, --
And is not human life divine?
When soft the western breezes blow,
And strolling youths meet sauntering maids,
I love to watch the stirring trades
Beneath the Vallombrosa shades
Our much-enduring elms bestow;
The vender and his rhetoric's flow,
That lambent stream of liquid lies;
The bait he dangles from his line,
The gudgeon and his gold-washed prize.
I halt before the blazoned sign
That bids me linger to admire
The drama time can never tire,
The little hero of the hunch,
With iron arm and soul of fire,
And will that works his fierce desire, --
Untamed, unscared, unconquered Punch!
My ear a pleasing torture finds
In tones the withered sibyl grinds, --
The dame sans merci's broken strain,
Whom I erewhile, perchance, have known,
When Orleans filled the Bourbon throne,
A siren singing by the Seine.
But most I love the tube that spies
The orbs celestial in their march;
That shows the comet as it whisks
Its tail across the planets' disks,
As if to blind their blood-shot eyes;
Or wheels so close against the sun
We tremble at the thought of risks
Our little spinning ball may run,
To pop like corn that children parch,
From summer something overdone,
And roll, a cinder, through the skies.
Grudge not to-day the scanty fee
To him who farms the firmament,
To whom the Milky Way is free;
Who holds the wondrous crystal key,
The silent Open Sesame
That Science to her sons has lent;
Who takes his toll, and lifts the bar
That shuts the road to sun and star.
If Venus only comes to time,
(And prophets say she must and shall,)
To-day will hear the tinkling chime
Of many a ringing silver dime,
For him whose optic glass supplies
The crowd with astronomic eyes, --
The Galileo of the Mall.
Dimly the transit morning broke;
The sun seemed doubting what to do,
As one who questions how to dress,
And takes his doublets from the press,
And halts between the old and new.
Please Heaven he wear his suit of blue,
Or don, at least, his ragged cloak,
With rents that show the azure through!
I go the patient crowd to join
That round the tube my eyes discern,
The last new-comer of the file,
And wait, and wait, a weary while,
And gape, and stretch, and shrug, and smile,
(For each his place must fairly earn,
Hindmost and foremost, in his turn,)
Till hitching onward, pace by pace,
I gain at last the envied place,
And pay the white exiguous coin:
The sun and I are face to face;
He glares at me, I stare at him;
And lo! my straining eye has found
A little spot that, black and round,
Lies near the crimsoned fire-orb's rim.
O blessed, beauteous evening star,
Well named for her whom earth adores, --
The Lady of the dove-drawn car, --
I know thee in thy white simar;
But veiled in black, a rayless spot,
Blank as a careless scribbler's blot,
Stripped of thy robe of silvery flame, --
The stolen robe that Night restores
When Day has shut his golden doors, --
I see thee, yet I know thee not;
And canst thou call thyself the same?
A black, round spot, -- and that is all;
And such a speck our earth would be
If he who looks upon the stars
Through the red atmosphere of Mars
Could see our little creeping ball
Across the disk of crimson crawl
As I our sister planet see.
And art thou, then, a world like ours,
Flung from the orb that whirled our own
A molten pebble from its zone?
How must thy burning sands absorb
The fire-waves of the blazing orb,
Thy chain so short, thy path so near,
Thy flame-defying creatures hear
The maelstroms of the photosphere!
And is thy bosom decked with flowers
That steal their bloom from scalding showers?
And hast thou cities, domes, and towers,
And life, and love that makes it dear,
And death that fills thy tribes with fear?
Lost in my dream, my spirit soars
Through paths the wandering angels know;
My all-pervading thought explores
The azure ocean's lucent shores;
I leave my mortal self below,
As up the star-lit stairs I climb,
And still the widening view reveals
In endless rounds the circling wheels
That build the horologe of time.
New spheres, new suns, new systems gleam;
The voice no earth-born echo hears
Steals softly on my ravished ears:
I hear them "singing as they shine" --
A mortal's voice dissolves my dream:
My patient neighbor, next in line,
Hints gently there are those who wait.
O guardian of the starry gate,
What coin shall pay this debt of mine?
Too slight thy claim, too small the fee
That bids thee turn the potent key
The Tuscan's hand has placed in thine.
Forgive my own the small affront,
The insult of the proffered dime;
Take it, O friend, since this thy wont,
But still shall faithful memory be
A bankrupt debtor unto thee,
And pay thee with a grateful rhyme.
|