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Best Famous Alarum Poems

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Written by Edgar Allan Poe | Create an image from this poem

The Bells

 I

Hear the sledges with the bells-
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells-
From the jingling and the tinkling of the bells.
II Hear the mellow wedding bells, Golden bells! What a world of happiness their harmony foretells! Through the balmy air of night How they ring out their delight! From the molten-golden notes, And an in tune, What a liquid ditty floats To the turtle-dove that listens, while she gloats On the moon! Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the Future! how it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells, Of the bells, bells, bells,bells, Bells, bells, bells- To the rhyming and the chiming of the bells! III Hear the loud alarum bells- Brazen bells! What a tale of terror, now, their turbulency tells! In the startled ear of night How they scream out their affright! Too much horrified to speak, They can only shriek, shriek, Out of tune, In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire, Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor, Now- now to sit or never, By the side of the pale-faced moon.
Oh, the bells, bells, bells! What a tale their terror tells Of Despair! How they clang, and clash, and roar! What a horror they outpour On the bosom of the palpitating air! Yet the ear it fully knows, By the twanging, And the clanging, How the danger ebbs and flows: Yet the ear distinctly tells, In the jangling, And the wrangling, How the danger sinks and swells, By the sinking or the swelling in the anger of the bells- Of the bells- Of the bells, bells, bells,bells, Bells, bells, bells- In the clamor and the clangor of the bells! IV Hear the tolling of the bells- Iron Bells! What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan.
And the people- ah, the people- They that dwell up in the steeple, All Alone And who, tolling, tolling, tolling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone- They are neither man nor woman- They are neither brute nor human- They are Ghouls: And their king it is who tolls; And he rolls, rolls, rolls, Rolls A paean from the bells! And his merry bosom swells With the paean of the bells! And he dances, and he yells; Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells- Of the bells: Keeping time, time, time, In a sort of Runic rhyme, To the throbbing of the bells- Of the bells, bells, bells- To the sobbing of the bells; Keeping time, time, time, As he knells, knells, knells, In a happy Runic rhyme, To the rolling of the bells- Of the bells, bells, bells: To the tolling of the bells, Of the bells, bells, bells, bells- Bells, bells, bells- To the moaning and the groaning of the bells.


Written by Walt Whitman | Create an image from this poem

To Think of Time

 1
TO think of time—of all that retrospection! 
To think of to-day, and the ages continued henceforward! 

Have you guess’d you yourself would not continue? 
Have you dreaded these earth-beetles? 
Have you fear’d the future would be nothing to you?

Is to-day nothing? Is the beginningless past nothing? 
If the future is nothing, they are just as surely nothing.
To think that the sun rose in the east! that men and women were flexible, real, alive! that everything was alive! To think that you and I did not see, feel, think, nor bear our part! To think that we are now here, and bear our part! 2 Not a day passes—not a minute or second, without an accouchement! Not a day passes—not a minute or second, without a corpse! The dull nights go over, and the dull days also, The soreness of lying so much in bed goes over, The physician, after long putting off, gives the silent and terrible look for an answer, The children come hurried and weeping, and the brothers and sisters are sent for, Medicines stand unused on the shelf—(the camphor-smell has long pervaded the rooms,) The faithful hand of the living does not desert the hand of the dying, The twitching lips press lightly on the forehead of the dying, The breath ceases, and the pulse of the heart ceases, The corpse stretches on the bed, and the living look upon it, It is palpable as the living are palpable.
The living look upon the corpse with their eye-sight, But without eye-sight lingers a different living, and looks curiously on the corpse.
3 To think the thought of Death, merged in the thought of materials! To think that the rivers will flow, and the snow fall, and fruits ripen, and act upon others as upon us now—yet not act upon us! To think of all these wonders of city and country, and others taking great interest in them—and we taking no interest in them! To think how eager we are in building our houses! To think others shall be just as eager, and we quite indifferent! (I see one building the house that serves him a few years, or seventy or eighty years at most, I see one building the house that serves him longer than that.
) Slow-moving and black lines creep over the whole earth—they never cease—they are the burial lines, He that was President was buried, and he that is now President shall surely be buried.
4 A reminiscence of the vulgar fate, A frequent sample of the life and death of workmen, Each after his kind: Cold dash of waves at the ferry-wharf—posh and ice in the river, half-frozen mud in the streets, a gray, discouraged sky overhead, the short, last daylight of Twelfth-month, A hearse and stages—other vehicles give place—the funeral of an old Broadway stage-driver, the cortege mostly drivers.
Steady the trot to the cemetery, duly rattles the death-bell, the gate is pass’d, the new-dug grave is halted at, the living alight, the hearse uncloses, The coffin is pass’d out, lower’d and settled, the whip is laid on the coffin, the earth is swiftly shovel’d in, The mound above is flatted with the spades—silence, A minute—no one moves or speaks—it is done, He is decently put away—is there anything more? He was a good fellow, free-mouth’d, quick-temper’d, not bad-looking, able to take his own part, witty, sensitive to a slight, ready with life or death for a friend, fond of women, gambled, ate hearty, drank hearty, had known what it was to be flush, grew low-spirited toward the last, sicken’d, was help’d by a contribution, died, aged forty-one years—and that was his funeral.
Thumb extended, finger uplifted, apron, cape, gloves, strap, wet-weather clothes, whip carefully chosen, boss, spotter, starter, hostler, somebody loafing on you, you loafing on somebody, headway, man before and man behind, good day’s work, bad day’s work, pet stock, mean stock, first out, last out, turning-in at night; To think that these are so much and so nigh to other drivers—and he there takes no interest in them! 5 The markets, the government, the working-man’s wages—to think what account they are through our nights and days! To think that other working-men will make just as great account of them—yet we make little or no account! The vulgar and the refined—what you call sin, and what you call goodness—to think how wide a difference! To think the difference will still continue to others, yet we lie beyond the difference.
To think how much pleasure there is! Have you pleasure from looking at the sky? have you pleasure from poems? Do you enjoy yourself in the city? or engaged in business? or planning a nomination and election? or with your wife and family? Or with your mother and sisters? or in womanly housework? or the beautiful maternal cares? —These also flow onward to others—you and I flow onward, But in due time, you and I shall take less interest in them.
Your farm, profits, crops,—to think how engross’d you are! To think there will still be farms, profits, crops—yet for you, of what avail? 6 What will be, will be well—for what is, is well, To take interest is well, and not to take interest shall be well.
The sky continues beautiful, The pleasure of men with women shall never be sated, nor the pleasure of women with men, nor the pleasure from poems, The domestic joys, the daily housework or business, the building of houses—these are not phantasms—they have weight, form, location; Farms, profits, crops, markets, wages, government, are none of them phantasms, The difference between sin and goodness is no delusion, The earth is not an echo—man and his life, and all the things of his life, are well-consider’d.
You are not thrown to the winds—you gather certainly and safely around yourself; Yourself! Yourself! Yourself, forever and ever! 7 It is not to diffuse you that you were born of your mother and father—it is to identify you; It is not that you should be undecided, but that you should be decided; Something long preparing and formless is arrived and form’d in you, You are henceforth secure, whatever comes or goes.
The threads that were spun are gather’d, the weft crosses the warp, the pattern is systematic.
The preparations have every one been justified, The orchestra have sufficiently tuned their instruments—the baton has given the signal.
The guest that was coming—he waited long, for reasons—he is now housed, He is one of those who are beautiful and happy—he is one of those that to look upon and be with is enough.
The law of the past cannot be eluded, The law of the present and future cannot be eluded, The law of the living cannot be eluded—it is eternal, The law of promotion and transformation cannot be eluded, The law of heroes and good-doers cannot be eluded, The law of drunkards, informers, mean persons—not one iota thereof can be eluded.
8 Slow moving and black lines go ceaselessly over the earth, Northerner goes carried, and Southerner goes carried, and they on the Atlantic side, and they on the Pacific, and they between, and all through the Mississippi country, and all over the earth.
The great masters and kosmos are well as they go—the heroes and good-doers are well, The known leaders and inventors, and the rich owners and pious and distinguish’d, may be well, But there is more account than that—there is strict account of all.
The interminable hordes of the ignorant and wicked are not nothing, The barbarians of Africa and Asia are not nothing, The common people of Europe are not nothing—the American aborigines are not nothing, The infected in the immigrant hospital are not nothing—the murderer or mean person is not nothing, The perpetual successions of shallow people are not nothing as they go, The lowest prostitute is not nothing—the mocker of religion is not nothing as he goes.
9 Of and in all these things, I have dream’d that we are not to be changed so much, nor the law of us changed, I have dream’d that heroes and good-doers shall be under the present and past law, And that murderers, drunkards, liars, shall be under the present and past law, For I have dream’d that the law they are under now is enough.
If otherwise, all came but to ashes of dung, If maggots and rats ended us, then Alarum! for we are betray’d! Then indeed suspicion of death.
Do you suspect death? If I were to suspect death, I should die now, Do you think I could walk pleasantly and well-suited toward annihilation? 10 Pleasantly and well-suited I walk, Whither I walk I cannot define, but I know it is good, The whole universe indicates that it is good, The past and the present indicate that it is good.
How beautiful and perfect are the animals! How perfect the earth, and the minutest thing upon it! What is called good is perfect, and what is called bad is just as perfect, The vegetables and minerals are all perfect, and the imponderable fluids are perfect; Slowly and surely they have pass’d on to this, and slowly and surely they yet pass on.
11 I swear I think now that everything without exception has an eternal Soul! The trees have, rooted in the ground! the weeds of the sea have! the animals! I swear I think there is nothing but immortality! That the exquisite scheme is for it, and the nebulous float is for it, and the cohering is for it; And all preparation is for it! and identity is for it! and life and materials are altogether for it
Written by John Keats | Create an image from this poem

Epistle To My Brother George

 Full many a dreary hour have I past,
My brain bewildered, and my mind o'ercast
With heaviness; in seasons when I've thought
No spherey strains by me could e'er be caught
From the blue dome, though I to dimness gaze
On the far depth where sheeted lightning plays;
Or, on the wavy grass outstretched supinely,
Pry 'mong the stars, to strive to think divinely:
That I should never hear Apollo's song,
Though feathery clouds were floating all along
The purple west, and, two bright streaks between,
The golden lyre itself were dimly seen:
That the still murmur of the honey bee
Would never teach a rural song to me:
That the bright glance from beauty's eyelids slanting
Would never make a lay of mine enchanting,
Or warm my breast with ardour to unfold
Some tale of love and arms in time of old.
But there are times, when those that love the bay, Fly from all sorrowing far, far away; A sudden glow comes on them, nought they see In water, earth, or air, but poesy.
It has been said, dear George, and true I hold it, (For knightly Spenser to Libertas told it,) That when a Poet is in such a trance, In air her sees white coursers paw, and prance, Bestridden of gay knights, in gay apparel, Who at each other tilt in playful quarrel, And what we, ignorantly, sheet-lightning call, Is the swift opening of their wide portal, When the bright warder blows his trumpet clear, Whose tones reach nought on earth but Poet's ear.
When these enchanted portals open wide, And through the light the horsemen swiftly glide, The Poet's eye can reach those golden halls, And view the glory of their festivals: Their ladies fair, that in the distance seem Fit for the silv'ring of a seraph's dream; Their rich brimmed goblets, that incessant run Like the bright spots that move about the sun; And, when upheld, the wine from each bright jar Pours with the lustre of a falling star.
Yet further off, are dimly seen their bowers, Of which, no mortal eye can reach the flowers; And 'tis right just, for well Apollo knows 'Twould make the Poet quarrel with the rose.
All that's revealed from that far seat of blisses Is the clear fountains' interchanging kisses, As gracefully descending, light and thin, Like silver streaks across a dolphin's fin, When he upswimmeth from the coral caves, And sports with half his tail above the waves.
These wonders strange he sees, and many more, Whose head is pregnant with poetic lore.
Should he upon an evening ramble fare With forehead to the soothing breezes bare, Would he nought see but the dark, silent blue With all its diamonds trembling through and through? Or the coy moon, when in the waviness Of whitest clouds she does her beauty dress, And staidly paces higher up, and higher, Like a sweet nun in holy-day attire? Ah, yes! much more would start into his sight— The revelries and mysteries of night: And should I ever see them, I will tell you Such tales as needs must with amazement spell you.
These are the living pleasures of the bard: But richer far posterity's reward.
What does he murmur with his latest breath, While his proud eye looks though the film of death? "What though I leave this dull and earthly mould, Yet shall my spirit lofty converse hold With after times.
—The patriot shall feel My stern alarum, and unsheath his steel; Or, in the senate thunder out my numbers To startle princes from their easy slumbers.
The sage will mingle with each moral theme My happy thoughts sententious; he will teem With lofty periods when my verses fire him, And then I'll stoop from heaven to inspire him.
Lays have I left of such a dear delight That maids will sing them on their bridal night.
Gay villagers, upon a morn of May, When they have tired their gentle limbs with play And formed a snowy circle on the grass, And placed in midst of all that lovely lass Who chosen is their queen,—with her fine head Crowned with flowers purple, white, and red: For there the lily, and the musk-rose, sighing, Are emblems true of hapless lovers dying: Between her breasts, that never yet felt trouble, A bunch of violets full blown, and double, Serenely sleep:—she from a casket takes A little book,—and then a joy awakes About each youthful heart,—with stifled cries, And rubbing of white hands, and sparkling eyes: For she's to read a tale of hopes, and fears; One that I fostered in my youthful years: The pearls, that on each glist'ning circlet sleep, Must ever and anon with silent creep, Lured by the innocent dimples.
To sweet rest Shall the dear babe, upon its mother's breast, Be lulled with songs of mine.
Fair world, adieu! Thy dales, and hills, are fading from my view: Swiftly I mount, upon wide spreading pinions, Far from the narrow bound of thy dominions.
Full joy I feel, while thus I cleave the air, That my soft verse will charm thy daughters fair, And warm thy sons!" Ah, my dear friend and brother, Could I, at once, my mad ambition smother, For tasting joys like these, sure I should be Happier, and dearer to society.
At times, 'tis true, I've felt relief from pain When some bright thought has darted through my brain: Through all that day I've felt a greater pleasure Than if I'd brought to light a hidden treasure.
As to my sonnets, though none else should heed them, I feel delighted, still, that you should read them.
Of late, too, I have had much calm enjoyment, Stretched on the grass at my best loved employment Of scribbling lines for you.
These things I thought While, in my face, the freshest breeze I caught.
E'en now I'm pillowed on a bed of flowers That crowns a lofty clift, which proudly towers Above the ocean-waves, The stalks, and blades, Chequer my tablet with their quivering shades.
On one side is a field of drooping oats, Through which the poppies show their scarlet coats; So pert and useless, that they bring to mind The scarlet coats that pester human-kind.
And on the other side, outspread, is seen Ocean's blue mantle streaked with purple, and green.
Now 'tis I see a canvassed ship, and now Mark the bright silver curling round her prow.
I see the lark dowm-dropping to his nest, And the broad winged sea-gull never at rest; For when no more he spreads his feathers free, His breast is dancing on the restless sea.
Now I direct my eyes into the west, Which at this moment is in sunbeams drest: Why westward turn? 'Twas but to say adieu! 'Twas but to kiss my hand, dear George, to you!
Written by Vachel Lindsay | Create an image from this poem

An Argument

 I.
THE VOICE OF THE MAN IMPATIENT WITH VISIONS AND UTOPIAS We find your soft Utopias as white As new-cut bread, and dull as life in cells, O, scribes who dare forget how wild we are How human breasts adore alarum bells.
You house us in a hive of prigs and saints Communal, frugal, clean and chaste by law.
I'd rather brood in bloody Elsinore Or be Lear's fool, straw-crowned amid the straw.
Promise us all our share in Agincourt Say that our clerks shall venture scorns and death, That future ant-hills will not be too good For Henry Fifth, or Hotspur, or Macbeth.
Promise that through to-morrow's spirit-war Man's deathless soul will hack and hew its way, Each flaunting Caesar climbing to his fate Scorning the utmost steps of yesterday.
Never a shallow jester any more! Let not Jack Falstaff spill the ale in vain.
Let Touchstone set the fashions for the wise And Ariel wreak his fancies through the rain.
II.
THE RHYMER'S REPLY.
INCENSE AND SPLENDOR Incense and Splendor haunt me as I go.
Though my good works have been, alas, too few, Though I do naught, High Heaven comes down to me, And future ages pass in tall review.
I see the years to come as armies vast, Stalking tremendous through the fields of time.
MAN is unborn.
To-morrow he is born, Flame-like to hover o'er the moil and grime, Striving, aspiring till the shame is gone, Sowing a million flowers, where now we mourn— Laying new, precious pavements with a song, Founding new shrines, the good streets to adorn.
I have seen lovers by those new-built walls Clothed like the dawn in orange, gold and red.
Eyes flashing forth the glory-light of love Under the wreaths that crowned each royal head.
Life was made greater by their sweetheart prayers.
Passion was turned to civic strength that day— Piling the marbles, making fairer domes With zeal that else had burned bright youth away.
I have seen priestesses of life go by Gliding in samite through the incense-sea— Innocent children marching with them there, Singing in flowered robes, "THE EARTH IS FREE": While on the fair, deep-carved unfinished towers Sentinels watched in armor, night and day— Guarding the brazier-fires of hope and dream— Wild was their peace, and dawn-bright their array!
Written by Henry Wadsworth Longfellow | Create an image from this poem

The Cumberland

AT anchor in Hampton Roads we lay, 
On board of the Cumberland, sloop-of-war; 
And at times from the fortress across the bay 
The alarum of drums swept past, 
Or a bugle blast 5 
From the camp on the shore.
Then far away to the south uprose A little feather of snow-white smoke, And we knew that the iron ship of our foes Was steadily steering its course 10 To try the force Of our ribs of oak.
Down upon us heavily runs, Silent and sullen, the floating fort; Then comes a puff of smoke from her guns, 15 And leaps the terrible death, With fiery breath, From each open port.
We are not idle, but send her straight Defiance back in a full broadside! 20 As hail rebounds from a roof of slate, Rebounds our heavier hail From each iron scale Of the monster's hide.
"Strike your flag!" the rebel cries, 25 In his arrogant old plantation strain.
"Never!" our gallant Morris replies; "It is better to sink than to yield!" And the whole air pealed With the cheers of our men.
30 Then, like a kraken huge and black, She crushed our ribs in her iron grasp! Down went the Cumberland all a wrack, With a sudden shudder of death, And the cannon's breath 35 For her dying gasp.
Next morn, as the sun rose over the bay, Still floated our flag at the mainmast head.
Lord, how beautiful was Thy day! Every waft of the air 40 Was a whisper of prayer, Or a dirge for the dead.
Ho! brave hearts that went down in the seas! Ye are at peace in the troubled stream; Ho! brave land! with hearts like these, 45 Thy flag, that is rent in twain, Shall be one again, And without a seam!


Written by Henry Wadsworth Longfellow | Create an image from this poem

THE BELFRY OF BRUGES

 In the market-place of Bruges stands the belfry old and brown;
Thrice consumed and thrice rebuilded, still it watches o'er the
town.
As the summer morn was breaking, on that lofty tower I stood, And the world threw off the darkness, like the weeds of widowhood.
Thick with towns and hamlets studded, and with streams and vapors gray, Like a shield embossed with silver, round and vast the landscape lay.
At my feet the city slumbered.
From its chimneys, here and there, Wreaths of snow-white smoke, ascending, vanished, ghost-like, into air.
Not a sound rose from the city at that early morning hour, But I heard a heart of iron beating in the ancient tower.
From their nests beneath the rafters sang the swallows wild and high; And the world, beneath me sleeping, seemed more distant than the sky.
Then most musical and solemn, bringing back the olden times, With their strange, unearthly changes rang the melancholy chimes, Like the psalms from some old cloister, when the nuns sing in the choir; And the great bell tolled among them, like the chanting of a friar.
Visions of the days departed, shadowy phantoms filled my brain; They who live in history only seemed to walk the earth again; All the Foresters of Flanders,--mighty Baldwin Bras de Fer, Lyderick du Bucq and Cressy Philip, Guy de Dampierre.
I beheld the pageants splendid that adorned those days of old; Stately dames, like queens attended, knights who bore the Fleece of Gold Lombard and Venetian merchants with deep-laden argosies; Ministers from twenty nations; more than royal pomp and ease.
I beheld proud Maximilian, kneeling humbly on the ground; I beheld the gentle Mary, hunting with her hawk and hound; And her lighted bridal-chamber, where a duke slept with the queen, And the armed guard around them, and the sword unsheathed between.
I beheld the Flemish weavers, with Namur and Juliers bold, Marching homeward from the bloody battle of the Spurs of Gold; Saw the light at Minnewater, saw the White Hoods moving west, Saw great Artevelde victorious scale the Golden Dragon's nest.
And again the whiskered Spaniard all the land with terror smote; And again the wild alarum sounded from the tocsin's throat; Till the bell of Ghent responded o'er lagoon and dike of sand, "I am Roland! I am Roland! there is victory in the land!" Then the sound of drums aroused me.
The awakened city's roar Chased the phantoms I had summoned back into their graves once more.
Hours had passed away like minutes; and, before I was aware, Lo! the shadow of the belfry crossed the sun-illumined square.

Book: Shattered Sighs