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Best Famous 2000 Poems

Here is a collection of the all-time best famous 2000 poems. This is a select list of the best famous 2000 poetry. Reading, writing, and enjoying famous 2000 poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of 2000 poems.

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Written by Fleda Brown | Create an image from this poem

I Write My Mother a Poem

Sometimes I feel her easing further into her grave, 
resigned, as always, and I have to come to her rescue.
Like now, when I have so much else to do.
Not that she'd want a poem.
She would have been proud, of course, of all its mystery, involving her, but scared a little.
Her eyes would have filled with tears.
It always comes to that, I don't know why I bother.
One gesture and she's gone down a well of raw feeling, and I'm left alone again.
I avert my eyes, to keep from scaring her.
On her dresser is one of those old glass bottles of Jergen's Lotion with the black label, a little round bottle of Mum deodorant, a white plastic tray with Avon necklaces and earrings, pennies, paper clips, and a large black coat button.
I appear to be very interested in these objects, even interested in the sun through the blinds.
It falls across her face, and not, as she changes the bed.
She would rather have clean sheets than my poem, but as long as I don't bother her, she's glad to know I care.
She's talked my father into taking a drive later, stopping for an A & W root beer.
She is dreaming of foam on the glass, the tray propped on the car window.
And trees, farmhouses, the expanse of the world as seen from inside the car.
It is no use to try to get her out to watch airplanes take off, or walk a trail, or hear this poem and offer anything more than "Isn't that sweet!" Right now bombs are exploding in Kosovo, students shot in Colorado, and my mother is wearing a root beer mustache.
Her eyes are unfocused, everything's root beer.
I write root beer, root beer, to make her happy.
from Breathing In, Breathing Out, Anhinga Press, 2002 © 2000, Fleda Brown (first published in The Southern Review, 36 [2000])


Written by Charles Bukowski | Create an image from this poem

16-bit Intel 8088 chip

 with an Apple Macintosh
you can't run Radio Shack programs
in its disc drive.
nor can a Commodore 64 drive read a file you have created on an IBM Personal Computer.
both Kaypro and Osborne computers use the CP/M operating system but can't read each other's handwriting for they format (write on) discs in different ways.
the Tandy 2000 runs MS-DOS but can't use most programs produced for the IBM Personal Computer unless certain bits and bytes are altered but the wind still blows over Savannah and in the Spring the turkey buzzard struts and flounces before his hens.
Written by Ralph Waldo Emerson | Create an image from this poem

Account Of A Visit From St. Nicholas

 'Twas the night before Christmas, when all thro' the house, 
Not a creature was stirring, not even a mouse;

The stockings were hung by the chimney with care,
In hopes that St.
Nicholas soon would be there; The children were nestled all snug in their beds, While visions of sugar plums danc'd in their heads, And Mama in her 'kerchief, and I in my cap, Had just settled our brains for a long winter's nap— When out on the lawn there arose such a clatter, I sprang from the bed to see what was the matter.
Away to the window I flew like a flash, Tore open the shutters, and threw up the sash.
The moon on the breast of the new fallen snow, Gave the lustre of mid-day to objects below; When, what to my wondering eyes should appear, But a miniature sleigh, and eight tiny rein-deer, With a little old driver, so lively and quick, I knew in a moment it must be St.
Nick.
More rapid than eagles his coursers they came, And he whistled, and shouted, and call'd them by name: "Now! Dasher, now! Dancer, now! Prancer, and Vixen, "On! Comet, on! Cupid, on! Dunder and Blixem1; "To the top of the porch! to the top of the wall! "Now dash away! dash away! dash away all!" As dry leaves before the wild hurricane fly, When they meet with an obstacle, mount to the sky; So up to the house-top the coursers they flew, With the sleigh full of Toys—and St.
Nicholas too: And then in a twinkling, I heard on the roof The prancing and pawing of each little hoof.
As I drew in my head, and was turning around, Down the chimney St.
Nicholas came with a bound: He was dress'd all in fur, from his head to his foot, And his clothes were all tarnish'd with ashes and soot; A bundle of toys was flung on his back, And he look'd like a peddler just opening his pack: His eyes—how they twinkled! his dimples how merry, His cheeks were like roses, his nose like a cherry; His droll little mouth was drawn up like a bow.
And the beard of his chin was as white as the snow; The stump of a pipe he held tight in his teeth, And the smoke it encircled his head like a wreath.
He had a broad face, and a little round belly That shook when he laugh'd, like a bowl full of jelly: He was chubby and plump, a right jolly old elf, And I laugh'd when I saw him in spite of myself; A wink of his eye and a twist of his head Soon gave me to know I had nothing to dread.
He spoke not a word, but went straight to his work, And fill'd all the stockings; then turn'd with a jerk, And laying his finger aside of his nose And giving a nod, up the chimney he rose.
He sprung to his sleigh, to his team gave a whistle, And away they all flew, like the down of a thistle: But I heard him exclaim, ere he drove out of sight— Happy Christmas to all, and to all a good night.
NOTES: In the year 2000, Don Foster, an English professor at Vassar College in Poughkeepsie, New York, used external and internal evidence to show that Clement Clarke Moore could not have been the author of this poem, but that it was probably the work of Livingston, and that Moore had written another, and almost forgotten, Christmas piece, "Old Santeclaus.
" Foster's analysis of this deception appears in his Author Unknown: On the Trail of Anonymous (New York: Henry Holt, 2000): 221-75.
22.
1Later revised to "Donder and Blitzen" by Clement Clarke Moore when he took credit for the poem in Poems (New York: Bartlett and Welford, 1844).
Source: http://www.
library.
utoronto.
ca/utel/rp/poems/livingston1.
html
Written by Allen Ginsberg | Create an image from this poem

Nagasaki Days

 I -- A Pleasant Afternoon

 for Michael Brownstein and Dick Gallup


One day 3 poets and 60 ears sat under a green-striped Chau-
 tauqua tent in Aurora
listening to Black spirituals, tapping their feet, appreciating
 words singing by in mountain winds
on a pleasant sunny day of rest -- the wild wind blew thru
 blue Heavens
filled with fluffy clouds stretched from Central City to Rocky
 Flats, Plutonium sizzled in its secret bed,
hot dogs sizzled in the Lion's Club lunchwagon microwave
 mouth, orangeade bubbled over in waxen cups
Traffic moved along Colefax, meditators silent in the Diamond
 Castle shrine-room at Boulder followed the breath going
 out of their nostrils,
Nobody could remember anything, spirits flew out of mouths
 & noses, out of the sky, across Colorado plains & the
 tent flapped happily open spacious & didn't fall down.
June 18, 1978 II -- Peace Protest Cumulus clouds float across blue sky over the white-walled Rockwell Corporation factory -- am I going to stop that? * Rocky Mountains rising behind us Denver shining in morning light -- Led away from the crowd by police and photographers * Middleaged Ginsberg and Ellsberg taken down the road to the greyhaired Sheriff's van -- But what about Einstein? What about Einstein? Hey, Einstein Come back! III -- Golden Courthouse Waiting for the Judge, breathing silent Prisoners, witnesses, Police -- the stenographer yawns into her palms.
August 9, 1978 IV -- Everybody's Fantasy I walked outside & the bomb'd dropped lots of plutonium all over the Lower East Side There weren't any buildings left just iron skeletons groceries burned, potholes open to stinking sewer waters There were people starving and crawling across the desert the Martian UFOs with blue Light destroyer rays passed over and dried up all the waters Charred Amazon palmtrees for hundreds of miles on both sides of the river August 10, 1978 V -- Waiting Room at the Rocky Flats Plutonium Plant "Give us the weapons we need to protect ourselves!" the bareheaded guard lifts his flyswatter above the desk -- whap! * A green-letter'd shield on the pressboard wall! "Life is fragile.
Handle with care" -- My Goodness! here's where they make the nuclear bomb triggers.
August 17, 1978 VI -- Numbers in Red Notebook 2,000,000 killed in Vietnam 13,000,000 refugees in Indochina 1972 200,000,000 years for the Galaxy to revolve on its core 24,000 the Babylonian Great Year 24,000 half life of plutonium 2,000 the most I ever got for a poetry reading 80,000 dolphins killed in the dragnet 4,000,000,000 years earth been born Summer 1978
Written by Robert Desnos | Create an image from this poem

Sleep Spaces

 In the night there are of course the seven wonders
of the world and the greatness tragedy and enchantment.
Forests collide with legendary creatures hiding in thickets.
There is you.
In the night there are the walker's footsteps the murderer's the town policeman's light from the street lamp and the ragman's lantern There is you.
In the night trains go past and boats and the fantasy of countries where it's daytime.
The last breaths of twilight and the first shivers of dawn.
There is you.
A piano tune, a shout.
A door slams.
A clock.
And not only beings and things and physical sounds.
But also me chasing myself or endlessly going beyond me.
There is you the sacrifice, you that I'm waiting for.
Sometimes at the moment of sleep strange figures are born and disappear.
When I shut my eyes phosphorescent blooms appear and fade and come to life again like fireworks made of flesh.
I pass through strange lands with creatures for company.
No doubt you are there, my beautiful discreet spy.
And the palpable soul of the vast reaches.
And perfumes of the sky and the stars the song of a rooster from 2000 years ago and piercing screams in a flaming park and kisses.
Sinister handshakes in a sickly light and axles grinding on paralyzing roads.
No doubt there is you who I do not know, who on the contrary I do know.
But who, here in my dreams, demands to be felt without ever appearing.
You who remain out of reach in reality and in dream.
You who belong to me through my will to possess your illusion but who brings your face near mine only if my eyes are closed in dream as well as in reality.
You who in spite of an easy rhetoric where the waves die on the beach where crows fly into ruined factories, where the wood rots crackling under a lead sun.
You who are at the depths of my dreams stirring up a mind full of metamorphoses leaving me your glove when I kiss your hand.
In the night there are stars and the shadowy motion of the sea, of rivers, forests, towns, grass and the lungs of millions and millions of beings.
In the night there are the seven wonders of the world.
In the night there are no guardian angels, but there is sleep.
In the night there is you.
In the daylight too.


Written by Denise Duhamel | Create an image from this poem

Ai

 There is a chimp named Ai who can count to five.
There's a poet named Ai whose selected poems Vice just won the National Book Award.
The name "Ai" is pronounced "I" so that whenever I talk about the poet Ai such as I'm teaching Ai's poems again this semester it sounds like I'm teaching my own poems or when I say I love Ai's work it sounds as if I'm saying I love my own poems but have poor grammar.
I haven't had a chance to talk much yet about this Japanese chimp who can arrange pictures in order of the number of objects contained in those pictures.
I just read about her for the first time yesterday, the fifth of January in the year 00 which I imagine would be a hard concept for Ai the chimp.
It feels weird writing 00 - I had to do it when I wrote my first check of the year 2000.
I think we should proclaim this year as the year of Olive Oyl, who is also an 00, but with letters instead of numbers.
I was in the Koko fan club for a while since I love gorillas, but then I moved around so much, the newsletters and requests for money stopped coming.
I wonder if Ai the poet is happy she shares a name with a gifted chimp.
To me, the most amazing thing about Ai the poet is she hardly ever writes an "I" poem about herself.
She crawls into the hearts of the cruelest men and writes about what it is like to be them, while I mostly curl in the bellies of the shattered women.
There's no evidence that one approach is better than the other.
There's no evidence that chimpanzees use numbers in the wild.
One expert said that perhaps chimpanzees count the number of predators they see.
I read on the web that John Wayne actually said, "I don't feel we did wrong in taking this great country away from them.
There were great numbers of people who needed new land, and the Indians were selfishly trying to keep it for themselves.
" So maybe chimps do count their enemies, to see if they have the advantage, but I'm a romantic - I like to think that Ai the poet and I mostly count our stanzas.
I like to think Ai the chimp mostly counts her bananas.
Written by William Topaz McGonagall | Create an image from this poem

The Battle of Waterloo

 'Twas in the year 1815, and on the 18th day of June,
That British cannon, against the French army, loudly did boom,
Upon the ever memorable bloody field of Waterloo;
Which Napoleon remembered while in St.
Helena, and bitterly did rue.
The morning of the 18th was gloomy and cheerless to behold, But the British soon recovered from the severe cold That they had endured the previous rainy night; And each man prepared to burnish his arms for the coming fight.
Then the morning passed in mutual arrangements for battle, And the French guns, at half-past eleven, loudly did rattle; And immediately the order for attack was given, Then the bullets flew like lightning till the Heaven's seemed riven.
The place from which Bonaparte viewed the bloody field Was the farmhouse of La Belle Alliance, which some protection did yield; And there he remained for the most part of the day, Pacing to and fro with his hands behind him in doubtful dismay.
The Duke of Wellington stood upon a bridge behind La Haye, And viewed the British army in all their grand array, And where danger threatened most the noble Duke was found In the midst of shot and shell on every side around.
Hougemont was the key of the Duke of Wellington's position, A spot that was naturally very strong, and a great acqusition To the Duke and his staff during the day, Which the Coldstream Guards held to the last, without dismay.
The French 2nd Corps were principally directed during the day To carry Hougemont farmhouse without delay; So the farmhouse in quick succession they did attack, But the British guns on the heights above soon drove them back.
But still the heavy shot and shells ploughed through the walls; Yet the brave Guards resolved to hold the place no matter what befalls; And they fought manfully to the last, with courage unshaken, Until the tower of Hougemont was in a blaze but still it remained untaken.
By these desperate attacks Napoleon lost ten thousand men, And left them weltering in their gore like sheep in a pen; And the British lost one thousand men-- which wasn't very great, Because the great Napoleon met with a crushing defeat.
The advance of Napoleon on the right was really very fine, Which was followed by a general onset upon the British line, In which three hundred pieces of artillery opened their cannonade; But the British artillery played upon them, and great courage displayed.
For ten long hours it was a continued succession of attacks; Whilst the British cavalry charged them in all their drawbacks; And the courage of the British Army was great in square at Waterloo, Because hour after hour they were mowed down in numbers not a few.
At times the temper of the troops had very nearly failed, Especially amongst the Irish regiments who angry railed; And they cried: " When will we get at them? Show us the way That we may avenge the death of our comrades without delay" "But be steady and cool, my brave lads," was their officers' command, While each man was ready to charge with gun in hand; Oh, Heaven! if was pitiful to see their comrades lying around, Dead and weltering in their gore, and cumbering the ground.
It was a most dreadful sight to behold, Heaps upon heaps of dead men lying stiff and cold; While the cries of the dying was lamentable to hear; And for the loss Of their comrades many a soldier shed a tear.
Men and horses fell on every aide around, Whilst heavy cannon shot tore up the ground; And musket balls in thousands flew, And innocent blood bedewed the field of Waterloo.
Methinks I see the solid British square, Whilst the shout of the French did rend the air, As they rush against the square of steel.
Which forced them back and made them reel.
And when a gap was made in that square, The cry of "Close up! Close up!" did rend the air, "And charge them with your bayonets, and make them fly! And Scotland for ever! be the cry.
" The French and British closed in solid square, While the smoke of the heavy cannonade darkened the air; Then the noble Picton deployed his division into line, And drove back the enemy in a very short time.
Then Lord Anglesey seized on the moment, and charging with the Greys, Whilst the Inniskillings burst through everything, which they did always; Then the French infantry fell in hundreds by the swords of the Dragoons; Whilst the thundering of the cannonade loudly booms.
And the Eagles of the 45th and 105th were all captured that day, And upwards of 2000 prisoners, all in grand array; But, alas! at the head of his division, the noble Picton fell, While the Highlanders played a lament for him they loved so well.
Then the French cavalry receded from the square they couldn't penetrate, Still Napoleon thought to weary the British into defeat; But when he saw his columns driven back in dismay, He cried, "How beautifully these English fight, but they must give way.
" And well did British bravery deserve the proud encomium, Which their enduring courage drew from the brave Napoleon; And when the close column of infantry came on the British square, Then the British gave one loud cheer which did rend the air.
Then the French army pressed forward at Napoleon's command, Determined, no doubt, to make a bold stand; Then Wellington cried, " Up Guards and break their ranks through, And chase the French invaders from off the field of Waterloo!" Then, in a moment, they were all on their feet, And they met the French, sword in hand, and made them retreat; Then Wellington in person directed the attack, And at every point and turning the French were beaten back.
And the road was choked and encumbered with the dead; And, unable to stand the charge, the French instantly fled, And Napoleon's army of yesterday was now a total wreck, Which the British manfully for ten long hours held in check.
Then, panic-struck, the French were forced to yield, And Napoleon turned his charger's head, and fled from the field, With his heart full of woe, no doubt Exclaiming, "Oh, Heaven! my noble army has met with a total rout!"
Written by Anne Sexton | Create an image from this poem

Crossing The Atlantic

 We sail out of season into on oyster-gray wind,
over a terrible hardness.
Where Dickens crossed with mal de mer in twenty weeks or twenty days I cross toward him in five.
Wraped in robes-- not like Caesar but like liver with bacon-- I rest on the stern burning my mouth with a wind-hot ash, watching my ship bypass the swells as easily as an old woman reads a palm.
I think; as I look North, that a field of mules lay down to die.
The ship is 27 hours out.
I have entered her.
She might be a whale, sleeping 2000 and ship's company, the last 40¢ martini and steel staterooms where night goes on forever.
Being inside them is, I think, the way one would dig into a planet and forget the word light.
I have walked cities, miles of mole alleys with carpets.
Inside I have been ten girls who speak French.
They languish everywhere like bedsheets.
Oh my Atlantic of the cracked shores, those blemished gates of Rockport and Boothbay, those harbor smells like the innards of animals! Old childish Queen, where did you go, you bayer at wharfs and Victorian houses? I have read each page of my mother's voyage.
I have read each page of her mother's voyage.
I have learned their words as they learned Dickens'.
I have swallowed these words like bullets.
But I have forgotten the last guest--terror.
Unlike them, I cannot toss in the cabin as in childbirth.
Now always leaving me in the West is the wake, a ragged bridal veil, unexplained, seductive, always rushing down the stairs, never detained, never enough.
The ship goes on as though nothing else were happening.
Generation after generation, I go her way.
She will run East, knot by knot, over an old bloodstream, stripping it clear, each hour ripping it, pounding, pounding, forcing through as through a virgin.
Oh she is so quick! This dead street never stops!
Written by Du Fu | Create an image from this poem

Ballad of the Ancient Cypress

Kong ming temple before be old cypress
Branch like green bronze root like stone
Frost bark slippery rain 40 spans
Black colour meet sky 2000 feet
Emperor and minister already with time end meet
Tree tree still be man devotion
Cloud come air meet Wu gorge long
Moon out cold with snow mountain white
Remember old road wind brocade pavilion east
Former master war lord together hidden temple
Towering branch trunk open country ancient
Secluded red black door window empty
Spread wide coil entrenched although get earth
Dark far lofty many violent wind
Give support naturally divine strength
Upright reason creator skill
Big hall if upset want rafter beam
10,000 oxen turn head mountain weight
Not reveal hidden meaning world already amazed
Without evade cut down who can send
Bitter heart how avoid contain mole crickets ants
Fragrant leaves all through reside phoenix
Aim scholar secluded person not resent sigh
Always timber big hard to use


Before Kongming's shrine stands an ancient cypress,
Its branches are like green bronze, its roots just like stone.
The frosted bark, slippery with rain, is forty spans around,
Its blackness blends into the sky two thousand feet above.
Master and servant have each already reached their time's end,
The tree, however, still remains, receiving men's devotion.
Clouds come and bring the air of Wuxia gorge's vastness,
The moon comes out, along with the cold of snowy mountain whiteness.

I think back to the winding road, east of Brocade Pavilion,
Where the military master and his lord of old share a hidden temple.
Towering that trunk, those branches, on the ancient plain,
Hidden paintings, red and black, doors and windows empty.
Spreading wide, coiling down, though it holds the earth,
In the dim and distant heights are many violent winds.
That which gives it its support must be heaven's strength,
The reason for its uprightness, the creator's skill.

If a great hall should teeter, wanting rafters and beams,
Ten thousand oxen would turn their heads towards its mountain's weight.
Its potential unrevealed, the world's already amazed,
Nothing would stop it being felled, but what man could handle it?
Its bitter heart cannot avoid the entry of the ants,
Its fragrant leaves have always given shelter to the phoenix.
Ambitious scholars, reclusive hermits- neither needs to sigh;
Always it's the greatest timber that's hardest to put to use.
Written by William Topaz McGonagall | Create an image from this poem

The Last Berkshire Eleven

 'Twas at the disastrous battle of Maiwand, in Afghanistan,
Where the Berkshires were massacred to the last man;
On the morning of July the 27th, in the year eighteen eighty,
Which I'm sorry to relate was a pitiful sight to see.
Ayoub Khan's army amounted to twelve thousand in all, And honestly speaking it wasn't very small, And by such a great force the Berkshires were killed to the last man, By a murderous rebel horde under the command of Ayoub Khan.
The British force amounted to about 2000 strong in all, But although their numbers were but few it didn't them appal; They were commanded by General Burrows, a man of courage bold, But, alas! the British army was defeated be it told.
The 66th Berkshire Regiment stood as firm as a wall, Determined to conquer or die whatever would befall, But in the face of overwhelming odds, and covered to the last, The broken and disordered Sepoys were flying fast Before the victorious Afghan soldiers, whose cheers on the air arose, But the gallant band poured in deadly volleys on their foes; And, outnumbered and surrounded, they fell in sections like ripe grain; Still the heroes held their ground, charging with might and main.
The British force, alas! were shut up like sheep in a pen, Owing to the bad position General Burrows had chosen for his men; But Colonel Galbraith with the Berkshires held the enemy at bay, And had the Sepoys been rallied the Afghans would not have won the day.
But on the Berkshires fell the brunt of the battle, For by the Afghan artillery they fell like slaughtered cattle; Yet the wild horsemen were met with ringing volleys of musketry, Which emptied many a saddle; still the Afghans fought right manfully.
And on came the white cloud like a whirlwind; But the gallant Berkshires, alas! no help could find, While their blood flowed like water on every side around, And they fell in scores, but the men rallied and held their ground The brave Berkshires under Colonel Galbraith stood firm in the centre there, Whilst the shouts of the wild Ghazis rent the air; But still the Berkshires held them at bay, At the charge of the bayonet, without dismay.
Then the Ghazis, with increased numbers, made another desperate charge On that red line of British bayonets, which wasn't very large; And the wild horsemen were met again with ringing volleys of musketry, Which was most inspiring and frightful to see.
Then Ayoub concentrated his whole attack on the Berkshire Regiment, Which made them no doubt feel rather discontent, And Jacob's Rifles and the Grenadiers were a confused and struggling mass, Oh heaven! such a confused scene, nothing could it surpass.
But the Berkshires stood firm, replying to the fire of the musketry, While they were surrounded on all sides by masses of cavalry; Still that gallant band resolved to fight for their Queen and country, Their motto being death before dishonour, rather than flee.
At last the gallant British soldiers made a grand stand, While most of the officers were killed fighting hand to hand, And at length the Sepoys fled from the enclosure, panic-stricken and irate, Alas! leaving behind their European comrades to their fate.
The Berkshires were now reduced to little more than one hundred men, Who were huddled together like sheep in a pen; But they broke loose from the enclosure, and back to back, Poured volley after volley in the midst of the enemy, who weren't slack.
And one by one they fell, still the men fought without dismay, And the regimental pet dog stuck to the heroes throughout the day; And their cartridge pouches were empty, and of shot they were bereft, And eleven men, most of them wounded, were all that were left.
And they broke from the enclosure, and followed by the little dog, And with excitement it was barking savagely, and leaping like a frog; And from the field the last eleven refused to retire, And with fixed bayonets they charged on the enemy in that sea of fire.
Oh, heaven! it was a fearful scene the horrors of that day, When I think of so many innocent lives that were taken away; Alas! the British force were massacred in cold blood, And their blood ran like a little rivulet in full flood.
And the Ghazis were afraid to encounter that gallant little band At the charge of the bayonet : Oh! the scene was most grand; And the noble and heroic eleven fought on without dismay, Until the last man in the arms of death stiff and stark lay.

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