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Best Famous Augusta Poems

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Written by John Dryden | Create an image from this poem

Mac Flecknoe

 All human things are subject to decay,
And, when Fate summons, monarchs must obey:
This Flecknoe found, who, like Augustus, young
Was call'd to empire, and had govern'd long:
In prose and verse, was own'd, without dispute
Through all the realms of Non-sense, absolute.
This aged prince now flourishing in peace, And blest with issue of a large increase, Worn out with business, did at length debate To settle the succession of the State: And pond'ring which of all his sons was fit To reign, and wage immortal war with wit; Cry'd, 'tis resolv'd; for nature pleads that he Should only rule, who most resembles me: Shadwell alone my perfect image bears, Mature in dullness from his tender years.
Shadwell alone, of all my sons, is he Who stands confirm'd in full stupidity.
The rest to some faint meaning make pretence, But Shadwell never deviates into sense.
Some beams of wit on other souls may fall, Strike through and make a lucid interval; But Shadwell's genuine night admits no ray, His rising fogs prevail upon the day: Besides his goodly fabric fills the eye, And seems design'd for thoughtless majesty: Thoughtless as monarch oaks, that shade the plain, And, spread in solemn state, supinely reign.
Heywood and Shirley were but types of thee, Thou last great prophet of tautology: Even I, a dunce of more renown than they, Was sent before but to prepare thy way; And coarsely clad in Norwich drugget came To teach the nations in thy greater name.
My warbling lute, the lute I whilom strung When to King John of Portugal I sung, Was but the prelude to that glorious day, When thou on silver Thames did'st cut thy way, With well tim'd oars before the royal barge, Swell'd with the pride of thy celestial charge; And big with hymn, commander of an host, The like was ne'er in Epsom blankets toss'd.
Methinks I see the new Arion sail, The lute still trembling underneath thy nail.
At thy well sharpen'd thumb from shore to shore The treble squeaks for fear, the basses roar: Echoes from Pissing-Alley, Shadwell call, And Shadwell they resound from Aston Hall.
About thy boat the little fishes throng, As at the morning toast, that floats along.
Sometimes as prince of thy harmonious band Thou wield'st thy papers in thy threshing hand.
St.
Andre's feet ne'er kept more equal time, Not ev'n the feet of thy own Psyche's rhyme: Though they in number as in sense excel; So just, so like tautology they fell, That, pale with envy, Singleton forswore The lute and sword which he in triumph bore And vow'd he ne'er would act Villerius more.
Here stopt the good old sire; and wept for joy In silent raptures of the hopeful boy.
All arguments, but most his plays, persuade, That for anointed dullness he was made.
Close to the walls which fair Augusta bind, (The fair Augusta much to fears inclin'd) An ancient fabric, rais'd t'inform the sight, There stood of yore, and Barbican it hight: A watch tower once; but now, so fate ordains, Of all the pile an empty name remains.
From its old ruins brothel-houses rise, Scenes of lewd loves, and of polluted joys.
Where their vast courts, the mother-strumpets keep, And, undisturb'd by watch, in silence sleep.
Near these a nursery erects its head, Where queens are form'd, and future heroes bred; Where unfledg'd actors learn to laugh and cry, Where infant punks their tender voices try, And little Maximins the gods defy.
Great Fletcher never treads in buskins here, Nor greater Jonson dares in socks appear; But gentle Simkin just reception finds Amidst this monument of vanish'd minds: Pure clinches, the suburbian muse affords; And Panton waging harmless war with words.
Here Flecknoe, as a place to fame well known, Ambitiously design'd his Shadwell's throne.
For ancient Decker prophesi'd long since, That in this pile should reign a mighty prince, Born for a scourge of wit, and flail of sense: To whom true dullness should some Psyches owe, But worlds of Misers from his pen should flow; Humorists and hypocrites it should produce, Whole Raymond families, and tribes of Bruce.
Now Empress Fame had publisht the renown, Of Shadwell's coronation through the town.
Rous'd by report of fame, the nations meet, From near Bun-Hill, and distant Watling-street.
No Persian carpets spread th'imperial way, But scatter'd limbs of mangled poets lay: From dusty shops neglected authors come, Martyrs of pies, and reliques of the bum.
Much Heywood, Shirley, Ogleby there lay, But loads of Shadwell almost chok'd the way.
Bilk'd stationers for yeoman stood prepar'd, And Herringman was Captain of the Guard.
The hoary prince in majesty appear'd, High on a throne of his own labours rear'd.
At his right hand our young Ascanius sat Rome's other hope, and pillar of the state.
His brows thick fogs, instead of glories, grace, And lambent dullness play'd around his face.
As Hannibal did to the altars come, Sworn by his sire a mortal foe to Rome; So Shadwell swore, nor should his vow be vain, That he till death true dullness would maintain; And in his father's right, and realm's defence, Ne'er to have peace with wit, nor truce with sense.
The king himself the sacred unction made, As king by office, and as priest by trade: In his sinister hand, instead of ball, He plac'd a mighty mug of potent ale; Love's kingdom to his right he did convey, At once his sceptre and his rule of sway; Whose righteous lore the prince had practis'd young, And from whose loins recorded Psyche sprung, His temples last with poppies were o'er spread, That nodding seem'd to consecrate his head: Just at that point of time, if fame not lie, On his left hand twelve reverend owls did fly.
So Romulus, 'tis sung, by Tiber's brook, Presage of sway from twice six vultures took.
Th'admiring throng loud acclamations make, And omens of his future empire take.
The sire then shook the honours of his head, And from his brows damps of oblivion shed Full on the filial dullness: long he stood, Repelling from his breast the raging god; At length burst out in this prophetic mood: Heavens bless my son, from Ireland let him reign To far Barbadoes on the Western main; Of his dominion may no end be known, And greater than his father's be his throne.
Beyond love's kingdom let him stretch his pen; He paus'd, and all the people cry'd Amen.
Then thus, continu'd he, my son advance Still in new impudence, new ignorance.
Success let other teach, learn thou from me Pangs without birth, and fruitless industry.
Let Virtuosos in five years be writ; Yet not one thought accuse thy toil of wit.
Let gentle George in triumph tread the stage, Make Dorimant betray, and Loveit rage; Let Cully, Cockwood, Fopling, charm the pit, And in their folly show the writer's wit.
Yet still thy fools shall stand in thy defence, And justify their author's want of sense.
Let 'em be all by thy own model made Of dullness, and desire no foreign aid: That they to future ages may be known, Not copies drawn, but issue of thy own.
Nay let thy men of wit too be the same, All full of thee, and differing but in name; But let no alien Sedley interpose To lard with wit thy hungry Epsom prose.
And when false flowers of rhetoric thou would'st cull, Trust Nature, do not labour to be dull; But write thy best, and top; and in each line, Sir Formal's oratory will be thine.
Sir Formal, though unsought, attends thy quill, And does thy Northern Dedications fill.
Nor let false friends seduce thy mind to fame, By arrogating Jonson's hostile name.
Let Father Flecknoe fire thy mind with praise, And Uncle Ogleby thy envy raise.
Thou art my blood, where Jonson has no part; What share have we in Nature or in Art? Where did his wit on learning fix a brand, And rail at arts he did not understand? Where made he love in Prince Nicander's vein, Or swept the dust in Psyche's humble strain? Where sold he bargains, whip-stitch, kiss my ****, Promis'd a play and dwindled to a farce? When did his muse from Fletcher scenes purloin, As thou whole Eth'ridge dost transfuse to thine? But so transfus'd as oil on waters flow, His always floats above, thine sinks below.
This is thy province, this thy wondrous way, New humours to invent for each new play: This is that boasted bias of thy mind, By which one way, to dullness, 'tis inclin'd, Which makes thy writings lean on one side still, And in all changes that way bends thy will.
Nor let thy mountain belly make pretence Of likeness; thine's a tympany of sense.
A tun of man in thy large bulk is writ, But sure thou 'rt but a kilderkin of wit.
Like mine thy gentle numbers feebly creep, Thy Tragic Muse gives smiles, thy Comic sleep.
With whate'er gall thou sett'st thy self to write, Thy inoffensive satires never bite.
In thy felonious heart, though venom lies, It does but touch thy Irish pen, and dies.
Thy genius calls thee not to purchase fame In keen iambics, but mild anagram: Leave writing plays, and choose for thy command Some peaceful province in acrostic land.
There thou may'st wings display and altars raise, And torture one poor word ten thousand ways.
Or if thou would'st thy diff'rent talents suit, Set thy own songs, and sing them to thy lute.
He said, but his last words were scarcely heard, For Bruce and Longvil had a trap prepar'd, And down they sent the yet declaiming bard.
Sinking he left his drugget robe behind, Born upwards by a subterranean wind.
The mantle fell to the young prophet's part, With double portion of his father's art.


Written by George (Lord) Byron | Create an image from this poem

Epistle To Augusta

 My sister! my sweet sister! if a name
Dearer and purer were, it should be thine;
Mountains and seas divide us, but I claim
No tears, but tenderness to answer mine:
Go where I will, to me thou art the same— 
A loved regret which I would not resign.
There yet are two things in my destiny,— A world to roam through, and a home with thee.
The first were nothing—had I still the last, It were the haven of my happiness; But other claims and other ties thou hast, And mine is not the wish to make them less.
A strange doom is thy father's sons's, and past Recalling, as it lies beyond redress; Reversed for him our grandsire's fate of yore,— He had no rest at sea, nor I on shore.
If my inheritance of storms hath been In other elements, and on the rocks Of perils, overlooked or unforeseen, I have sustained my share of worldly shocks, The fault was mine; nor do I seek to screen My errors with defensive paradox; I have been cunning in mine overthrow, The careful pilot of my proper woe.
Mine were my faults, and mine be their reward, My whole life was a contest, since the day That gave me being, gave me that which marred The gift,—a fate, or will, that walked astray; And I at times have found the struggle hard, And thought of shaking off my bonds of clay: But now I fain would for a time survive, If but to see what next can well arrive.
Kingdoms and empires in my little day I have outlived, and yet I am not old; And when I look on this, the petty spray Of my own years of trouble, which have rolled Like a wild bay of breakers, melts away: Something—I know not what—does still uphold A spirit of slight patience;—not in vain, Even for its own sake, do we purchase pain.
Perhaps the workings of defiance stir Within me,—or perhaps of cold despair, Brought on when ills habitually recur,— Perhaps a kinder clime, or purer air, (For even to this may change of soul refer, And with light armour we may learn to bear,) Have taught me a strange quiet, which was not The chief companion of a calmer lot.
I feel almost at times as I have felt In happy childhood; trees, and flowers, and brooks, Which do remember me of where I dwelt, Ere my young mind was sacrificed to books, Come as of yore upon me, and can melt My heart with recognition of their looks; And even at moments I could think I see Some living thing to love—but none like thee.
Here are the Alpine landscapes which create A fund for contemplation;—to admire Is a brief feeling of a trivial date; But something worthier do such scenes inspire.
Here to be lonely is not desolate, For much I view which I could most desire, And, above all, a lake I can behold Lovelier, not dearer, than our own of old.
Oh that thou wert but with me!—but I grow The fool of my own wishes, and forget The solitude which I have vaunted so Has lost its praise is this but one regret; There may be others which I less may show,— I am not of the plaintive mood, and yet I feel an ebb in my philosophy, And the tide rising in my altered eye.
I did remind thee of our own dear Lake, By the old Hall which may be mine no more.
Leman's is fair; but think not I forsake The sweet remembrance of a dearer shore; Sad havoc Time must with my memory make, Ere that or thou can fade these eyes before; Though, like all things which I have loved, they are Resigned for ever, or divided far.
The world is all before me; I but ask Of Nature that with which she will comply— It is but in her summer's sun to bask, To mingle with the quiet of her sky, To see her gentle face without a mask And never gaze on it with apathy.
She was my early friend, and now shall be My sister—till I look again on thee.
I can reduce all feelings but this one; And that I would not;—for at length I see Such scenes as those wherein my life begun.
The earliest—even the only paths for me— Had I but sooner learnt the crowd to shun, I had been better than I now can be; The passions which have torn me would have slept: I had not suffered, and thou hadst not wept.
With false Ambition what had I to do? Little with Love, and least of all with Fame! And yet they came unsought, and with me grew, And made me all which they can make—a name.
Yet this was not the end I did pursue; Surely I once beheld a nobler aim.
But all is over—I am one the more To baffled millions which have gone before.
And for the future, this world's future may From me demand but little of my care; I have outlived myself by many a day: Having survived so many things that were; My years have been no slumber, but the prey Of ceaseless vigils; for I had the share Of life which might have filled a century, Before its fourth in time had passed me by.
And for the remnant which may be to come, I am content; and for the past I feel Not thankless,—for within the crowded sum Of struggles, happiness at times would steal, And for the present, I would not benumb My feelings farther.
—Nor shall I conceal That with all this I still can look around, And worship Nature with a thought profound.
For thee, my own sweet sister, in thy heart I know myself secure, as thou in mine; We were and are—I am, even as thou art— Beings who ne'er each other can resign; It is the same, together or apart, From life's commencement to its slow decline We are entwined—let death come slow or fast, The tie which bound the first endures the last!
Written by Harold Pinter | Create an image from this poem

The Ventriloquists

 I send my voice into your mouth
You return the compliment

I am the Count of Cannizzaro
You are Her Royal Highness the Princess Augusta

I am the thaumaturgic chain
You hold the opera glass and cards

You become extemporaneous song
I am your tutor

You are my invisible seed
I am Timour the Tartar

You are my curious trick
I your enchanted caddy

I am your confounding doll
You my confounded dummy.
Written by William Butler Yeats | Create an image from this poem

The Municipal Gallery Revisited

 I

Around me the images of thirty years:
An ambush; pilgrims at the water-side;
Casement upon trial, half hidden by the bars,
Guarded; Griffith staring in hysterical pride;
Kevin O'Higgins' countenance that wears
A gentle questioning look that cannot hide
A soul incapable of remorse or rest;
A revolutionary soldier kneeling to be blessed;

 II

An Abbot or Archbishop with an upraised hand
Blessing the Tricolour.
'This is not,' I say, 'The dead Ireland of my youth, but an Ireland The poets have imagined, terrible and gay.
' Before a woman's portrait suddenly I stand, Beautiful and gentle in her Venetian way.
I met her all but fifty years ago For twenty minutes in some studio.
III Heart-smitten with emotion I Sink down, My heart recovering with covered eyes; Wherever I had looked I had looked upon My permanent or impermanent images: Augusta Gregory's son; her sister's son, Hugh Lane, 'onlie begetter' of all these; Hazel Lavery living and dying, that tale As though some ballad-singer had sung it all; IV Mancini's portrait of Augusta Gregory, 'Greatest since Rembrandt,' according to John Synge; A great ebullient portrait certainly; But where is the brush that could show anything Of all that pride and that humility? And I am in despair that time may bring Approved patterns of women or of men But not that selfsame excellence again.
V My mediaeval knees lack health until they bend, But in that woman, in that household where Honour had lived so long, all lacking found.
Childless I thought, 'My children may find here Deep-rooted things,' but never foresaw its end, And now that end has come I have not wept; No fox can foul the lair the badger swept - VI (An image out of Spenser and the common tongue).
John Synge, I and Augusta Gregory, thought All that we did, all that we said or sang Must come from contact with the soil, from that Contact everything Antaeus-like grew strong.
We three alone in modern times had brought Everything down to that sole test again, Dream of the noble and the beggar-man.
VII And here's John Synge himself, that rooted man, 'Forgetting human words,' a grave deep face.
You that would judge me, do not judge alone This book or that, come to this hallowed place Where my friends' portraits hang and look thereon; Ireland's history in their lineaments trace; Think where man's glory most begins and ends, And say my glory was I had such friends.
Written by George (Lord) Byron | Create an image from this poem

Stanzas To Augusta

 When all around grew drear and dark,
And reason half withheld her ray— 
And hope but shed a dying spark
Which more misled my lonely way;

In that deep midnight of the mind,
And that internal strife of heart,
When dreading to be deemed too kind,
The weak despair—the cold depart;

When fortune changed—and love fled far,
And hatred's shafts flew thick and fast,
Thou wert the solitary star
Which rose, and set not to the last.
Oh, blest be thine unbroken light! That watched me as a seraph's eye, And stood between me and the night, For ever shining sweetly nigh.
And when the cloud upon us came, Which strove to blacken o'er thy ray— Then purer spread its gentle flame, And dashed the darkness all away.
Still may thy spirit dwell on mine, And teach it what to brave or brook— There's more in one soft word of thine Than in the world's defied rebuke.
Thou stood'st as stands a lovely tree That, still unbroke though gently bent, Still waves with fond fidelity Its boughs above a monument.
The winds might rend, the skies might pour, But there thou wert—and still wouldst be Devoted in the stormiest hour To shed thy weeping leaves o'er me.
But thou and thine shall know no blight, Whatever fate on me may fall; For heaven in sunshine will requite The kind—and thee the most of all.
Then let the ties of baffled love Be broken—thine will never break; Thy heart can feel—but will not move; Thy soul, though soft, will never shake.
And these, when all was lost beside, Were found, and still are fixed in thee;— And bearing still a breast so tried, Earth is no desert—e'en to me.


Written by William Butler Yeats | Create an image from this poem

Beautiful Lofty Things

 Beautiful lofty things: O'Leary's noble head;
My father upon the Abbey stage, before him a raging crowd:
'This Land of Saints,' and then as the applause died out,
'Of plaster Saints'; his beautiful mischievous head thrown back.
Standish O'Grady supporting himself between the tables Speaking to a drunken audience high nonsensical words; Augusta Gregory seated at her great ormolu table, Her eightieth winter approaching: 'Yesterday he threatened my life.
I told him that nightly from six to seven I sat at this table, The blinds drawn up'; Maud Gonne at Howth station waiting a train, Pallas Athene in that straight back and arrogant head: All the Olympians; a thing never known again.

Book: Reflection on the Important Things